Troy

Write This Way : A Conversation w/ SONG CITY’s Scott Womer

April 2, 2024 By Corey Aldrich

About two years ago, I started seeing and hearing about something called Song City. The branding was tight, it felt like something important was happening. Eventually, I realized that it was in fact a local phenom. These shows, upstairs at the RUCK have a very organic feel. Played in a round, musicians all interacting with and feeding off one another – the vibe is very intimate. I caught up with Scott Womer to find out more about the overall program mission and direction and to get a peek under the covers to see what makes this series tick.

Song City *Founder and Director*, Scott Wormer | Image: Kiki Vassilakis (*with edits*)

Please state your name, what you do and any relevant background info.

My name is Scott Womer, Songwriter and the Founder / Director of Song City in Troy New York. During the day, I work as a Litho Technician at Global Foundries in Malta. On the education front, I hold a BA from Gordon College.

Song City w/ Caitlin Barker at the RUCK in Troy, New York 01.10.23 | Image: Kiki Vassilakis

I know you’re a musician yourself. What motivated you to put together the SONG CITY series. What is your mission and goals for the program?

In 1995, I moved from Albany to Nashville, in hopes of getting more music opportunities. It’s a humbling experience to move from a small music scene to one of the premier music cities of the world, where there are thousands of people doing what you do, and doing it much better. Having seen that happen multiple times, I decided to alter my goals. Over the next 5 years, I had tremendous experiences working at a record label, doing session work, learning to write, forming a band, and recording an EP.

The greatest thing I learned in Nashville was the power of a song. Beyond techniques, abilities, and trends, the song is what changes lives. Much of this lesson happened at a venue called The Bluebird Cafe. A staple in Nashville, the Bluebird featured weekly showcases, featuring 4 local songwriters, mostly known for their writing of songs by all our favorite country stars. This is also the venue where artists such as Taylor Swift and Keith Urban were discovered. The weakness of the Bluebird at that point in their history, was that they were a single-genre showcase. Not only does that lack in variety, more importantly, it conditions the audience to think that this is the only style of songwriting. At the time, I had no idea how that observation would affect my future.

Song City w/ Amani O at the RUCK in Troy, New York 6-13-23 | Image: Kiki Vassilakis

Years later, when I moved back to Troy NY, and was so energized by the talent and variety of the local music scene, I felt compelled to do whatever I could to help it grow. After writing and recording a project under the name Fenton Hardy during Covid, I realized how important it is to be part of an artistic city. Community is at the heart of every effective movement. So, I took what I had experienced at the Bluebird, and expanded it to include all genres. Some of our greatest writers are hip hop artists, jazz artists, alternative and avant-garde artists, and they deserve a place at the table. This not only creates respect for all styles of songwriting, but expands the audience’s experience and musical taste.

Song City at the Ruck in Troy, New York | Image: Kiki Vissilakis

Our home at The Ruck is integral to the success of Song City. One day, Dave Gardell, owner of my neighborhood bar, The Ruck, contacted me about bringing music back to their venue. They were interested in concerts and an open mic, and asked me to run those events. What I didn’t know was that there is a second and third floor to the Ruck that was beautiful and fairly unused. I instantly realized this was the room I was looking for.

Beyond the Song City showcase, we also host a monthly songwriting community called The Open Floor which began simply as a monthly open mic. We have a “Song Challenge” at each month’s Open Floor that has become the major draw for each of these evenings. On the first day of each month, I post a phrase. The writers then have the rest of the month to write a song using that phrase, and perform it at The Open Floor, on the fourth Tuesday of each month. It is in no way a competition for us. It’s purely a motivational tool to keep us consistently writing. The second half of each Open Floor is a time for everyone that wrote for the challenge to play their song for each other. It’s amazing to see how many ways a phrase can be used. I often write a song myself for the challenge, and it’s significantly improved my songwriting.

Song City at the RUCK in Troy, New York | Image: Kiki Vassilakis

As a producer, I can attest to the challenge of producing music shows where folks get paid and there’s a little change left at the end of the night. How have you structured the business side to pull all that off?

