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Performing Arts

Albany’s 1st Friday : A Reminiscence and New Beginnings

April 27, 2023 By Corey Aldrich

I found myself on the streets of Albany, literally. After going through some intense personal life changing events, I was struggling to craft a new identity. One that was less corporate, less structured. More creative, rebellious. I was attracted to Arts and Culture and had begun volunteering my time consulting for the Albany Center Gallery and soon joined the Ellen Sinopoli Dance Company board. At around this time (circa 2010), I discovered 1st Night in Albany or ART NIGHT as I used to think of it. My life would never be the same. The scene…it was decadent, divine. So creative, smart and unexpected. The who’s who of the regional arts and culture scene where there, on the streets. Hundreds even thousands converging on Albany – for Arts Sake. You could find excellent family friendly events early at places like the Albany Institute of History and Art, Grand Street Community Arts or ACG. Then as the night got later, renegade pop up events got hotter in vacant buildings like St. Joseph’s Church, 259 Lark Street, 4 Central Ave or at the Upstate Artist Guild. Finally, the grand finale for me was always at Samson Contompasis’ Marketplace Gallery in the East Greenbush Tape and Label Factory (40B!) where you could dance till dawn with the DJ’s, street artists, fashion junkies, art freaks and hangers on that I aspired to become more like.

Marketplace Gallery | Left with Camera – Frank Whitney next to Peter Contompasis.
Forefront – Corey Aldrich next to Robbie | Photo: Robin Alexandria Kettner-Zebrowski
Tommy Watkins | Corey Aldrich | Jo Agropovich on Central Avenue
Photo: Robin Alexandria Kettner-Zebrowski

“First Friday was such a wonderful community event. Going out, connecting with friends, meeting new people. Wandering from place to place, never quite knowing what you might encounter. I hope to see it come back!” Jo Agropovich (Artist and Bass Player with Va Va Voodoos / Retrobilleze)

A few years in, the scene cooled down. It felt diluted. My friends and I slowly stopped considering it a must go on the calendar, scattering to the wind or for me…the Troy scene. Now, post COVID a group wants to bring that creative energy back to Albany, to reclaim the crown…the question is, can it be done?

Unknown Little Dude & Momma | Performance at 259 Lark Street | Robin Alexandria Kettner-Zebrowski
Photos: Ken Jacobie

To understand the genesis of the movement, I went back and talked to some of the folks who were there at the beginning. As frequently is the case, there are slight variations on the ‘AHA!’ moment and not to mention some key voices missing. That said, I decided to reprint the words of some those who were there verbatim. This is by no means a complete history. Also, there are lots of overlaps and differences that seem to me to be the telling from different perspectives. Remember, the best scenes are not planned, they may have a little structure in the beginning but usually they are based on creative alliances that overlap and importantly in the words of Tommy Watkins “…collaborations of friends, forming new relationships, coming together from the heart with love. People who are obsessed with doing the thing.” From what I can tell, the spark of the idea was born from a show called the MANSION SHOW and its timing in conjunction with a variety of other events hitting critical mass over the following year. This group show was organized by Tommy Watkins circa 2005. It’s also clear to me that Chip Faschiana (Artist) was at all the action points mentioned by founding participants.

“The love of art was the common ground in which we all started. But as time went by we saw an even greater value that came out of creating these events. We saw how bringing every one together on the first Friday became uniquely special. It got people talking, got people sharing. It created a family, a community, a place where everyone was accepted and appreciated no matter who they were or where they came from.” Tommy Watkins (Artist / Founding Member of Upstate Artist Guild)

Rebecca Schoonmaker | Upstate Artist Guild | Christa Dijstelbergen-Ricci
Photo Left / Right: Robin Alexandria Kettner-Zebrowski | Center: Ken Jacobie

“Born out of the successful one-night shows of Chip Faschiana and Tommy Watkins, I, as a board member of Upstate Artist Guild and the new Director of the Romaine Brooks Gallery at the Pride Center, decided to align RBG’s shows to UAG’s. I then approached Elizabeth Dubben who had just opened Ambrose + Sable Gallery to see if she wanted to also align her schedule to the first Friday and she agreed. So on Friday September 1, 2006, with 3 galleries in Center Square, 1st Friday Albany was born. A few months later, Sarah Martinez at Albany Center Gallery got on board and we started to grow. I engaged the businesses on Lark and Downtown to show art, to get on the map. We got funding to rent the trolley to do loops between Lark and Downtown. Eventually we added the Opalka Gallery, St Rose, and the University at Albany, which facilitated getting a 2nd trolley, one for uptown and one for downtown. At its peak, 1st Friday had over 50 participating venues, every major art gallery/museum in Albany, and thousands of people a month. For anniversary months, we’d do a 2 page spread in the centerfold of Metroland.” Michael Weidrich (UAG Board Member | Director at Romaine Brooks Gallery at the Pride Center)

