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Visual Arts and Handcrafted Products

AVERY STEMPEL ON THINGS MYCOLOGICAL AND SUPPORTING UNBRIDLED CREATIVITY

July 27, 2023 By Corey Aldrich

I first encountered Avery about 10 years ago at a poetry reading event produced by a mutual friend, Maria Diotte of Bliss Arts at the old Fulton Street Gallery in Troy. He was hard to forget, a dynamic performance artist with a heart of gold. Impressively, he has found a way to combine all things art and community at his indoor urban vertical mushroom farm, mycological education center, and community gathering space. This includes live music, poetry events and creative making workshops to yoga, artisan dining and political activism, and that’s just scratching the surface. I would say unequivocally that he is one of the most renaissance creatives I have ever met.

Avery Stemple – Owner / Operator of Collar City Mushrooms in Troy, NY | Photo: Corey Aldrich

Please state your name, company and position. How big is your company? Can you also tell us a little about your background?

My name is Avery Stempel, I am the owner operator of Collar City Mushrooms, an indoor urban vertical mushroom farm, mycological education center, and community gathering space in Troy, NY. Our operation occupies 3,500 square feet on .33 of an acre in a structure that was originally built as a Brewery. We employ a mix of 10 part-time and full-time team members as well as run an internship program for folks interested in getting their hands into the mycelium as part of an educational experience. I grew up on a family sawmill in the Helderberg Mountains and was constantly immersed in the natural world. The secret lives of fungi have always fascinated me. I graduated from Siena College with a degree in philosophy and received two master’s degrees in education from Sage Graduate School. During my professional life I oscillated between performing arts and teaching. I’ve worked at Capital Repertory Theater, The Egg, and EMPAC at RPI. I’ve also hit the spotlight myself as a poet, musician, and actor.

Sam Armour – Lead Mushroom Travel Coordinator at Collar City Mushrooms | Photo: Corey Aldrich
All Books Mycological for Sale at Collar City Mushrooms in Troy, NY | Photo: Corey Aldrich

What is the mission of Collar City Mushroom? What type of clients do you serve? Partnerships and retail partners?

When CCM opened, it was important for me to combine all my passions under one roof. The three pillars of our mission are to educate, enrich, and entertain. We provide opportunities for people to eat nutritious whole foods, learn about the mushroom growing process, and enjoy creativity in all its various forms. Our gourmet mushrooms are used in many restaurants in the area and available direct to consumers through Albany’s Honest Weight Food Co-Op, Saratoga’s Healthy Living Market, the New Lebanon Farmers Market, and right from our farm store at 333 2nd Ave in Lansinburgh. We also produce a variety of value-added products and co-creations we’ve curated with other small businesses. We’ve partnered with Indian Ladder Farms to make both a cider and a beer including mushrooms, Primo-Botanica to create a non-psychedelic mushroom and cacao drink, and Kru Coffee for a canned ready to consume lion’s mane infused cold brew coffee. We are a “yes-and” company. We want our community to be able to share their products and ideas for experiences.

Collar City Mushrooms Collaborative Product with Primo Botanica | Photo: Provided
Collar City Mushrooms Collaborative Products with Kru Coffee and Indian Ladder Farms | Photos: Provided

You incorporate a lot of creativity and collaboration into the fabric of CCM. Can you share a bit about the creative side of what you have going on in the programming?

We have hosted poetry performances, makers markets, meditation sessions, yoga classes, knitting workshops, mycelium building activities, and a myriad of art centric events. Local creators such as Jade Warrick, Armando Soto, John Zoccoli, Lindsay Kirk, and Jonn Paul have graced our walls, and musicians such as Sean Rowe, Jeanine Ouderkirk, Stokker, Nick Bisanz, the Deadbeats Duo, Kenyatta Emmanuel, and Malicious Offense have entertained our guests. Growing incredibly beautiful mushrooms is an art. Converting them into mind-bendingly delicious foods is an art. Crafting mushroom sculptures is an art. Life is art. We continually surround ourselves with creativity in process and welcome others to do the same!

