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creative placemaking

Joyce Brewer : Building New Collaborations on a Rich Foundation of Past Heritage

April 27, 2023 By Corey Aldrich

I met Joyce Brower at this months 2023 NY Museum Association Conference in Syracuse. (Thanks for the invite Erika Sanger!) I was quickly enthralled by the interesting tapestry of organizational collaborations she was weaving into the fabric of an upcoming event she introduced me to. The ‘2023 Hoosick History and Heritage Fair’ is a regional narrative. Joyce has a way of convincing you of the importance the past plays in the creation of provenance or the identity of a place. As we went deeper, she shared tried and true methods that are creating community cohesion while documenting new things for feature generations to benefit from. There are some real gems in this one folks.

Joyce Brewer – Director at Hoosick Township Historical Society and the Louis Miller Museum
Image Provided

Please tell us your name and what you do. How did you get to be in this position?

My name is Joyce Brewer. I am the Director of the Hoosick Township Historical Society and the Louis Miller Museum. I have worked for HTHS for 10 years and have been the Director for 8 years. I am a trustee of the Friends of the Bennington Battlefield and I have held the position of treasurer since its rebirth in 2018. I am a lifelong resident of the Town of Hoosick.

Can you talk a little about why you feel it’s important to tell the stories of places / small towns like Hoosick Falls?

Small communities like Hoosick Falls struggle to make their history and heritage known outside of the local community. They don’t have the funds or dedicated staff at the governmental agencies or departments that work to highlight the community and all it has to offer. Places like Hoosick Falls have amazing history, events and businesses, but getting the word out is hard. The larger media groups don’t tend to cover us, unless something bad happens. Hoosick Falls played an integral part in the founding of our country. The area was a leader at the beginning of the industrial age. We may be a small community now, but at the turn of the 19th century, Hoosick Falls was the place to be!

Hoosick Falls Main Street Trolley | Image Provided
Walter A. Wood Mowing and Reaping Machine Manufactory – Main Blacksmith Shop

How does the Hoosick Township Historical Society fit into the towns tapestry? What impact do you feel you have on attracting folks to visit or even live in Hoosick Falls?

The Historical Society plays a very important part in our town. We are a “hands on” museum which delights kids and adults. It is a common occurrence to get calls, emails and visitors from all over the USA and the world inquiring about family genealogy, or asking a question about a piece of Walter A. Wood farm machinery they have. We get many inquiries on military history or tracking someone who fought in the American Revolution. We do all we can do to answer their questions, usually doing the research ourselves and sharing all we can find to help them in their search. It is rewarding to find a long lost family member or have a child excited to try on their great grandfather’s military uniform. If the Town or Village clerk receives a request for genealogy information, we are their first stop.

Hoosick Falls Historical Celebrities the Eberle Brothers | Image: Corey Aldrich
A Sample of the Louis Miller Museum‘s Vintage Clothing Collection | Photo: Corey Aldrich

When folks are looking to purchase a home or start a business, coming to the museum to find out the history of their building is very common. For new homeowners they want to know the history of who lived in their house before them. They come to the museum and many spend hours and weeks doing more research. It is fun and rewarding to help them discover! As an ambassador for Hoosick Falls, I encourage guests to continue their visit by checking out a food establishment, visiting the Battlefield or a stopping at one of the many art or antique stores.

Display Quilt with Resident Name Panels | Photo: Corey Aldrich

What advice would you give to other Historical Society organizations that are operating in smaller, more rural towns?

It is imperative to have an open door attitude. To have your artifacts accessible to young and old, and to offer events that highlight not just the famous of your community but the everyday person who happens to be an amazing photographer or artist, a cherished dance teacher or even someone who just celebrated their 100th birthday. These are the people who are the fabric of the town, the hardworking everyday people, and when you celebrate them, the entire community can see how the local historical society cares for the community as a whole, not just those who are famous. It is also important to share the stories and photos of not just the famous or infamous, but of everyday life…kids playing ball, a sports team from “back in the day”, a group of folks in a factory. Not only do these photos and stories get people talking, they share them because they have family or friends in them and this promotes pride and respect in them and in your small town. We feel it is extremely important to offer programs for kids and let them experience the museum in a fun and ingenious way. This is why we started Junior Historians in 2022.

