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creative placemaking

Community Based Design Aspirations : The Albany Riverfront Collaborative

December 20, 2022 By Corey Aldrich

I was approached about the ‘Albany Riverfront Collaborative‘ by an architect friend, Scott Townsend of SWBR. He reached out to me asking if I was aware of the project and wondering if ACE! would be interested in playing a role in the growing chorus of voices that have an interest in participatory collaboration on what is surely one of the most potentially impactful projects for the riverfront in downtown Albany in decades. As the project is entering an important community feedback phase in the following months, it felt right to amplify the exciting opportunity presented to stakeholders associated with the City of Albany riverfront. To get a little more insight I reached out to Jodi Smits Anderson (AIA, LEED-AP BD+C, Well-AP), a managing principle at Einhorn Yafee Prescott (Albany) who happens to be spending a lot of time engaging interested folks about a collaborative design process.

Jodi Smits Anderson – Member at Albany Riverfront Collaborative | Photo: Corey Aldrich

Can you tell me a bit about the project? What is it trying to accomplish and why now?

The core of the project is reimagining the City of Albany’s riverfront. Albany’s upstate sister cities, Syracuse, Rochester, and Buffalo, have all been implementing significant changes to their outdated urban highway structures. ARC (Albany Riverfront Collaborative) founders came together to 1) help people see that we can make powerful change to uplift our communities and improve access to the Hudson River, 2) build relationships to gain support for this change with regional leaders and elected officials, and 3) design aspirational goals that guide the current project and future work – doing so together, with no exceptions!

Albany Riverfront Current | Photo: Jonah Michel of @AroundAlbany

The best time to influence a project’s scope is prior to the actual design process, through discovery of what is possible. Once design is completed, the only tools available to inform the work tend to be confrontational ones: lawsuits, criticism, protest, etc. The consultants for the project are set to begin designing late winter/early spring of 2023, and collaborative feedback during the process is vital to achieving goals of equity and inclusion.

Three redesign concepts are currently on the table for I-787: 1) A highway cap consisting of parkland that connects the city to the river above the fast-moving traffic; 2) an urban canal system that brings the river into the city while restoring water-leveling locks, creating marinas, and generating local interest and tourism (similar to that of the Providence River Walk in Rhode Island); and 3) an appropriately scaled boulevard that balances pedestrian, transportation, commercial, and community needs.

It is likely that the best design incorporates elements of all three, for each idea builds on different perspectives and priorities, from water management and environmental health to recreation and economic development.

Albany Riverfront Current | Photo: Provided
I-787 Beltway on the Riverfront | Photo: Provided

From a historical perspective, what affect has the I-787 corridor had on the City of Albany, specifically the people who lived / live in the areas impacted?

It is amazing to me how projects have ripple effects over time and space. I-787 and the highway interchanges, along with the Empire State Plaza itself, initially took out 98 acres of locally owned businesses, homes, and community places. This gutted the city and created a physical gap. The intention was to provide faster circulation for cars, offices for government, and to create an impressive skyline. Over time, this gap, this slice through town, has forged disparities in the economic levels of impacted communities and created a downtown that is primarily for workers who don’t live here. In addition, all the communities of Albany are distanced from the Hudson River, with only three access points, none of which are vibrant or welcoming.

Can you share some current financial aspects of the project and also community based goals being discussed?

There was a 2018 study completed by DOT for the Capital District Transportation Committee (CDTC) that clearly stated that creating a boulevard, located on either side of the railroad tracks, was a distinct possibility for further study and analysis. The budget this time is more than fifteen (15) times the funding for that study.

Specifically, the Department of Transportation (DOT) has $5 million dollars to reimagine the City of Albany’s riverfront to promote access to it while adapting to the Hudson’s current and future tidal rise, reconnecting neighborhoods, spurring economic activity, and creating opportunities for current and future residents.