Nicholas Waunsch – Mycelial Maestro at Collar City Mushrooms | Photo: Corey Aldrich
Outdoor Dining Event at Collar City Mushrooms in Troy, NY | Photo: Provided

I see your constantly connecting, touring and talking with legislators, what goals are you trying to accomplish on the political front?

In addition to growing a myriad of culinary and medicinal mushrooms, we are also advocating for legal access to psilocybin containing mushrooms. We founded the New York Psilocybin Action Committee and adopted leadership of New Yorkers for Mental Health Alternatives. We have met with dozens of NY lawmakers at our farm and in the Capitol as we strategize ways to end the criminalization of people attempting to heal using natural psychedelics. The wave of evidence pouring from hundreds of research projects around the world shows the efficacy of psilocybin to relieve stress, process trauma, ease anxiety, and even break the cycle of addiction. We are working towards a future where psilocybin containing mushrooms will be a legal option for people’s healing journeys and well care routines. We are also advocating for greater understanding of urban vertical farming in city communities. With growing interest in local-vore diets and shorter supply chains, more projects such as ours are opening across the country. The need to streamline approval processes and applications for support will be critical for the future’s food supply production.

Current Photo Exhibition by MYCO-Fox through 09.30.2023
Current Photo Exhibition by MYCO-Fox through 09.30.2023

Any exciting pieces of programming you would like to share with our audience?

Currently we have a show up by photographer MYCO-Fox that will be up through September 30th.

Coming up in August we have two Death Metal shows, one on August 5th and one on August 26th, a Poetry Open Mic on August 13th, and on Saturday, August 19th Chef Haseim Townsend from Organa Juice Bar will be curating a dinner as part of our monthly dinner program. A bit further down the road we have a dinner event at SPAC as part of their culinary arts program called “A Mushroom Experience.” This November 4th event will be a multiple course meal featuring mushroom music, mushroom photography, and mushroom sculptures! Follow our social media for all the latest updates.

Avery Stemple – Primary Pleurotus at Collar City Mushrooms | Photo: Corey Aldrich

Albany’s 1st Friday : A Reminiscence and New Beginnings

April 27, 2023 By Corey Aldrich

I found myself on the streets of Albany, literally. After going through some intense personal life changing events, I was struggling to craft a new identity. One that was less corporate, less structured. More creative, rebellious. I was attracted to Arts and Culture and had begun volunteering my time consulting for the Albany Center Gallery and soon joined the Ellen Sinopoli Dance Company board. At around this time (circa 2010), I discovered 1st Night in Albany or ART NIGHT as I used to think of it. My life would never be the same. The scene…it was decadent, divine. So creative, smart and unexpected. The who’s who of the regional arts and culture scene where there, on the streets. Hundreds even thousands converging on Albany – for Arts Sake. You could find excellent family friendly events early at places like the Albany Institute of History and Art, Grand Street Community Arts or ACG. Then as the night got later, renegade pop up events got hotter in vacant buildings like St. Joseph’s Church, 259 Lark Street, 4 Central Ave or at the Upstate Artist Guild. Finally, the grand finale for me was always at Samson Contompasis’ Marketplace Gallery in the East Greenbush Tape and Label Factory (40B!) where you could dance till dawn with the DJ’s, street artists, fashion junkies, art freaks and hangers on that I aspired to become more like.

Marketplace Gallery | Left with Camera – Frank Whitney next to Peter Contompasis.
Forefront – Corey Aldrich next to Robbie | Photo: Robin Alexandria Kettner-Zebrowski
Tommy Watkins | Corey Aldrich | Jo Agropovich on Central Avenue
Photo: Robin Alexandria Kettner-Zebrowski

“First Friday was such a wonderful community event. Going out, connecting with friends, meeting new people. Wandering from place to place, never quite knowing what you might encounter. I hope to see it come back!” Jo Agropovich (Artist and Bass Player with Va Va Voodoos / Retrobilleze)

A few years in, the scene cooled down. It felt diluted. My friends and I slowly stopped considering it a must go on the calendar, scattering to the wind or for me…the Troy scene. Now, post COVID a group wants to bring that creative energy back to Albany, to reclaim the crown…the question is, can it be done?