Hoosick Falls Junior Historians Group Photo with History Teacher Katie Brownell | Photo Provided

I am fascinated by the upcoming event you have at the Hoosick Falls Armory – the ‘Hoosick History and Heritage Fair.’ Can you tell us more about your collaborative project partners and how you plan to make that a town wide event?

Besides being Director of the historical society, I am also a member of the Friends of the Bennington Battlefield. We have been working since 2018 to enhance the Battlefield and the public experience there. We added interpretive panels in 2020 and in 2022 we added an audio tour to accompany the panels. To address attendance challenges, our two groups created a joint committee to focus on fostering community engagement and education in Hoosick History and Heritage. Our goal is to propel our community to the next phases of upcoming celebrations, such as the end of the Seven Years War in 1774 (2024), the beginning of the American Revolution in 1775 (2025), the declaration of our independence 1776 (2026), and the turning point of the Revolution which began right here in Walloomsac, NY on August 16 1777 (2027).

The Bennington Museum | Barnett House with Friend of the Bennington Battlefield
President Peter Shaafphok | Images Provided

Besides celebrating the 250th anniversary of the Battle of Bennington – which we prefer to call the Battle of Walloomsac- it will also be the 200th anniversary for the Village of Hoosick Falls and the 100th anniversary of NYS officially recognizing the battlefield as a Historic site. With these three important events all in the same year we knew we needed to focus our efforts to bring awareness to these important dates and bring a renewed interest in our amazing history.

Friends of the Bennington Battlefield Reenactment with Canon Fire | Image Provided

As a small historical society we could never host an event like this on our own, but bringing all these people together in one space, gives those small, mostly volunteer run places a place to highlight what they are and have to offer. We will have representatives from a wide variety of historic sites and organizations who will share interesting history from Rensselaer County and beyond, as well as reenacting groups, our own Junior Historians and fun kids activities. Visitors can visit over a dozen exhibitors in the armory, participate in a scavenger hunt throughout our historic district, take a narrated trolley ride to the battlefield and back, and grab some food from the local Lions Club and ice cream truck. There will be re-enactors setting up camp in Wood Park. At noon, you can join the Red Knights Motorcycle Club as they co-host the annual Armed Forces Day Ceremony. This ceremony honors the 103 men from the Town of Hoosick who died in service to their country and is held at Liberty Memorial Park in Maple Grove Cemetery.

St. Mark’s Episcopal Church thrift store, which is located adjacent to Wood Park, will be open as well and many of the downtown brick and morter businesses throughout the town will have specials for the day. The best part – the event is FREE!!

The Louis Miller Museum Team | Image: Corey Aldrich
Left to Right: Joyce Brewer, Paige Kwasniak, Katie Brownell and Carol Gaillard

What do folks need to know to get involved with the May 20th event? Is there an event page with a full listing of whats happening?

You can visit Hoosick Township Historical Society

You can also find the information at the Friends of the Bennington Battlefield

On the NYS Parks site for the Bennington Battlefield

If you wish to volunteer an hour or two of your time on the 20th you can reach out to me at staff@hoosickhistory.com or call 518-686-4682.

If you want to experience the fair and all that is happening, the fair will run from 10 am to 4 pm at the Hoosick Falls Armory, 80 Church St, Hoosick Falls. Come early to grab breakfast, a coffee or a nutritious shake, take a walk along the Hoosic River Greenway, or visit Natty Bumppo’s burial site. There is so much to do in Historic Hoosick Falls!

Albany’s 1st Friday : A Reminiscence and New Beginnings

April 27, 2023 By Corey Aldrich

I found myself on the streets of Albany, literally. After going through some intense personal life changing events, I was struggling to craft a new identity. One that was less corporate, less structured. More creative, rebellious. I was attracted to Arts and Culture and had begun volunteering my time consulting for the Albany Center Gallery and soon joined the Ellen Sinopoli Dance Company board. At around this time (circa 2010), I discovered 1st Night in Albany or ART NIGHT as I used to think of it. My life would never be the same. The scene…it was decadent, divine. So creative, smart and unexpected. The who’s who of the regional arts and culture scene where there, on the streets. Hundreds even thousands converging on Albany – for Arts Sake. You could find excellent family friendly events early at places like the Albany Institute of History and Art, Grand Street Community Arts or ACG. Then as the night got later, renegade pop up events got hotter in vacant buildings like St. Joseph’s Church, 259 Lark Street, 4 Central Ave or at the Upstate Artist Guild. Finally, the grand finale for me was always at Samson Contompasis’ Marketplace Gallery in the East Greenbush Tape and Label Factory (40B!) where you could dance till dawn with the DJ’s, street artists, fashion junkies, art freaks and hangers on that I aspired to become more like.