Albany Riverfront Proposed Redesign Features | Photo: Provided

We’ve been hearing from communities including the Albany Downtown BID, South Albany, the Pastures, and North Albany among others. I, myself, live in Pine Hills and have worked downtown for 15 years, mostly biking and walking to and from the office. The visions of joy being shared through the work of the ARC center around access to Nature and removal of the great weight of concrete over people’s heads. There is a lot of concern over development and a way to do it without pricing our current residents out of the city. This is why local voices are vital. We also hear about slowing down traffic and increasing access points into the city. This last piece is particularly impactful because it can lead to economic growth – for all of the city. Studies show that this approach helps people spend more time and more money in cities, as they are more likely to be part of the community after work hours.

Can you tell us about the public and private stakeholders and cultural and community organizations who have signed on to help make this happen?

The list of stakeholders / partners is impressive. They include residents, neighborhood and community groups, for and not for profit organizations, businesses and government entities. The intent of the Albany Riverfront Collaborative has always been to be a connector. ARC’s goal is to facilitate a growing understanding for all the communities of Albany, including commuters and visitors. That we all have a right and a responsibility in the vision for the city. We want elementary school kids to write about the Hudson, and college students to do the carbon calculations on the plans. We want people to propose legislation to clean and heal the Hudson, and all the streams we have buried in Albany. We support Radix Center‘s urban gardens and the South End Butterfly Sanctuary pollinating them. Local artists and local advocates can agree about the need for a shared, co-created, inclusive, climate smart, and healthy future. CDTA and the local neighborhood associations can inform the plans, and you and I can love our city. That’s the potential we all can see and work for.

Where can folks go to get more information?

You can check out our website and follow us on social media. We are currently looking for more people with a vested interest in the long term development of the City of Albany to connect with the process so please, reach out if you have an interest!

WEB: albanyriverfrontcollaborative.com
IG / FB: @albanyriverfrontcollaborative

Joseph is Doling Out $510K in Statewide Community Regrant Funds : Find Out How to Get Yours

December 19, 2022 By upstatecreative

ACE! connected with Joseph Mastroianni (Vice President of Programming / Statewide Community Regrants Coordinator) of the Arts Center of the Capital Region to find out more about the large pot of money that is being made available to artists and non profits in a two phase round of funding awards. Read on below to find out more about how to submit and qualify.

Joseph Mastroianni – VP of Programs / SCR Grants Coordinator | Photo: Provided

What is the Statewide Community Regrants program?

The Statewide Community Regrants program is an initiative of the New York State Council on the Arts (NYSCA) and administered by local arts organizations in New York’s 62 counties.

“The SCR program, fosters the continuing development of arts and cultural resources in response to the needs of local communities in each of New York’s counties. The SCR program invests NYSCA funds to serve all communities and people who comprise New York’s citizens and visitors. SCR sites are a network of non-profit organizations that serve local and regional cultural organizations and artists through three categories of support: Community Arts, Arts Education, and Individual Artists.”

The Arts Center represents Albany, Schenectady, and Rensselaer Counties in the SCR program. In 2023, thanks to a generous one time increase in funding, we will award $510,000 in two rounds.

How much money is available this round?

In Round One, we will distribute $200,000. In Round Two, we will distribute $300,000. Additionally, $10,000 will be available for rolling mini-grants.

Who is eligible?

The SCR program has four categories: Community Arts, Arts Education, Individual Artists, and Pop Up Mini Grants.

In Community Arts, eligible applicants must be or be in partnership with a 501 ©3 nonprofit organization in Albany, Schenectady, or Rensselaer Counties. This category is for public art and fostering creative communities.

In Arts Education, eligible applicants must be either artists over age 18 and in partnership with a community organization, or community organizations. 501©3 status is not required in this category, but all proposed projects must have an educational component, whether in-school or after school.

In Individual Artists, eligible applicants must be artists 18 years of age or over and reside in Albany, Rensselaer, or Schenectady Counties. Projects should all be original work.

In Pop Up Mini Grants, eligible applicants are artists over age 18 or 501©3 organizations based in Albany, Schenectady, or Rensselaer Counties. Mini Grants are for small-scale projects and do not have to include an educational component.

Artists who work in any or all media are encouraged to apply; there is no priority.

Downtown Schenectady Improvement | Photo: Provided

What types of projects are prioritized in the funding?

All projects must have some type of community impact component and there are funding caps for each grant type.

In Community Arts, the maximum award is $5000. In Arts Education and Individual Artist, the cap is $2500. Artists may apply to all three categories if they are eligible; the maximum award any single artist or arts organization will receive is $5000.