Most local artists can not afford management. And because of this, they deal with being double-booked, underpaid, cancelled last minute, and under-publicized. They deserve to be taken care of. Because of this, going into Season 2, I raised the ticket price by 50%, so that I could raise their pay by the same percentage. Additionally, We also where able to help support the program via grant funding we secured through The Arts Center of the Capital Region. The events are highly publicized, given a generous bar tab, a comp ticket, and one of the nicest green rooms in the 518. We also hire the best music photographer in the capital district, Kiki Vassilakis, to shoot each showcase, of which the artists are given all of these photos to use for their own use. As much as I would love to make my living serving the local music community, we currently are at a place where we can pay all involved, artists, audio engineer, and photographer.

Song City at the RUCK in Troy, New York 09.12.23 | Image: Kiki Vassilakis

I believe you were the recipient of the NYSCA Re-grant program through the Arts Center of the Capital Region. Can you share a little but about why you feel like programs such as this are important to the sustainability of our creative community?

The days of musicians making money through their recorded music are over. As much as music streaming has increased the general public’s ability to have access to more music than anytime in history, it has also stripped away the musicians’ ability to make a living off their recorded music. Spotify currently pays artists approximately $0.003 per stream on average. That means for every 1000 plays on Spotify, an artist will make approximately $4.00. And from 2024 onwards, artists will also need to hit a minimum number of listeners to make their track eligible for royalty payments. Therefore, if artists are truly going to make money through their art, they need to be performing shows often and being paid well. They also need to be selling merch and physical copies of their music. So there is a greater need than ever for the public to support the local artists, beyond streaming their music.

Song City’s Ink Retreat 2023 at YMCA’s Silver Bay | Image: Kiki Vassilakis

The final piece of the current Song City universe is a yearly songwriting retreat called Ink. Last year, we were honored to be awarded a $5000 Community Arts Grant through the NYSCA and The Art Center of the Capital Region which helped fund the program. Many songwriters applied and 10 were chosen, to spend 3 nights at a lodge on Lake George, part of the YMCA Silver Bay property. Like Song City, we encouraged writers of all genres to apply, R & B, indie-pop, alt-rock, folk, hip hop etc. The days were a combination of individual writing, collaborations, daily walks, amazing food, and nightly gatherings around the fireplace sharing our songs. We read and discussed Rick Rubin’s brilliant book “The Creative Act” and used some of his techniques to change how we normally write. We also had a small demo studio and engineer in-house to capture the new songs. And ultimately concluded with a showcase here in Troy, featuring the songs written on the retreat, as well as a live recording and film of that show.

Anything you have coming up you would like to share with our audience to keep them in the loop? Long term plans etc?

The next few months are busy at Song City. We have 3 showcases left in Season 2, with the next one happening on Tuesday, April 9, at 7:30pm, hosted by The Ruck in Troy. This month we are featuring jazz saxophonist Awan Rashad, TJ Foster, frontman for the local rock band E.R.I.E., alt-pop artist, John Glenn from LiketheAstronaut, and contemporary folk songwriter Kate McDonnell. The Open Floor songwriting community continues to meet every 4th Tuesday. We are beginning to plan 2024’s Ink Retreat, and we are getting ready to release a special recording of the showcase we did this last year, featuring live performances of the artists and songs written on 2023’s retreat!

Watch for all of this on songcitytroy.com and Instagram at @songcitytroy. If you would like more information, would like to be involved, or would be interested in supporting Song City, you can reach me directly at songcitytroy (@) gmail.com.

Re-Energizing Our Regional Foundations with the Hart Cluett and Burden Iron Works

December 18, 2023 By Corey Aldrich

I have been thinking a lot lately about the current state of our arts and cultural institutions and the challenges they face. Staffing in general but specifically leadership is a major problem. That coupled with the ever changing dictates and expectations of a fluid society increasingly distracted by technology. There is a real demand to re-evaluate how our institutions serve the public and keep the sacred keys of our history and stories in tact. As such, I decided to take a moment and speak to the staff at a couple of such institutions. Both the Hart Cluett Museum and the Hudson Mohawk Industrial Gateway have newish Executive Directors and interestingly, the feedback everyone had to my questions was surprisingly consistent.