Marketplace Gallery | Left with Camera – Frank Whitney next to Peter Contompasis.
Forefront – Corey Aldrich next to Robbie | Photo: Robin Alexandria Kettner-Zebrowski
Tommy Watkins | Corey Aldrich | Jo Agropovich on Central Avenue
Photo: Robin Alexandria Kettner-Zebrowski

“First Friday was such a wonderful community event. Going out, connecting with friends, meeting new people. Wandering from place to place, never quite knowing what you might encounter. I hope to see it come back!” Jo Agropovich (Artist and Bass Player with Va Va Voodoos / Retrobilleze)

A few years in, the scene cooled down. It felt diluted. My friends and I slowly stopped considering it a must go on the calendar, scattering to the wind or for me…the Troy scene. Now, post COVID a group wants to bring that creative energy back to Albany, to reclaim the crown…the question is, can it be done?

Unknown Little Dude & Momma | Performance at 259 Lark Street | Robin Alexandria Kettner-Zebrowski
Photos: Ken Jacobie

To understand the genesis of the movement, I went back and talked to some of the folks who were there at the beginning. As frequently is the case, there are slight variations on the ‘AHA!’ moment and not to mention some key voices missing. That said, I decided to reprint the words of some those who were there verbatim. This is by no means a complete history. Also, there are lots of overlaps and differences that seem to me to be the telling from different perspectives. Remember, the best scenes are not planned, they may have a little structure in the beginning but usually they are based on creative alliances that overlap and importantly in the words of Tommy Watkins “…collaborations of friends, forming new relationships, coming together from the heart with love. People who are obsessed with doing the thing.” From what I can tell, the spark of the idea was born from a show called the MANSION SHOW and its timing in conjunction with a variety of other events hitting critical mass over the following year. This group show was organized by Tommy Watkins circa 2005. It’s also clear to me that Chip Faschiana (Artist) was at all the action points mentioned by founding participants.

“The love of art was the common ground in which we all started. But as time went by we saw an even greater value that came out of creating these events. We saw how bringing every one together on the first Friday became uniquely special. It got people talking, got people sharing. It created a family, a community, a place where everyone was accepted and appreciated no matter who they were or where they came from.” Tommy Watkins (Artist / Founding Member of Upstate Artist Guild)

Rebecca Schoonmaker | Upstate Artist Guild | Christa Dijstelbergen-Ricci
Photo Left / Right: Robin Alexandria Kettner-Zebrowski | Center: Ken Jacobie

“Born out of the successful one-night shows of Chip Faschiana and Tommy Watkins, I, as a board member of Upstate Artist Guild and the new Director of the Romaine Brooks Gallery at the Pride Center, decided to align RBG’s shows to UAG’s. I then approached Elizabeth Dubben who had just opened Ambrose + Sable Gallery to see if she wanted to also align her schedule to the first Friday and she agreed. So on Friday September 1, 2006, with 3 galleries in Center Square, 1st Friday Albany was born. A few months later, Sarah Martinez at Albany Center Gallery got on board and we started to grow. I engaged the businesses on Lark and Downtown to show art, to get on the map. We got funding to rent the trolley to do loops between Lark and Downtown. Eventually we added the Opalka Gallery, St Rose, and the University at Albany, which facilitated getting a 2nd trolley, one for uptown and one for downtown. At its peak, 1st Friday had over 50 participating venues, every major art gallery/museum in Albany, and thousands of people a month. For anniversary months, we’d do a 2 page spread in the centerfold of Metroland.” Michael Weidrich (UAG Board Member | Director at Romaine Brooks Gallery at the Pride Center)

(EDITORS NOTE: Think of those peak metrics. This does NOT even include all the overlapping economy that happened due to the influx of traffic to participating neighborhoods that benefited restaurants, bars, coffee shops etc)

Chip Fasciana | DWELL (DJ) and Mia Otian | Katie Pray
Photo: Robin Alexandria Kettner-Zebrowski
Marketplace Gallery | Abe Ferraro’s Art Course
Left: Artist Provided | Right: Kristin Diotte