Downtown Schenectady Improvement Mural | Photo: Provided

How do I learn more about applying?

We have grant seminars and office hours! At our virtual grant seminars, I’ll go over each type of grant available, so bring your creative ideas and ask questions! At the office hours, I’ll be able to answer very individualized questions about your projects and the application process. Remaining grant seminars are December 20, and January 5, all from 4-5 pm. They are free, but you do have to register to get the zoom link.

REGISTER HERE

Office Hours are Thursdays from 3-4 pm, starting January 12. Office hours may be over the phone, google meet, or email. No registration is required.

Electric City Arts – Jazz on Jay | Photo: Provided

Anything else we have missed we should know about?

Important dates!

ROUND ONE APPLICATION : Opens January 6 and closes March 1. Panel Review will be April 1, and awards will be announced on May 15. Projects must happen between June 1 and December 31 2023.

ROUND TWO APPLICATION : Opens on April 6 and closes on June 1. Panel Review will be July 6, and awards will be announced August 15. Projects must occur between September 1 and December 31 2023.



Street Art / Graffiti as Gravity : Part III of III | Art and Community – From Local to Global

November 14, 2022 By Taliesin Thomas

In this 3-part series on the dynamic qualities of murals, street art, and graffiti—as both symbols of cultural consciousness and cultural commodities in their own right—we highlight these genres as viable assets within the regional and global creative economies of today. In the FIRST SEGMENT, the author shares a townie perspective on the arts scene as a citizen of Troy, NY. In the SECOND SEGMENT, we consider the financial side of art initiatives and opportunities around the Capital Region. In this third and final segment, the author discusses the connectivity between the local and the global with respect to artistic expression and community.

Left to Right: Andy Warhol Inspired Street Art in Troy, NY
Street Mural by Artist Lady Aiko in Vienna, Austria
Photos: Taliesin Thomas

How does art connect the local with the global? It does so through a consistent re-definition and re-contextualization of material realities and diverse conceptual, social, and philosophical frameworks. I think most of us can agree that art serves as a fantastical creative vehicle for illuminating both the personal and the political, the pressing issues of our time, and the urgency of the universal human condition—we turn to art to experience her charms as the “saving sorceress” that she is (as suggested by Nietzsche). Our increasingly interconnected society embraces manifold forms of artistic expression both real and imagined, and among the greatest pleasures of contemporary cultural life is encountering the multiplicity of art in every corner of the world. In this regard, the scope of artistic agency on the global scale points back to the local level, where artists engage with community as their place of being and belonging.

A View of the Capital Walls Murals in Albany, NY | Photo: Taliesin Thomas

Over the last several months I have been exploring distinct dimensions of the art scene in the Capital Region. This series for ACE! has been an opportunity to share my firsthand insights. In the first installment, I praised Troy as a locality with a lively arts culture, including strong examples of public murals, street art, and renegade graffiti. One can also see this in the neighboring areas of Albany, Glens Falls, and the wider Hudson Valley region. In that segment I considered these acts of artistic expression as a kind of gravity within society, where art demonstrates its value as a manner of cultural consciousness and a mode of civic engagement. Local arts organizations play an invaluable role by promoting the arts and artists as vital aspects of a rich community life. Encountering colorful forms of public art around Troy and in nearby towns, we can appreciate these artistic expressions as welcomed declarations of creative presence within society. Artists enliven community space while contributing their positive visionary energy to public places.

Artist Jeff Wigman Participates in a Street Art Event in Troy, NY
Photo: Taliesin Thomas

In the second segment of this series, I interfaced with several esteemed arts professionals in our area to understand aspects of New York State’s support for economic development vis-à-vis the arts sector, including increased public arts projects and collaborations between businesses and artists; community revitalization initiatives and efforts to develop existing infrastructures for the arts; and expansion of local arts programming and opportunities for artists. All of those conversations yielded a similar theme: support for the arts in our area is growing on all fronts!