For the interview I spoke to:

Kathryn T. Sheehan, Executive Director Hart Cluett Museum, Rensselaer County & Troy City Historian
Amanda Irwin, Deputy Director Hart Cluett Museum
Samantha Mahoski, Curator & Archivist Hart Cluett Museum
Anna Doren, Education Director Hart Cluett Museum

Dr. Susan Ouellette, Executive Director Hudson Mohawk Industrial Gateway / Burden Iron Works Museum

The Hart Cluett Team in Troy, NY | Image: Corey Aldrich

We see a lot of changes happening in historical / museum space as of late, specifically in how we create value for community and new audience. What do you identify as important shifts that need to happen to build continued relevance and connectivity with the community at large?

KATHRYN: A main goal of mine is to understand the many levels of stories that are present in the Hart Cluett House . Despite what the visitor may see when going through the 1827 house, I want the visitor to understand all the stories of the people that lived and worked in this house. In our exhibition spaces I want to support our curator to further develop historic issues that are still relevant today and for people to see that connection of past history to current issues. I want us to attract underserved audiences through our exhibitions and programs, so their stories and history are accurately chronicled for future generations.

AMANDA: I think the key word to defining our relevance is connection. We serve all of Rensselaer County, which includes a vast and diverse landscape and population, rural farming communities to bustling downtowns. Maintaining that representation can be difficult, but it’s integral to telling the stories of those who have helped build this region and to those who continue to make our area a place to live, work, and build a life. I believe our value is tied to the way in which we bring those stories to life, whether that is through a traditional exhibit experience or a field trip. I’m happy to say that the museum admission is ‘Pay what You Wish‘ to remove barriers and welcome all visitors.

SAMANTHA: How we create value for community and new audiences requires us to actually go out into the community, engage with those community members by having conversations and holding space for them to express their needs.

ANNA: We have many visitors come to explore our Research Library and join us for walking tours. Currently our curator, Sam Mahoski, has made a point of creating diverse exhibits exploring different aspects of Rensselaer County history that are relevant to us today, learning about our local history can help us understand current events and appreciate the diversity of our area.

SUSAN: Our museum is just reopening after a long hiatus of being closed due to COVID as well as stymied by a backlog of unfinished restoration work. What we hope will happen as a result of our opening is a re-connection with the local community and to become an extension of community space. We hope not only to be a place where objects and documents are stored, but also a place where local concerns and interests can be nurtured and addressed.

Historical Neon Signs from the South End Tavern in Troy, NY | Image: Corey Aldrich

How do you see things changing in the next few years, what will your museum look like and how will that be different from today?

KATHRYN: I hope our museum will continue to be a dynamic institution where we recognize “every face and every story” in chronicling the history of the county. That may be reflected in changing furnishings and decorative arts in the Hart Cluett House as well as offering new and exciting programs and exhibitions in the Carr building as well as offsite throughout the county.

AMANDA: I think as a staff that is half seasoned employees and half new faces, we are at a good turning point of acknowledging what the organization has done in the past and ways to push the envelope moving forward. Our backgrounds, education, and professional experiences work to compliment each other and bring different approaches to challenges…I think there is a lot of potential for new partnerships with places like our sister organization the Hudson Mohawk Industrial Gateway Museum, especially as we expand our educational and community programming. I would love to see more of a focus on the people who walk by our building everyday and don’t know we exist, whether it’s a family headed to the weekend farmers market, college students, or residents.

Hudson Mohawk Industrial Gateway, Burden Iron Works Museum in Troy, NY | Image: Corey Aldrich

SAMANTHA: To remain relevant over the next few years, the Hart Cluett Museum will need to implement changes that better reflect the needs of its fellow community members. How these changes will be implemented and how the museum will look in a few years is unknown to me but it is my hope that these changes, whatever they may be, will allow for more diverse audiences that feel welcome, valued, and heard in our space – something that the Museum currently lacks. I do think, however, that with conversations and holding opportunities for dialogue, the Museum can visualize the needs of our community members and implement change based on those needs.

ANNA: I hope to make the Hart Cluett Museum a regular stop for locals on rainy days and visitors exploring our area. I hope to build relationships with other organizations and community members and have an array of programming people are excited about.

SUSAN: We are planning to improve and expand our programming to attract more people to the museum. This would include engaging the community to directly affect what kinds of programming we should pursue.

Uncle Sam Wilson Painting at the Hart Cluett Museum in Troy, NY | Image: Corey Aldrich

What would you say is the biggest challenge in front of you that needs to be addressed to achieve your goals?