Unknown Little Dude & Momma | Performance at 259 Lark Street | Robin Alexandria Kettner-Zebrowski
Photos: Ken Jacobie

To understand the genesis of the movement, I went back and talked to some of the folks who were there at the beginning. As frequently is the case, there are slight variations on the ‘AHA!’ moment and not to mention some key voices missing. That said, I decided to reprint the words of some those who were there verbatim. This is by no means a complete history. Also, there are lots of overlaps and differences that seem to me to be the telling from different perspectives. Remember, the best scenes are not planned, they may have a little structure in the beginning but usually they are based on creative alliances that overlap and importantly in the words of Tommy Watkins “…collaborations of friends, forming new relationships, coming together from the heart with love. People who are obsessed with doing the thing.” From what I can tell, the spark of the idea was born from a show called the MANSION SHOW and its timing in conjunction with a variety of other events hitting critical mass over the following year. This group show was organized by Tommy Watkins circa 2005. It’s also clear to me that Chip Faschiana (Artist) was at all the action points mentioned by founding participants.

“The love of art was the common ground in which we all started. But as time went by we saw an even greater value that came out of creating these events. We saw how bringing every one together on the first Friday became uniquely special. It got people talking, got people sharing. It created a family, a community, a place where everyone was accepted and appreciated no matter who they were or where they came from.” Tommy Watkins (Artist / Founding Member of Upstate Artist Guild)

Rebecca Schoonmaker | Upstate Artist Guild | Christa Dijstelbergen-Ricci
Photo Left / Right: Robin Alexandria Kettner-Zebrowski | Center: Ken Jacobie

“Born out of the successful one-night shows of Chip Faschiana and Tommy Watkins, I, as a board member of Upstate Artist Guild and the new Director of the Romaine Brooks Gallery at the Pride Center, decided to align RBG’s shows to UAG’s. I then approached Elizabeth Dubben who had just opened Ambrose + Sable Gallery to see if she wanted to also align her schedule to the first Friday and she agreed. So on Friday September 1, 2006, with 3 galleries in Center Square, 1st Friday Albany was born. A few months later, Sarah Martinez at Albany Center Gallery got on board and we started to grow. I engaged the businesses on Lark and Downtown to show art, to get on the map. We got funding to rent the trolley to do loops between Lark and Downtown. Eventually we added the Opalka Gallery, St Rose, and the University at Albany, which facilitated getting a 2nd trolley, one for uptown and one for downtown. At its peak, 1st Friday had over 50 participating venues, every major art gallery/museum in Albany, and thousands of people a month. For anniversary months, we’d do a 2 page spread in the centerfold of Metroland.” Michael Weidrich (UAG Board Member | Director at Romaine Brooks Gallery at the Pride Center)

(EDITORS NOTE: Think of those peak metrics. This does NOT even include all the overlapping economy that happened due to the influx of traffic to participating neighborhoods that benefited restaurants, bars, coffee shops etc)

Chip Fasciana | DWELL (DJ) and Mia Otian | Katie Pray
Photo: Robin Alexandria Kettner-Zebrowski
Marketplace Gallery | Abe Ferraro’s Art Course
Left: Artist Provided | Right: Kristin Diotte

“I remember around 2006-13 there was a really vibrant, thriving Art scene that was taking over abandoned spaces and churches with Pop Up shows…independent galleries that were giving a voice to all kinds of artists…IT was exciting and was really moving the conversation forward for what was possible in this region and beyond…an Art Hub! I was happy to be contributing performance / Installation based works that were pretty outlandish…Art that could have easily been dismissed as too dangerous for insurance purposes or eccentric for public scrutiny…yet I was given the opportunity to inspire and be inspired…and live in this area!” Abe Ferraro (Artist | Sculptor and Performance Artist)

Unknown, DJ RaNa Ransom, DJ OFI & Martin Dodge | Photo: Robin Alexandria Kettner-Zebrowski
Rachelle Smith-Stallman Performance Still | Photo: Robin Alexandria Kettner-Zebrowski