In this final write-up, I suggest the conversation comes full circle with respect to the impact of local arts activities and modes of creative engagement within an international context. In my experience, the global is the local (and vice-versa). Here in the Capital Region, arts initiatives are, in fact, defining what the macro art-world looks like on the micro level. Regional arts organizations, arts professionals, and local artists have a singular opportunity and responsibility to promote the arts in our area, thus enriching the cultural atmosphere in New York State and beyond.

Taliesin in Front of a Keith Haring Mural in Melbourne, Australia
Photo: Rosie DiTaranto
Found Street Art in Prospect Park, Troy, NY | Photo: Taliesin Thomas

In our beloved Troy, the local indeed connects with the global in unexpectedly enchanting ways. Recently I came upon graffiti on a defunct building in Prospect Park that references the art of American artist Keith Haring (1958 – 1990), whose signature imagery and bold graphic style continues to influence a generation worldwide. An outspoken AIDS activist and beloved figure of downtown 80s culture in New York City, Haring is one of the most celebrated artists in the history of global contemporary art. I was truly moved to see Haring’s iconography represented in our neighborhood, a reminder that the sprawling global art world comes down to just that: an artist makes his or her own creative mark in their place and time. And in late September I was totally blown-away by a pop-up event on 2nd Street that entirely referenced the art of Jean-Michel Basquiat (1960 – 1988). This impressive exhibition presented a range of Basquiat inspired works by local artists and was an outrageously wonderful homage to one of most admired artists of all time. Basquiat and Haring are enduring cultural heroes, revered far and wide and still defining our global cultural zeitgeist in so many extraordinary ways. Nevertheless, our local hub offers numerous opportunities for community members to engage with art on every level. In that regard, distinct arts opportunities and connections among artists here in the Capital District promotes a sense of unity while placing us within a thriving arts culture that is global in scope. Thus, the magic and inspiration of the dynamic art-world at large is born right here in our lovely local digs.

Installation View of the “Jean-Michel Basquiat: King Pleasure” Exhibition in New York City
Photo: Taliesin Thomas
Artist Rae Frasier at a Basquiat Inspired Pop-Up Event in Troy, NY | Photo: Taliesin Thomas
Found Mural in Montreal, Canada | Photo: Taliesin Thomas
Found Mural on 2nd Street in Troy, NY | Photo: Ali Herrmann
Taliesin in front of Capital Walls Artist Nick Walker’s “Love Goes On” in Albany, NY
Photo: Taliesin Thomas

Taliesin Thomas, Ph.D. is an artist-philosopher, writer, lecturer, and collector based in Troy, NY. Since 2007, she is the founding director of AW Asia, NY and the collection manager of Art Issue Editions, NY—two private art collections that are the foundation for collaborations and projects with artists and museums worldwide. Thomas has lectured and published widely on contemporary art. She is the director of the Artist Training Initiative and a critic for the Critical Forum program at the Arts Center for the Capital Region, NY and she is a faculty member at School of Visual Arts, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College, Columbia University, and The Institute for Doctoral Studies in the Visual Arts.

FREE TICKETS to the Albany Symphony’s ‘Classics for the Holidays’

November 14, 2022 By upstatecreative

We partnered up with the multiple Grammy winning Albany Symphony Orchestra and are making available a block of FREE TICKETS (a $65 value each!) to the annual holiday extravaganza ‘Classics for the Holidays’ performance! Availability is first come first serve so jump on this asap if your interested. There is a two tickets per person limit.

Albany Symphony Orchestra at the Troy Music Hall.

This December you are invited to enjoy a night or afternoon with the Albany Symphony as Music Director David Alan Miller conducts the ASO in a program of ‘Classics for the Holidays’. Come experience one of J.S. Bach’s beloved Christmas Cantatas featuring singers from the Bard Vocal Performance Program and his famous Double Violin Concerto featuring the ASO’s own Mitsuko Suzuki and Funda Cizmecioglu, plus a sinfonietta by influential 20th Century Black American composer and conductor Coleridge Taylor-Perkinson, and Mozart’s stunning Symphony No. 39.

Classics for the Holidays | Troy Savings Bank Music Hall
Saturday, Dec. 10 at 7:30pm | Sunday, Dec. 11 at 3pm

Order free tickets to the Saturday Evening or Sunday Matinee performance by using offer code ACEGUEST at checkout, or by calling the ASO Box Office at 518.694.3300.