KATHRYN: Money is always the biggest challenge with not-for-profit organizations, and we are no stranger to that. The other challenge is that we represent all of Rensselaer County even though we are physically located in downtown Troy. To do that we may be able to offer more offsite exhibitions throughout the county, increase our presence in the towns, through joint programming and workshops on using research materials in our library. I am fortunate that as county historian I have a good working relationship with the 14 town historians and the smaller all volunteer historical societies. I can assist them with research, technical assistance and be a conduit to the state historian’s office.

AMANDA: One recent challenge had been consistent staffing, as a result of pandemic aftermath and organizational transitions. I am happy to say that we have made strides in the right direction. As we look to make improvements in the historic house and offer more programs however, that increases staff time, supplies, and other general operating expenses needed.

Woodstove Collection at the Hart Cluett Museum in Troy, NY | Image: Corey Aldrich

SAMANTHA: We have the gall, the grit, and the gumption to get things done, and always have as a team-oriented organization, but in terms of pay equity, program planning, exhibition design, repairs to the historic house, and beyond… it becomes rather clear that we could accomplish a lot once properly resourced. The generosity of our supporters and team of volunteers have allowed us to make strides in progressing the organization, but imagine what this place could be capable of if we could had expanded resources. To achieve my goals as the Curator and Archivist currently makes it difficult to achieve the standards and expectations of our community.

ANNA: Getting people’s attention and showing them that the museum is here– and we’re here for them! We preserve the history of everyone in Rensselaer County so that anyone who is curious can explore it. I want more people to come inside and then come back again with friends. Getting people talking about our space and using it can help us understand their needs and interests so we can do more to serve them!

Dr. Susan Ouelette, Executive Director at the Hudson Mohawk Industrial Gateway / Burden Iron Works Museum in Troy, NY | Image: Corey Aldrich

SUSAN: We need to expand our programming and employee base here at the museum. We are, aside from myself, entirely dependent on volunteers. Finding the kind of funding that would allow for part-time or even full-time employee would be a game changer for us. Student internships are also one of the ways we can also improve programming.

Meneely Cast Bells at the Burden Iron Works Museum in Troy, NY | Image: Corey Aldrich

Those with the keys to a cities / region’s history represent the foundation of place, that which all is built upon. Why is it especially important for us today to have that connection? What is the danger of disregarding it?

KATHRYN: When I was appointed Rensselaer County and Troy City historian back in 2006 I was never more acutely aware that I reflected for the county pride of place and the importance our county history is to the region, state and nation. We have been a county for 232 years. I want people to know that it is by no accident that we have the amazing architecture in downtown Troy or the rich agricultural landscape that largely makes up the vast majority of Rensselaer County. It is over 200 years of resourceful people that grew this county and made us nationally recognized in science, education, and the arts. Those contributions and the contributions that new residents living and working in Rensselaer County are part of that succession; bringing new thoughts, ideas and energy, embracing the past history that is shared and building on that for the next 200 years!

AMANDA: I believe that we are a cultural pillar in our community, there is pride in acknowledging the accomplishments of the past and also understanding previous shortcomings as we look to the future. I picture the museum as a chord connecting past, present, and future, and the danger of disregarding that leaves us untethered.

Steam Engine at the Burden Iron Works Museum in Troy, NY | Image: Provided

SAMANTHA: In today’s world, we are active bystanders in seeing the breakdown in the foundation of place and the dangers of disregarding it. History is what you had for breakfast, its everywhere you go, and history lives here. So why does all of that matter? Because the continued cultivation of our community relies on it – our shared past brings us together and makes us stronger. Without that sense of belonging, we begin to lose sight on the very values that have made Rensselaer County what it is today.

ANNA: History repeats itself and our current reality is a direct result of what has happened here before—the people who’ve lived here, the traditions, laws, policies, and major events shaped what we are experiencing today. We preserve history so people can understand where they come from and apply it to issues we’re facing today.

As a museum, we make sure to preserve the entire history and present it to the public as completely as possible. There’s bias in any interpretation and we hope that with our exhibits and programs we can invite the public into the conversation and make sure we’re preserving the full history of Rensselaer County. Our mission is to recognize “every face and every story,” we do this with the history we preserve and the community we serve.

SUSAN: If we are not able to connect with our community and have real conversations with each other about our past, present, and desires for our future, we will not be able to move forward. The importance of place in identity can be a positive influence in building confidence and expressions of unity can help to minimize the overall negatives that continue to crop up in the world around us.