“I remember around 2006-13 there was a really vibrant, thriving Art scene that was taking over abandoned spaces and churches with Pop Up shows…independent galleries that were giving a voice to all kinds of artists…IT was exciting and was really moving the conversation forward for what was possible in this region and beyond…an Art Hub! I was happy to be contributing performance / Installation based works that were pretty outlandish…Art that could have easily been dismissed as too dangerous for insurance purposes or eccentric for public scrutiny…yet I was given the opportunity to inspire and be inspired…and live in this area!” Abe Ferraro (Artist | Sculptor and Performance Artist)

Unknown, DJ RaNa Ransom, DJ OFI & Martin Dodge | Photo: Robin Alexandria Kettner-Zebrowski
Rachelle Smith-Stallman Performance Still | Photo: Robin Alexandria Kettner-Zebrowski

“I have fond memories when 1st Friday was just an idea sparked by a conversation between Jeff Mirel, Founder of Albany Barn, Chip Fasciana, co-producer of Albany Underground Artists, and me. We all had shows and events opening the same night, and we wanted to come together to build a crowd rather than promote our events in silos. We wanted to bring the art scene to bring us together rather than pull us apart. Albany Center Gallery was relocating to downtown Albany from the second floor of the Albany Public Library, and had a vision to bring new life to the legacy institution so I was personally invested in making 1st Friday successful…“

“Thankfully, Michael Weidrich, a board member at Upstate Artists Guild at the time took initiative and joined our conversation. Through Weidrich’s dedication and commitment towards the initiative, and teamwork from a host of organizations such as Grand Street Community Arts, Albany Institute of History & Art, Albany Center Gallery, Upstate Artists Guild and a slew of other groups, the monthly event definitely elevated the art scene in Albany and other galleries gained notoriety like the Marketplace Gallery. One-night shows at St. Joseph’s Church and Grand Street Community Arts drew hundreds of people. I am grateful to have been part of this team effort to build up the arts community and it is remarkable to see Albany thrive and grow and reinvent this event.” Sarah Martinez (Director at Albany Center Gallery)

Jessyka Neitzel & Alana Sparrow | Photo: Robin Alexandria Kettner-Zebrowski
Tall Ass Matt – The Early Years | Photo: Robin Alexandria Kettner-Zebrowski

COVID really put a crimp in the final strands of what was First Night. But, there is now a new initiative to bring it all back. This is being spearheaded by Michelle Toch Dinsmore Partner at Overit Media and Jim Gilbert Owner and Publisher of Nippertown. Overit through participation in the event in the past had seen major traffic generated to support artists they had lined up pre-covid. Michelle indicated that for some shows they would track hundreds of attendees going through the door of their office / venue. Michelle and her team want to build “…upon the foundation of the great First Friday Albany organizers who came before us.” And of course, we all know Jim and his commitment to supporting all things music, art and culture through Nippertown’s online portal. This will be critical for success as in the past the METROLAND played a major part in creating a there there for the event with promotional information, ads and a detailed monthly event map.

Unknown | R.M. Englehardt | St. Joe’s Church Installation
Photos: Robin Alexandria Kettner-Zebrowski
Corina Jae (oneUNIT) & Samson Contompasis | Unknown at UAG | St. Joe’s Church
Photo: Ken Jacobie

“This is the start of something big,” said Jim Gilbert of Nippertown, “and we hope it will develop into something huge. We really hope that the city’s talented creatives will see this as an opportunity to highlight what makes artists so imperative to the overall success of a creative economy, and we encourage everyone to get involved.”

To this I would personally add, it’s NOT a Creative Economy without the artists and hope that we can remember to center them firmly in the process. After all…the Creative comes first followed by the Economy. Let’s find ways to sustain and provide resources for our value creators and enable them to help in the development of a truly sustaining and sustainable event to the benefit of the overall community.

Samson Contompasis (Marketplace Gallery), Greg Dunn & Micheal Scott Ackermann | RADICAL
Photo: Ken Jacobie
Michael Conlin | Unknown | Jesse | Alyssa Hardy | Mark Gregory (?)
Conlin’s Sign Studio at the East Greenbush Tape and Label Factory
Photo: Robin Alexandria Kettner-Zebrowski

The initial relaunch event will be held with a kickoff show at Overit Media at 435 New Scotland Avenue, Albany including 5 artists called The Power of Paper. (Mimi Castiglione-Santiago, Ruby Silvious, Abe Ferraro, Ashton Guy and Lindsay McKeough partner up with collaborative partners The Circus Family and Mohawk Paper) on May 5th from 5:00 p.m. to 8:00 p.m. This will also serve as the official kick off to the city’s Tulip Week leading up to the 75th Anniversary of the Tulip Festival. Additional events are listed on the Nippertown Event Page and include the arts locations, shows, and food / beverage promotions.