(EDITORS NOTE: Think of those peak metrics. This does NOT even include all the overlapping economy that happened due to the influx of traffic to participating neighborhoods that benefited restaurants, bars, coffee shops etc)

Chip Fasciana | DWELL (DJ) and Mia Otian | Katie Pray
Photo: Robin Alexandria Kettner-Zebrowski
Marketplace Gallery | Abe Ferraro’s Art Course
Left: Artist Provided | Right: Kristin Diotte

“I remember around 2006-13 there was a really vibrant, thriving Art scene that was taking over abandoned spaces and churches with Pop Up shows…independent galleries that were giving a voice to all kinds of artists…IT was exciting and was really moving the conversation forward for what was possible in this region and beyond…an Art Hub! I was happy to be contributing performance / Installation based works that were pretty outlandish…Art that could have easily been dismissed as too dangerous for insurance purposes or eccentric for public scrutiny…yet I was given the opportunity to inspire and be inspired…and live in this area!” Abe Ferraro (Artist | Sculptor and Performance Artist)

Unknown, DJ RaNa Ransom, DJ OFI & Martin Dodge | Photo: Robin Alexandria Kettner-Zebrowski
Rachelle Smith-Stallman Performance Still | Photo: Robin Alexandria Kettner-Zebrowski

“I have fond memories when 1st Friday was just an idea sparked by a conversation between Jeff Mirel, Founder of Albany Barn, Chip Fasciana, co-producer of Albany Underground Artists, and me. We all had shows and events opening the same night, and we wanted to come together to build a crowd rather than promote our events in silos. We wanted to bring the art scene to bring us together rather than pull us apart. Albany Center Gallery was relocating to downtown Albany from the second floor of the Albany Public Library, and had a vision to bring new life to the legacy institution so I was personally invested in making 1st Friday successful…“

“Thankfully, Michael Weidrich, a board member at Upstate Artists Guild at the time took initiative and joined our conversation. Through Weidrich’s dedication and commitment towards the initiative, and teamwork from a host of organizations such as Grand Street Community Arts, Albany Institute of History & Art, Albany Center Gallery, Upstate Artists Guild and a slew of other groups, the monthly event definitely elevated the art scene in Albany and other galleries gained notoriety like the Marketplace Gallery. One-night shows at St. Joseph’s Church and Grand Street Community Arts drew hundreds of people. I am grateful to have been part of this team effort to build up the arts community and it is remarkable to see Albany thrive and grow and reinvent this event.” Sarah Martinez (Director at Albany Center Gallery)

Jessyka Neitzel & Alana Sparrow | Photo: Robin Alexandria Kettner-Zebrowski
Tall Ass Matt – The Early Years | Photo: Robin Alexandria Kettner-Zebrowski

COVID really put a crimp in the final strands of what was First Night. But, there is now a new initiative to bring it all back. This is being spearheaded by Michelle Toch Dinsmore Partner at Overit Media and Jim Gilbert Owner and Publisher of Nippertown. Overit through participation in the event in the past had seen major traffic generated to support artists they had lined up pre-covid. Michelle indicated that for some shows they would track hundreds of attendees going through the door of their office / venue. Michelle and her team want to build “…upon the foundation of the great First Friday Albany organizers who came before us.” And of course, we all know Jim and his commitment to supporting all things music, art and culture through Nippertown’s online portal. This will be critical for success as in the past the METROLAND played a major part in creating a there there for the event with promotional information, ads and a detailed monthly event map.

Unknown | R.M. Englehardt | St. Joe’s Church Installation
Photos: Robin Alexandria Kettner-Zebrowski
Corina Jae (oneUNIT) & Samson Contompasis | Unknown at UAG | St. Joe’s Church
Photo: Ken Jacobie

“This is the start of something big,” said Jim Gilbert of Nippertown, “and we hope it will develop into something huge. We really hope that the city’s talented creatives will see this as an opportunity to highlight what makes artists so imperative to the overall success of a creative economy, and we encourage everyone to get involved.”

To this I would personally add, it’s NOT a Creative Economy without the artists and hope that we can remember to center them firmly in the process. After all…the Creative comes first followed by the Economy. Let’s find ways to sustain and provide resources for our value creators and enable them to help in the development of a truly sustaining and sustainable event to the benefit of the overall community.