The Fish Market Project : Creativity Outside the City Center Update with D. Colin

November 2, 2023 By Corey Aldrich

Poet, artist, performer, curator and activist D. Colin wears many hats. Over the last year she has donned a newer one to add to her collection as Curator and Program Director at the Fish Market Project in North Central Troy, a satellite of the Arts Center of the Capital Regio n. As she wraps up the 2023 season, we thought it would be informative to get an inside track of what it’s like moving the boundaries of art and creativity outside of the city center and spreading it to areas that otherwise would not have that hyper local opportunity to participate.

D. Colin – Curator and Program Director at the Fish Market Project in Troy, NY | Image: Provided

Please state your name and role in the organization. How long have you been in this role?

My name is D. Colin and I am the Curator and Program Director for The Fish Market Project. Although my time at The Fish Market started in January 2022 as an artist in residence, I’ve been in this current role since March of 2023.

Poetic Visions Event at the Fish Market in Troy NY | Photo: Provided

Can you tell us more about what the FISHMARKET is and what type of programming you are running there? How long has it been in existence?

The Fish Market is literally a former fish market turned into a community arts engagement project by the Arts Center of the Capital Region. In 2021, ACCR offered two six-month artist residencies to launch the space. The second year an NEA (National Endowment for the Arts) grant made it possible for Meg Jala and myself, to offer a variety of arts programming in the space with Jade Warrick joining the team. Though they both moved on to pursue other opportunities, I’ve worked to continue the vision of community-centered arts programming. The Fish Market is a neighborhood arts hub for creatives and community members to gather, connect, and make art. Over the past year, there have been art exhibits, poetry open mics, and free workshops for a variety of art forms including acting, dance, drumming, and drawing. Every week, artists and community members have the opportunity to use the space to explore their own creative work during open hours which I like to call co-create time. I have also been able to have collaborative arts programming and special events in the space with a variety of partners including the Social Justice Artists Collective and Black Dimensions in Art, Inc. Now that The Fish Market is entering its third year and we have a better idea of what works most meaningfully there. I am excited to see how the community continues to grow.

Participatory Art Making at the Fish Market Project in Troy NY | Photo: Provided

As a satellite location for the Arts Center of the Capital Region, you have strong backing and institutional support. That said, this is a newer endeavor that will be carving out its own path in the neighborhood. What is the overall goal of the programming and what do you envision it becoming to the neighborhood?

The overall goal of programming is to provide a safe space for artists and community members to gather, to foster relationships between artists and the community, and to create together. I believe that it’s important for the arts to be accessible. A space like The Fish Market gives folks an opportunity to learn more about the arts and their own creative process while also impacting the neighborhood in a positive way. Personally, I see The Fish Market as a gathering space with the arts at its core, someplace where people can heal and grow together with creativity leading the way. When I was a young artist, I didn’t have spaces like this to help in demystifying the process of being an artist or even just in learning a variety of ways to express myself. I had to look for those outlets in other ways. My hope for The Fish Market is that it continues to be that space for others, especially those who live in North Central Troy.

Gallery Attendees Checking Out the Art at the Fish Market in Troy NY | Photo: Provided

As you try different events and initiatives, what are some best practice principles or suggestions you could share with other folks looking to replicate this model?

I’m often asking for feedback. Some of the ideas for workshops and events have come from folks who’ve walked in during open hours or who’ve attended other events. Keeping ideas community-centered whether through direct conversations or having a suggestion box helps not only with ideas but also with relationships. At the same time, I try to weave in programming that nobody suggested or thought about by asking what might be missing and how can I connect with the community. If people don’t know what to ask for, sometimes it’s useful to introduce experiences to see how it goes. Consistency is also a driving force in helping programming grow. When folks have an expectation of how an event will go and when programming will happen, it’s easier to promote and likely attendance will steadily grow. I think with any new project, it also takes time. The Fish Market is two years old, but I think that amount of time is necessary to get a more solid understanding of what makes the most sense in the space.

Jordan Taylor Hill Running a Drum Clinic at the Troy Fish Market Project, Troy NY | Photo: Provided

Any programming or events you have coming up that you would like to share?