Want to get involved? To connect with participating locations as an artist you can head over to Nippertown’s First Friday Application Page.

Abe Farraro at 257 Lark | Unknown Performance Art | St. Joe’s Church – RADICAL Stage Design
Photos: Ken Jacobie
Marketplace Gallery – Abe Ferraro’s Art Course | Michael Farrell and Lisa Reddy
Photo: Ken Jacobie

Photos for this article were significantly mined from the collections of my favorite go to photographer at the time Robin Alexandria Kettner-Zebrowski who created a catalog of many who were on the streets in the deep scene and who without I would have been lost. Special mention to Ken Jacobie as well, who had an sharp eye on the art…and seemed to be everywhere all the time.

There is so much to plumb in this rich history. I may end up doing another article. So many voices to reach out to, images to search and best practice tips to secure!

The Museum Association of New York : The Tie That Binds – A Conversation with Erika Sanger

March 23, 2023 By Corey Aldrich

Please state your name, title and what it is you do for the organization.

My name is Erika Sanger and I am the Executive Director of the Museum Association of New York. In this role, I am the leading ambassador and advocate for museums and cultural institutions in New York State. I work with the board and staff to deepen connections with members and constituents; seek new opportunities for programs and funding; maintain, support, and develop relationships with members and stakeholders including museum professionals, industry partners, state and federal funding agencies, private foundations, local, regional, and federal government officials, and leaders of peer institutions and arts organizations. I was honored last year by the American Alliance of Museums with the 2022 Advocacy Leadership Award for my work on behalf of museums in New York and across the nation.

The Museum Institute at Great Camp Sagamore | Leadership Learning Retreat 2021 | Photo: Provided

Can you share a bit about your background?

I joined the Museum Association of New York in August of 2016 after serving twelve years as the Director of Education at the Albany Institute of History and Art. There, I provided vision for the development of programs for adults, children, schools, and families, focusing on object-based learning and digital initiatives. I led the institute’s “digital renaissance,” most notably with the launch of a new website and creation of interpretative strategies around hand-held digital devices and interactive media.

I gained my work experience and leadership skills through positions held at renowned arts and cultural institutions including the International Center of Photography, the Jewish Museum, the New-York Historical Society, the Brooklyn Museum, and the Asheville Art Museum in Asheville, NC. I also served as Director of Development at Penland School of Crafts in NC, where I was actively engaged in the region’s artist community and participated in the design and implementation of heritage tourism initiatives and campaigns for capital and endowment funds.

I’ve developed program assessments with Harvard University’s Project Zero, the North Carolina Center for the Advancement of Teaching, and with the education department at the University at Albany. Programs produced under my direction have received funding from state and federal agencies, including the Humanities and Arts Councils of the states of New York and North Carolina, the Institute for Museum and Library Services and the National Endowments for the Arts and Humanities.

I received a BFA from Clark University and an MA from NYU’s Steinhardt School of Culture, Education, and Human Development.

MANY Annual Conference | Photo: Provided

Can you tell us what a typical ‘day in the life‘ for you is?

I frequently say that this job is like riding a roller coaster! We host an April annual conference, professional development programs are produced across the state all year, the legislative calendar of the state and federal governments dictates our advocacy work, and our virtual programs reached over 1,600 people in 48 US States and 8 other nations in 2022. On any given day I may work on a grant application, have a board committee meeting, advise a member on a project or program, and work with our accountant on the organization’s finances. In 2022, we adopted a new strategic plan, revised our by-laws and personnel policy, and changed the board of directors’ terms to align with the organization’s fiscal year.

Jamie Jacobs : The Rock Foundation | Georgette Grier-Key – Executive Director and Curator : Eastville Community Historical Society | Didi Barrett – NYS Assembly Member (D-106) | Erika Sanger – Executive Director : Museum Association of NY | Chloe Hayward – Director of Education : Studio Museum in Harlem Photo: Provided
Museum Association of New York Membership Map

Can you tell us a bit about the mission and focus of MANY? How many members do you have and what types of institutions / organizations are in the group?