Samson Contompasis (Marketplace Gallery), Greg Dunn & Micheal Scott Ackermann | RADICAL
Photo: Ken Jacobie
Michael Conlin | Unknown | Jesse | Alyssa Hardy | Mark Gregory (?)
Conlin’s Sign Studio at the East Greenbush Tape and Label Factory
Photo: Robin Alexandria Kettner-Zebrowski

The initial relaunch event will be held with a kickoff show at Overit Media at 435 New Scotland Avenue, Albany including 5 artists called The Power of Paper. (Mimi Castiglione-Santiago, Ruby Silvious, Abe Ferraro, Ashton Guy and Lindsay McKeough partner up with collaborative partners The Circus Family and Mohawk Paper) on May 5th from 5:00 p.m. to 8:00 p.m. This will also serve as the official kick off to the city’s Tulip Week leading up to the 75th Anniversary of the Tulip Festival. Additional events are listed on the Nippertown Event Page and include the arts locations, shows, and food / beverage promotions.

Want to get involved? To connect with participating locations as an artist you can head over to Nippertown’s First Friday Application Page.

Abe Farraro at 257 Lark | Unknown Performance Art | St. Joe’s Church – RADICAL Stage Design
Photos: Ken Jacobie
Marketplace Gallery – Abe Ferraro’s Art Course | Michael Farrell and Lisa Reddy
Photo: Ken Jacobie

Photos for this article were significantly mined from the collections of my favorite go to photographer at the time Robin Alexandria Kettner-Zebrowski who created a catalog of many who were on the streets in the deep scene and who without I would have been lost. Special mention to Ken Jacobie as well, who had an sharp eye on the art…and seemed to be everywhere all the time.

There is so much to plumb in this rich history. I may end up doing another article. So many voices to reach out to, images to search and best practice tips to secure!

STEAM + A = Creative Activism : A Conversation with Kristen Holler

January 19, 2023 By Corey Aldrich

I first met Kristen Holler in her role at the Albany Barn. I have had the opportunity to work with her on projects there and in Schenectady at the Electric City Barn involving ACE! and my own production work with my company 2440 Design Studio. So when I was included on an email from Steve Pierce announcing her new position as Executive Director at the Sanctuary for Independent Media, I immediately knew that this could be a tremendous match for her and the organization. Focused and tireless, Kristen has a deep arts and community background. Though fresh on the job, I wanted to be a part of launching an awareness about her transition and have her share a quick update with us all about the amazing STEAM based approach that the Sanctuary is bringing to a neighborhood community and beyond.

Kristen Holler : Executive Director at The Sanctuary for Independent Media | Photo: Provided

Can you tell us a bit of your background and what you did before this?

Prior to coming to the Sanctuary for Independent Media I was the Executive Director of Albany Barn – a nonprofit org that supports artist development through a wide variety of technical assistance and subsidized/shared resource programs – from 2013 until 2022. In that time I helped to drive the opening of Electric City Barn in Schenectady, and served as a project manager for the Capital Walls public art initiative in collaboration with Albany Center Gallery. My professional background has been almost exclusively in the nonprofit space, but has been a combination of direct service and administrative roles across housing, employment, health, and arts organizations.

Live Performance at Freedom Square | Photo: Provided

The Sanctuary is so many things – from performance art, to science to activism…can you give us an idea of what the main areas of focus will be for you and why this position was attractive to you?

I think the thing that resonates most for me is that although the Sanctuary ‘is so many things,’ each of those things is linked back to the pursuit of social justice, and the use of creativity and independent expression as tools in that pursuit. I had the pleasure of working with and learning from Steve Pierce and Branda Miller – two of the organization’s founders – in my time at The Barn.

Branda Miller and Steve Pierce sitting with daughter Masha, and dog, Rose Fang. | Photo: Provided

It is an honor to step into this beautiful space that they’ve created, to build upon their legacy. My focus will be strengthening continuity and sustainability across the varied initiatives and programs and to provide strategic leadership in a time of transition.

Event Audience at Sanctuary for Independent Media. | Photo: Provided
Collard City Growers participants work the permaculture garden. | Photo: Provided

Can you share with us some meaningful ways in which the Sanctuary is making a difference in the lives of those who are in the neighborhood and beyond?

The Sanctuary’s varied programming really provides something for everyone, and the community of individuals who have created and driven this organization forward for the past 20+ years have shown a true dedication to remaining independent from corporate control and responsive to community input.