We just had our Fish Market Festival, a 3-day end of season celebration. The Hudson Valley Writers Guild will be at The Fish Market in November. There will be an opening reception for their art exhibit on Friday, November 3rd starting at 5 pm. There will also be collage workshops, a poetry reading, and open gallery hours for folks to attend and see the art. I encourage folks to follow @fishmarketproject on Instagram or Facebook for schedule details. People can also stay updated by getting on the Arts Center of the Capital Region’s email list.

AVERY STEMPEL ON THINGS MYCOLOGICAL AND SUPPORTING UNBRIDLED CREATIVITY

July 27, 2023 By Corey Aldrich

I first encountered Avery about 10 years ago at a poetry reading event produced by a mutual friend, Maria Diotte of Bliss Arts at the old Fulton Street Gallery in Troy. He was hard to forget, a dynamic performance artist with a heart of gold. Impressively, he has found a way to combine all things art and community at his indoor urban vertical mushroom farm, mycological education center, and community gathering space. This includes live music, poetry events and creative making workshops to yoga, artisan dining and political activism, and that’s just scratching the surface. I would say unequivocally that he is one of the most renaissance creatives I have ever met.

Avery Stemple – *Owner / Operator* of Collar City Mushrooms in Troy, NY | Photo: Corey Aldrich

Please state your name, company and position. How big is your company? Can you also tell us a little about your background?

My name is Avery Stempel, I am the owner operator of Collar City Mushrooms, an indoor urban vertical mushroom farm, mycological education center, and community gathering space in Troy, NY. Our operation occupies 3,500 square feet on .33 of an acre in a structure that was originally built as a Brewery. We employ a mix of 10 part-time and full-time team members as well as run an internship program for folks interested in getting their hands into the mycelium as part of an educational experience. I grew up on a family sawmill in the Helderberg Mountains and was constantly immersed in the natural world. The secret lives of fungi have always fascinated me. I graduated from Siena College with a degree in philosophy and received two master’s degrees in education from Sage Graduate School. During my professional life I oscillated between performing arts and teaching. I’ve worked at Capital Repertory Theater, The Egg, and EMPAC at RPI. I’ve also hit the spotlight myself as a poet, musician, and actor.

Sam Armour – *Lead Mushroom Travel Coordinator* at Collar City Mushrooms | Photo: Corey Aldrich

All Books Mycological for Sale at Collar City Mushrooms in Troy, NY | Photo: Corey Aldrich

What is the mission of Collar City Mushroom? What type of clients do you serve? Partnerships and retail partners?

When CCM opened, it was important for me to combine all my passions under one roof. The three pillars of our mission are to educate, enrich, and entertain. We provide opportunities for people to eat nutritious whole foods, learn about the mushroom growing process, and enjoy creativity in all its various forms. Our gourmet mushrooms are used in many restaurants in the area and available direct to consumers through Albany’s Honest Weight Food Co-Op, Saratoga’s Healthy Living Market, the New Lebanon Farmers Market, and right from our farm store at 333 2nd Ave in Lansinburgh. We also produce a variety of value-added products and co-creations we’ve curated with other small businesses. We’ve partnered with Indian Ladder Farms to make both a cider and a beer including mushrooms, Primo-Botanica to create a non-psychedelic mushroom and cacao drink, and Kru Coffee for a canned ready to consume lion’s mane infused cold brew coffee. We are a “yes-and” company. We want our community to be able to share their products and ideas for experiences.

Collar City Mushrooms Collaborative Product with Primo Botanica | Photo: Provided

Collar City Mushrooms Collaborative Products with Kru Coffee and Indian Ladder Farms | Photos: Provided

You incorporate a lot of creativity and collaboration into the fabric of CCM. Can you share a bit about the creative side of what you have going on in the programming?

We have hosted poetry performances, makers markets, meditation sessions, yoga classes, knitting workshops, mycelium building activities, and a myriad of art centric events. Local creators such as Jade Warrick, Armando Soto, John Zoccoli, Lindsay Kirk, and Jonn Pau l have graced our walls, and musicians such as Sean Rowe, Jeanine Ouderkirk, Stokker, Nick Bisanz, the Deadbeats Duo, Kenyatta Emmanuel, and Malicious Offense have entertained our guests. Growing incredibly beautiful mushrooms is an art. Converting them into mind-bendingly delicious foods is an art. Crafting mushroom sculptures is an art. Life is art. We continually surround ourselves with creativity in process and welcome others to do the same!