PRO TIP: If for some reason you get a ‘seats unavailable’ message try a different location.

Violinists Mitsuko Suzuki and Funda Cizmecioglu | Conductor David Allen Miller

Saratoga Sounds Under ‘Acoustic Clouds’ : Re-envisioning the Arthur Zankel Music Center

October 12, 2022 By Corey Aldrich

The Arthur Zankel Music Center | Photo: Provided

The Zankel Music Center on the Skidmore College Campus opened in 2010. The 54,000 sq-ft facility features the 600-seat, acoustically brilliant Helen Filene Ladd Concert Hall. In addition, the building also houses a 100-seat lecture and recital hall, rehearsal and practice rooms, and the Skidmore Music Department. It’s not uncommon to walk into Zankel and hear the sublime sounds of piano, violin, or operatic singing floating through the corridors. A campus and community asset, it welcomes roughly 25,000 visitors each year.

The Helen Filene Ladd Concert Hall at The Zankel Music Center | Photo: Provided

THE MISSION

The mission at Zankel is two-fold: 1) to strengthen it’s role as a cultural resource for upstate New York by refining and expanding it’s world-class programming, and 2) to diversify and transform Skidmore’s music program in collaboration with faculty. The concert hall features tunable acoustic “clouds” and a look resembling Carnegie Hall’s Zankel Hall (named for Arthur and his wife, Judy). A unique offering among regional venues, hits a sweet spot in capacity, aesthetics, and experience of sound. A regional best kept secret outside of the Saratoga Springs community, one which the facilities newest addition Zhenelle LeBel looks to change.

Zhenelle LeBel joined Skidmore College as the Managing Director of the Arthur Zankel Music Center on August 1 of this year. Previously, she was with an important Troy based performance space, the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute where she was a senior arts administrator for the curatorial team.

Zhenelle LaBel : Managing Director at The Arthur Zankel Music Center | Photo: Provided

PROGRAMMING NOTES

Programming at the Zankel spans a range of musical genres, from Western classical to jazz to music from cultures around the globe. The audience reflects that in its multi-generational and multi-ethnic composition. In coming seasons, Zhenelle states that they will interrogate these genres with questions like: What happens if you center Black experiences and expressions of classical music? Where are the women in jazz? Is the term “world music” problematic, from the perspective of American colonialism? They plan on supporting these dialogues with lectures, screenings, and related convenings with the aim to include a diversity of voices.

John Batista and Stay Human | Photo: Rudy Lu

Zankel is bustling with the student body daily, between students enrolled in Music programs and a staff of around 30 student employees who help run events. They also facilitate collaborations across departments, working with faculty and their students to engage campus with programs that complement the events–master classes and workshops, screenings, talks, and exhibits, understanding that these interdisciplinary activities enrich the arts for all.

“These collaborations have a direct impact on student’s awareness of and interest in performances at Zankel, and are what I think contribute most to their attendance. Unlike our public audience, who attends primarily for entertainment, the Skidmore community shows up because in most cases, they’ve gained a new way of relating to the music and are curious. We love to inspire curiosity!” Zhenelle LeBel

Jungle in Concert | Photo: Provided

A RICH PEDIGREE

The Zankel has had laudable roster of talent perform on stage including: Branford Marsalis, Jon Baptiste, Emanuel Ax, Ani DiFranco, the Indigo Girls, Paul Simon, and Ladysmith Black Mambazo. In addition to presenting student recitals each semester, which is seen as an essential service to provide burgeoning artists the opportunity to perform for an audience, they also welcome performances by professionals who may be emerging in their field.

Recent performer Taína Asili | Photo: Nathan Bogardus

As for near future developments and focus, Zhenelle says, “Next year will bring exciting changes to our program, with new artistic residencies and a shift toward more multi-disciplinary performances. I am working on a thematic framework for our 2023/24 season that seeks to respond to some of my earlier questions, curating artists whose music both uplifts and informs. Can’t name names just yet!“

Follow them on social media to keep abreast of the new programming as it develops or reach out to Zhenelle directly.

WEB: www.skidmore.edu/zankel/index.php
IG: | FB: @zankelmusiccenter

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