Collard City Growers participants work the permaculture garden. | Photo: Provided

One of the major ways that The Sanctuary has impacted the immediate neighborhood is through investment in vacant lots and buildings, reactivating them for community use including Freedom Square – a public performance and gathering space; Collard City Growers – a food justice, arts, and permaculture project; NATURE Lab – a community science lab; and People’s Health Sanctuary – a community-led mutual aid health initiative. Another space where I think The Sanctuary has had real impact is in creating STEAM programming where the arts, sciences, and media are not silos, but an intersection of related disciplines where the arts are tools for scientific discovery, the sciences are a tools for creative expression, and media is the vehicle for sharing the process and the outcomes in ways that are accessible to a wider audience. (Editors Note: This!!)

The Sanctuary for Independent Media Main Entrance. | Photo: Provided

There has also been a consistent effort to develop and maintain strong community relationships with individuals and other organizations through these connections. The Sanctuary has helped to get important community-led initiatives into the media – including stories that depict a more positive image of the N. Central Troy community. Outside of the immediate neighborhood The Sanctuary’s media content and performance series have drawn visitors virtually and in person from other states and countries.

Nature Lab (Water Justice Project) participants testing Hudson River water samples. | Photo: Provided

What are the primary funding sources for the organization?

The organization is funded largely by individual donors and sustaining contributors – particularly Sanctuary Radio and Sanctuary TV. Additional funding is provided by NYSCA, DEC, NEA, McCarthy Charities, Howard & Bush Foundation, and The Community Foundation for the Greater Capital Region.

Developing story based narratives at Sanctuary Radio. | Photo: Provided

Anything coming up on the horizon we should be aware of or keep on the lookout for?

People can tune into Hudson Mohawk Magazine daily at 7am, 9am, and 6pm for independent coverage of local news and topics impacting our Region. The People’s Health Sanctuary will have a series of open houses in the winter and early spring that are in the final stage of scheduling. The Sanctuary will continue with its signature annual events including Freedom Fest in the summer and Story Harvest in the fall. Information on upcoming events can always be found on our website.

Freedom Square entrance at the Sanctuary for Independent Media. | Photo: Provided

WEB: mediasanctuary.org

FREE TICKETS to the Grammy Nominated Danish String Quartet!*

January 19, 2023 By upstatecreative

The Danish String Quartet | Photo: Provided

This month we are partnering with the Friends of Chamber Music of Troy to make available a block of tickets to a rare Capital Region performance by the Grammy nominated Danish String Quartet. Availability is first come first serve and limited so jump on this ASAP if your interested. There is a two tickets per person limit.

* Ok, its not totally FREE, the ticket processor has a mandatory fee of $ .70, so you will be set back $1.40 for two tickets. Original ticket cost is $35 per ($70 for two) so, its as close to FREE as we could get! To get the discount, click the link below and when procuring the tickets Enter Discount Code: ACE – That will recalculate the cost. Reserved tickets will be a the Will Call window.

TO SECURE YOUR TICKET NOW CLICK HERE

With arrangements of Nordic folk music and a sound described as “capable of intense blend” and “extreme dynamic variation” (Gramophone), the Danish String Quartet (Frederik Øland – violin, Rune Tonsgaard Sørensen – violin, Asbjørn Nørgaard – viola, and Fredrik Schøyen Sjölin – cello) comes to Albany with stylistic diversity and admiration for creative interpretations of classical music.

“This is one of the best quartets before the public today.”
Robert BatteyThe Washington Post

“They could be grounded in their tone or mystical. They allowed time to stand still, and they could assume the pose of excitingly aggressive rockers. They did it all.”
Mark Swed The Los Angeles Times

When: Saturday, January 28, 2023 at 3:00 PM

Location:
Page Hall | University at Albany | Campus 135 Western Avenue Albany, NY 12203

STUDENT ALERT: FREE Tickets to College Student’s with Valid ID

FREE TICKETS to the Albany Symphony’s ‘Classics for the Holidays’

November 14, 2022 By upstatecreative

We partnered up with the multiple Grammy winning Albany Symphony Orchestra and are making available a block of FREE TICKETS (a $65 value each!) to the annual holiday extravaganza ‘Classics for the Holidays’ performance! Availability is first come first serve so jump on this asap if your interested. There is a two tickets per person limit.

Albany Symphony Orchestra at the Troy Music Hall.

This December you are invited to enjoy a night or afternoon with the Albany Symphony as Music Director David Alan Miller conducts the ASO in a program of ‘Classics for the Holidays’. Come experience one of J.S. Bach’s beloved Christmas Cantatas featuring singers from the Bard Vocal Performance Program and his famous Double Violin Concerto featuring the ASO’s own Mitsuko Suzuki and Funda Cizmecioglu, plus a sinfonietta by influential 20th Century Black American composer and conductor Coleridge Taylor-Perkinson, and Mozart’s stunning Symphony No. 39.