Nicholas Waunsch – *Mycelial Maestro* at Collar City Mushrooms | Photo: Corey Aldrich

Outdoor Dining Event at Collar City Mushrooms in Troy, NY | Photo: Provided

I see your constantly connecting, touring and talking with legislators, what goals are you trying to accomplish on the political front?

In addition to growing a myriad of culinary and medicinal mushrooms, we are also advocating for legal access to psilocybin containing mushrooms. We founded the New York Psilocybin Action Committee and adopted leadership of New Yorkers for Mental Health Alternatives. We have met with dozens of NY lawmakers at our farm and in the Capitol as we strategize ways to end the criminalization of people attempting to heal using natural psychedelics. The wave of evidence pouring from hundreds of research projects around the world shows the efficacy of psilocybin to relieve stress, process trauma, ease anxiety, and even break the cycle of addiction. We are working towards a future where psilocybin containing mushrooms will be a legal option for people’s healing journeys and well care routines. We are also advocating for greater understanding of urban vertical farming in city communities. With growing interest in local-vore diets and shorter supply chains, more projects such as ours are opening across the country. The need to streamline approval processes and applications for support will be critical for the future’s food supply production.

Current Photo Exhibition by MYCO-Fox through 09.30.2023

Any exciting pieces of programming you would like to share with our audience?

Currently we have a show up by photographer MYCO-Fox that will be up through September 30th.

Coming up in August we have two Death Metal shows, one on August 5th and one on August 26th, a Poetry Open Mic on August 13th, and on Saturday, August 19th Chef Haseim Townsend from Organa Juice Bar will be curating a dinner as part of our monthly dinner program. A bit further down the road we have a dinner event at SPAC as part of their culinary arts program called “A Mushroom Experience.” This November 4th event will be a multiple course meal featuring mushroom music, mushroom photography, and mushroom sculptures! Follow our social media for all the latest updates.

Avery Stemple – *Primary Pleurotus* at Collar City Mushrooms | Photo: Corey Aldrich

Olivia Clemente : Synergizing Community One Event at a Time

June 29, 2023 By Corey Aldrich

I met Olivia in person earlier this year as I needed to coordinate with her for a series of events that I am producing in Franklin Alley in downtown Troy and wanted to coordinate with the BID. Personable and energized, I was excited about doing some joint promotion with her. Then came Troy’s first annual TROY PRIDE event, a new programmatic initiative that Olivia spearheaded with downtown business owners. The streets were packed, so many folks from Albany and around the region! I realized I needed to get a better understanding of what makes this capable woman tick.

Olivia Clemente : Executive Director at the TROY BID | Photo: Corey Aldrich

Please state your name, title and organization. What are you responsible for and what is a typical day for you on the job.

My name is Olivia Clemente, Executive Director of the Downtown Troy Business Improvement District. I am responsible for the overall administration, financial management, and day-to-day activities of the BID, but in a more simple terms I work for the people who live in Downtown Troy and the businesses that reside here. I work to help bring people to our downtown and explore all of the businesses and experience what we have to offer. If I’m not busy in event planning mode, I spend most of my days visiting Downtown Troy establishments, speaking to them about what makes them unique, how long they’ve been serving the community and what they would like to see in Downtown. I always like to ask, “What would make a difference? What do you want to see happen in this area.” I try my best to listen to everyone and make their suggestions and ideas a reality, whether it’s an event, block party or a new marketing campaign, I’ll always say “I can try!”

Chalk Drawings at Troy’s Riverfest | Image: Provided

Can you tell us a bit about your background and how you came to be in this position? In addition to working with a lot of creative talent as an event producer, how do you keep your creativity alive?

I’ve been in a lot of different industries since I was in college. I received a BA from Manhattan College and stayed in the city after I graduated, I spent about five years in Manhattan and worked in public relations, ad sales, events and political fundraising, I like to think I’m well versed in the changing media around us. I spent time as an intern at the Bronx Zoo with the Wildlife Conservation Society as their events intern, worked as an Ad Sales Admin at a start-up for mobile apps, went to a high-profile PR firm and my last hoorah in NYC – NBC Universal where I worked on public relations and social media for an ecommerce division of the Golf Channel.