The mission of the Museum Association of New York is to help shape a better future for museums and museum professionals by uplifting best practices and building organizational capacity through advocacy, training, and networking opportunities. We closed 2022 with 730 members, a 6% increase over 2021 and in the first quarter of 2023, have gained 25 more. The largest number of our members are in the Capital Region and New York City, but we have members located in every region of the state, from every discipline and every budget size from all volunteer organizations to museums with budgets that exceed $10 million. Our website has a great map with each organizational member identified and most people would recognize many of our members.

March on Washington for Jobs and Freedom | August 28, 1963 by Rowland Scherman
Courtesy of National Archives and Records Administration

What is something you are currently working on that your excited about or that you feel we should know about?

As our nation approaches the 250th anniversary of the signing of the Declaration of Independence, we know that museums are searching for ways to engage their communities with connections to the history of our nation. They are seeking ways to tell multi-vocal stories of our past, to embrace all the people who live in their communities regardless of race, religion, or nation of origin.

The Museum Association of New York is New York’s representative to the Museums on Main Street program of the Smithsonian Institution’s Traveling Exhibition Service. In that capacity we are traveling their exhibition Voices and Votes: Democracy in America to twelve New York museums to help them prepare for the semi-quincentennial, aka America 250. This traveling exhibition includes historical and contemporary photographs; educational and archival video; engaging multimedia interactives, and historical objects like campaign souvenirs, voter memorabilia, and protest material.

Each museum will display the Smithsonian exhibition and produce a small exhibition drawn from their own collection that relates to their community’s role in the development and advancement of Democracy in America, explores a Voices and Votes theme, or tells the story of how people in their community created positive change for our nation. The local exhibitions may be installed in the museum, or in a community partner space like a library or school, or the Voices and Votes exhibition could be installed in a community partner space and the local exhibition in the museum. The application deadline is approaching and we know selecting the exhibition host sites will be a real challenge!

Additionally, The Museum Study Act passed the New York State legislature unanimously (minus one!) in 2022 with overwhelming support from several state agencies. The Governor’s veto noted that the legislature would need to appropriate funds for it to be signed. Actions to that end are already in motion.

EDITORS NOTE: Erika’s comments on The Museum Study Act

STEAM + A = Creative Activism : A Conversation with Kristen Holler

January 19, 2023 By Corey Aldrich

I first met Kristen Holler in her role at the Albany Barn. I have had the opportunity to work with her on projects there and in Schenectady at the Electric City Barn involving ACE! and my own production work with my company 2440 Design Studio. So when I was included on an email from Steve Pierce announcing her new position as Executive Director at the Sanctuary for Independent Media, I immediately knew that this could be a tremendous match for her and the organization. Focused and tireless, Kristen has a deep arts and community background. Though fresh on the job, I wanted to be a part of launching an awareness about her transition and have her share a quick update with us all about the amazing STEAM based approach that the Sanctuary is bringing to a neighborhood community and beyond.

Kristen Holler : Executive Director at The Sanctuary for Independent Media | Photo: Provided

Can you tell us a bit of your background and what you did before this?

Prior to coming to the Sanctuary for Independent Media I was the Executive Director of Albany Barn – a nonprofit org that supports artist development through a wide variety of technical assistance and subsidized/shared resource programs – from 2013 until 2022. In that time I helped to drive the opening of Electric City Barn in Schenectady, and served as a project manager for the Capital Walls public art initiative in collaboration with Albany Center Gallery. My professional background has been almost exclusively in the nonprofit space, but has been a combination of direct service and administrative roles across housing, employment, health, and arts organizations.

Live Performance at Freedom Square | Photo: Provided

The Sanctuary is so many things – from performance art, to science to activism…can you give us an idea of what the main areas of focus will be for you and why this position was attractive to you?

I think the thing that resonates most for me is that although the Sanctuary ‘is so many things,’ each of those things is linked back to the pursuit of social justice, and the use of creativity and independent expression as tools in that pursuit. I had the pleasure of working with and learning from Steve Pierce and Branda Miller – two of the organization’s founders – in my time at The Barn.

Branda Miller and Steve Pierce sitting with daughter Masha, and dog, Rose Fang. | Photo: Provided

It is an honor to step into this beautiful space that they’ve created, to build upon their legacy. My focus will be strengthening continuity and sustainability across the varied initiatives and programs and to provide strategic leadership in a time of transition.