Classics for the Holidays | Troy Savings Bank Music Hall
Saturday, Dec. 10 at 7:30pm | Sunday, Dec. 11 at 3pm

Order free tickets to the Saturday Evening or Sunday Matinee performance by using offer code ACEGUEST at checkout, or by calling the ASO Box Office at 518.694.3300.

PRO TIP: If for some reason you get a ‘seats unavailable’ message try a different location.

Violinists Mitsuko Suzuki and Funda Cizmecioglu | Conductor David Allen Miller

Saratoga Sounds Under ‘Acoustic Clouds’ : Re-envisioning the Arthur Zankel Music Center

October 12, 2022 By Corey Aldrich

The Arthur Zankel Music Center | Photo: Provided

The Zankel Music Center on the Skidmore College Campus opened in 2010. The 54,000 sq-ft facility features the 600-seat, acoustically brilliant Helen Filene Ladd Concert Hall. In addition, the building also houses a 100-seat lecture and recital hall, rehearsal and practice rooms, and the Skidmore Music Department. It’s not uncommon to walk into Zankel and hear the sublime sounds of piano, violin, or operatic singing floating through the corridors. A campus and community asset, it welcomes roughly 25,000 visitors each year.

The Helen Filene Ladd Concert Hall at The Zankel Music Center | Photo: Provided

THE MISSION

The mission at Zankel is two-fold: 1) to strengthen it’s role as a cultural resource for upstate New York by refining and expanding it’s world-class programming, and 2) to diversify and transform Skidmore’s music program in collaboration with faculty. The concert hall features tunable acoustic “clouds” and a look resembling Carnegie Hall’s Zankel Hall (named for Arthur and his wife, Judy). A unique offering among regional venues, hits a sweet spot in capacity, aesthetics, and experience of sound. A regional best kept secret outside of the Saratoga Springs community, one which the facilities newest addition Zhenelle LeBel looks to change.

Zhenelle LeBel joined Skidmore College as the Managing Director of the Arthur Zankel Music Center on August 1 of this year. Previously, she was with an important Troy based performance space, the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute where she was a senior arts administrator for the curatorial team.

Zhenelle LaBel : Managing Director at The Arthur Zankel Music Center | Photo: Provided

PROGRAMMING NOTES

Programming at the Zankel spans a range of musical genres, from Western classical to jazz to music from cultures around the globe. The audience reflects that in its multi-generational and multi-ethnic composition. In coming seasons, Zhenelle states that they will interrogate these genres with questions like: What happens if you center Black experiences and expressions of classical music? Where are the women in jazz? Is the term “world music” problematic, from the perspective of American colonialism? They plan on supporting these dialogues with lectures, screenings, and related convenings with the aim to include a diversity of voices.

John Batista and Stay Human | Photo: Rudy Lu

Zankel is bustling with the student body daily, between students enrolled in Music programs and a staff of around 30 student employees who help run events. They also facilitate collaborations across departments, working with faculty and their students to engage campus with programs that complement the events–master classes and workshops, screenings, talks, and exhibits, understanding that these interdisciplinary activities enrich the arts for all.

“These collaborations have a direct impact on student’s awareness of and interest in performances at Zankel, and are what I think contribute most to their attendance. Unlike our public audience, who attends primarily for entertainment, the Skidmore community shows up because in most cases, they’ve gained a new way of relating to the music and are curious. We love to inspire curiosity!” Zhenelle LeBel

Jungle in Concert | Photo: Provided

A RICH PEDIGREE

The Zankel has had laudable roster of talent perform on stage including: Branford Marsalis, Jon Baptiste, Emanuel Ax, Ani DiFranco, the Indigo Girls, Paul Simon, and Ladysmith Black Mambazo. In addition to presenting student recitals each semester, which is seen as an essential service to provide burgeoning artists the opportunity to perform for an audience, they also welcome performances by professionals who may be emerging in their field.

Recent performer Taína Asili | Photo: Nathan Bogardus

As for near future developments and focus, Zhenelle says, “Next year will bring exciting changes to our program, with new artistic residencies and a shift toward more multi-disciplinary performances. I am working on a thematic framework for our 2023/24 season that seeks to respond to some of my earlier questions, curating artists whose music both uplifts and informs. Can’t name names just yet!“

Follow them on social media to keep abreast of the new programming as it develops or reach out to Zhenelle directly.

WEB: www.skidmore.edu/zankel/index.php
IG: | FB: @zankelmusiccenter

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