I moved back to Upstate New York in 2019, and I decided to take a dive into the political world, I worked for the NYS Assembly where I started as a Press Coordinator for three downstate members and then I moved onto handling fundraising and events for the minority conference, I developed more fundraising initiatives for the conference turning a focus on the different regions of NYS and creating fundraisers that were more creative than your regular cocktail hour, I always try to make experiences fun for everyone involved and have them looking forward to the next one.

Contemporary Circus and Immersive Arts Center Performance at Troy Pride | Photo: Duncan Crary

I joined the Downtown Troy Business Improvement District in 2021 as the Director of Events and Partnerships. My first month on the job I was tasked with getting events that had been stalled due to COVID-19 back up and running, it wasn’t a small task to take on, but I managed to bring back Riverfest, Rockin on the River and Chowderfest. I went into 2023 taking over the Executive Director position of the BID. My main focus was to continue to hold “OG events” like the aforementioned in addition to retooling our popular Pig Out event. Additionally, I initiated additional events including the Hot Chocolate Stroll, Pride Night Out, Collar City Pop and a College Student Focused Block Party. I always have more up my sleeve, but for right now I’m working on getting people back to Downtown Troy.

When it comes to events or marketing I would definitely say I have a more creative approach to taking things on, I am always asking businesses or people in the community what they would like to see and then I begin to think like a consumer, so I try to think, “Would I want to see this at an event? Would this make me want to come back to visit? Is this appealing to me or people I know?”

Troy Glo in Downtown Troy. Installation by Adam Frelin | Images: Provided

Troy has a lot of creative economy businesses and arts / cultural organizations. How do you take advantage of the creativity of these downtown partners to raise awareness about how cool downtown Troy is?

Last year I worked with the Arts Center of the Capital Region during their exhibit ‘Troy Glo.’ We decided to bring business and art together by putting together a “bar crawl” that would get people to visit our downtown businesses. The BID created the bar crawl map to guarantee you walked past every installation of the ‘Troy Glo‘ project. Having an art pop-ups like this in our downtown is important to me as they can provide additional traffic to our businesses while creating quality of life for residents and out of town guests alike. People want to walk around and see art and as they’re walking around they can pop into a retail shop or a coffee shop and I love that.

I know another big thing for me right now is using our local artists that live in Downtown Troy to develop our marketing collateral for downtown events. I’ve currently worked with four Downtown Troy artists: to develop our Collar City Pop invites, Hot Chocolate Stroll poster, Pride Night Out and Pig Out collateral. All of the artist have been Troy natives and they are all so talented. I give them a lot of freedom in the design process. I’m going to continue using artists that live in Troy since this is an economy I care about.

Volunteer Day for Neighborhood Clean Up in Troy NY | Image: Provided

What are your current goals in the job, things you would like to do with it?

I have a lot of goals, I know an ‘Adopt-a-Block’ is on my plate of goals to accomplish, I’d love to work to do clean-ups block-by-block downtown and work with other organizations and businesses in Downtown Troy to make a difference, even if I clean one wall of graffiti tags, fix one store window, or work to get a beautiful piece of art on the side of a building, I’ll feel accomplished in my role of getting the community engaged in quality-of-life. Currently, this program is being implemented for 2024, so stay tuned for more information!

For things I am currently working on, I am hunkered down on bringing more tourism to Troy and making our downtown the place to visit. I can share we are currently working on creating better walking guides for the community that will showcase an easy to read map, a list of our businesses, a historical walking tour and a public art guide, all of this is currently in production and should be ready before the holiday season.

Olivia Doing an Event Install at Whiskey Pickle in Troy NY | Image: Provided

Anything coming up that you are especially excited about or want to share with our readers?

We have a heavy event schedule coming up. Pig Out returns on Sunday July 16. Our Rockin on the River series starts Wednesday June 28 and running every other Wednesday until August 9th, for the first time ever, we are putting together our very own College Block Party on Sunday, September 10 to welcome the students of RPI, Russell Sage and Hudson Valley Community College back to Downtown Troy. We are working to showcase to the students what the downtown has to offer while also having each school’s student organizations pop-up around downtown’s Monument Square to pass information out to friends, family and new students. It’s the downtown’s way of showing their love for the students who live and play here too!

Downtown Troy is on the rise, we have so much going on from new businesses, new public art programming and housing options, I’d say Troy is the place to be right now and it’s time everyone schedules a visit!