Event Audience at Sanctuary for Independent Media. | Photo: Provided
Collard City Growers participants work the permaculture garden. | Photo: Provided

Can you share with us some meaningful ways in which the Sanctuary is making a difference in the lives of those who are in the neighborhood and beyond?

The Sanctuary’s varied programming really provides something for everyone, and the community of individuals who have created and driven this organization forward for the past 20+ years have shown a true dedication to remaining independent from corporate control and responsive to community input.

Collard City Growers participants work the permaculture garden. | Photo: Provided

One of the major ways that The Sanctuary has impacted the immediate neighborhood is through investment in vacant lots and buildings, reactivating them for community use including Freedom Square – a public performance and gathering space; Collard City Growers – a food justice, arts, and permaculture project; NATURE Lab – a community science lab; and People’s Health Sanctuary – a community-led mutual aid health initiative. Another space where I think The Sanctuary has had real impact is in creating STEAM programming where the arts, sciences, and media are not silos, but an intersection of related disciplines where the arts are tools for scientific discovery, the sciences are a tools for creative expression, and media is the vehicle for sharing the process and the outcomes in ways that are accessible to a wider audience. (Editors Note: This!!)

The Sanctuary for Independent Media Main Entrance. | Photo: Provided

There has also been a consistent effort to develop and maintain strong community relationships with individuals and other organizations through these connections. The Sanctuary has helped to get important community-led initiatives into the media – including stories that depict a more positive image of the N. Central Troy community. Outside of the immediate neighborhood The Sanctuary’s media content and performance series have drawn visitors virtually and in person from other states and countries.

Nature Lab (Water Justice Project) participants testing Hudson River water samples. | Photo: Provided

What are the primary funding sources for the organization?

The organization is funded largely by individual donors and sustaining contributors – particularly Sanctuary Radio and Sanctuary TV. Additional funding is provided by NYSCA, DEC, NEA, McCarthy Charities, Howard & Bush Foundation, and The Community Foundation for the Greater Capital Region.

Developing story based narratives at Sanctuary Radio. | Photo: Provided

Anything coming up on the horizon we should be aware of or keep on the lookout for?

People can tune into Hudson Mohawk Magazine daily at 7am, 9am, and 6pm for independent coverage of local news and topics impacting our Region. The People’s Health Sanctuary will have a series of open houses in the winter and early spring that are in the final stage of scheduling. The Sanctuary will continue with its signature annual events including Freedom Fest in the summer and Story Harvest in the fall. Information on upcoming events can always be found on our website.

Freedom Square entrance at the Sanctuary for Independent Media. | Photo: Provided

WEB: mediasanctuary.org

FREE TICKETS to the Grammy Nominated Danish String Quartet!*

January 19, 2023 By upstatecreative

The Danish String Quartet | Photo: Provided

This month we are partnering with the Friends of Chamber Music of Troy to make available a block of tickets to a rare Capital Region performance by the Grammy nominated Danish String Quartet. Availability is first come first serve and limited so jump on this ASAP if your interested. There is a two tickets per person limit.

* Ok, its not totally FREE, the ticket processor has a mandatory fee of $ .70, so you will be set back $1.40 for two tickets. Original ticket cost is $35 per ($70 for two) so, its as close to FREE as we could get! To get the discount, click the link below and when procuring the tickets Enter Discount Code: ACE – That will recalculate the cost. Reserved tickets will be a the Will Call window.

TO SECURE YOUR TICKET NOW CLICK HERE

With arrangements of Nordic folk music and a sound described as “capable of intense blend” and “extreme dynamic variation” (Gramophone), the Danish String Quartet (Frederik Øland – violin, Rune Tonsgaard Sørensen – violin, Asbjørn Nørgaard – viola, and Fredrik Schøyen Sjölin – cello) comes to Albany with stylistic diversity and admiration for creative interpretations of classical music.

“This is one of the best quartets before the public today.”
Robert BatteyThe Washington Post

“They could be grounded in their tone or mystical. They allowed time to stand still, and they could assume the pose of excitingly aggressive rockers. They did it all.”
Mark Swed The Los Angeles Times

When: Saturday, January 28, 2023 at 3:00 PM

Location:
Page Hall | University at Albany | Campus 135 Western Avenue Albany, NY 12203

STUDENT ALERT: FREE Tickets to College Student’s with Valid ID

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Creative Economy Updates and Other Good Stuff!

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