“I have fond memories when 1st Friday was just an idea sparked by a conversation between Jeff Mirel, Founder of Albany Barn, Chip Fasciana, co-producer of Albany Underground Artists, and me. We all had shows and events opening the same night, and we wanted to come together to build a crowd rather than promote our events in silos. We wanted to bring the art scene to bring us together rather than pull us apart. Albany Center Gallery was relocating to downtown Albany from the second floor of the Albany Public Library, and had a vision to bring new life to the legacy institution so I was personally invested in making 1st Friday successful…“

“Thankfully, Michael Weidrich, a board member at Upstate Artists Guild at the time took initiative and joined our conversation. Through Weidrich’s dedication and commitment towards the initiative, and teamwork from a host of organizations such as Grand Street Community Arts, Albany Institute of History & Art, Albany Center Gallery, Upstate Artists Guild and a slew of other groups, the monthly event definitely elevated the art scene in Albany and other galleries gained notoriety like the Marketplace Gallery. One-night shows at St. Joseph’s Church and Grand Street Community Arts drew hundreds of people. I am grateful to have been part of this team effort to build up the arts community and it is remarkable to see Albany thrive and grow and reinvent this event.” Sarah Martinez (Director at Albany Center Gallery)

Jessyka Neitzel & Alana Sparrow | Photo: Robin Alexandria Kettner-Zebrowski
Tall Ass Matt – The Early Years | Photo: Robin Alexandria Kettner-Zebrowski

COVID really put a crimp in the final strands of what was First Night. But, there is now a new initiative to bring it all back. This is being spearheaded by Michelle Toch Dinsmore Partner at Overit Media and Jim Gilbert Owner and Publisher of Nippertown. Overit through participation in the event in the past had seen major traffic generated to support artists they had lined up pre-covid. Michelle indicated that for some shows they would track hundreds of attendees going through the door of their office / venue. Michelle and her team want to build “…upon the foundation of the great First Friday Albany organizers who came before us.” And of course, we all know Jim and his commitment to supporting all things music, art and culture through Nippertown’s online portal. This will be critical for success as in the past the METROLAND played a major part in creating a there there for the event with promotional information, ads and a detailed monthly event map.

Unknown | R.M. Englehardt | St. Joe’s Church Installation
Photos: Robin Alexandria Kettner-Zebrowski
Corina Jae (oneUNIT) & Samson Contompasis | Unknown at UAG | St. Joe’s Church
Photo: Ken Jacobie

“This is the start of something big,” said Jim Gilbert of Nippertown, “and we hope it will develop into something huge. We really hope that the city’s talented creatives will see this as an opportunity to highlight what makes artists so imperative to the overall success of a creative economy, and we encourage everyone to get involved.”

To this I would personally add, it’s NOT a Creative Economy without the artists and hope that we can remember to center them firmly in the process. After all…the Creative comes first followed by the Economy. Let’s find ways to sustain and provide resources for our value creators and enable them to help in the development of a truly sustaining and sustainable event to the benefit of the overall community.

Samson Contompasis (Marketplace Gallery), Greg Dunn & Micheal Scott Ackermann | RADICAL
Photo: Ken Jacobie
Michael Conlin | Unknown | Jesse | Alyssa Hardy | Mark Gregory (?)
Conlin’s Sign Studio at the East Greenbush Tape and Label Factory
Photo: Robin Alexandria Kettner-Zebrowski

The initial relaunch event will be held with a kickoff show at Overit Media at 435 New Scotland Avenue, Albany including 5 artists called The Power of Paper. (Mimi Castiglione-Santiago, Ruby Silvious, Abe Ferraro, Ashton Guy and Lindsay McKeough partner up with collaborative partners The Circus Family and Mohawk Paper) on May 5th from 5:00 p.m. to 8:00 p.m. This will also serve as the official kick off to the city’s Tulip Week leading up to the 75th Anniversary of the Tulip Festival. Additional events are listed on the Nippertown Event Page and include the arts locations, shows, and food / beverage promotions.

Want to get involved? To connect with participating locations as an artist you can head over to Nippertown’s First Friday Application Page.

Abe Farraro at 257 Lark | Unknown Performance Art | St. Joe’s Church – RADICAL Stage Design
Photos: Ken Jacobie
Marketplace Gallery – Abe Ferraro’s Art Course | Michael Farrell and Lisa Reddy
Photo: Ken Jacobie

Photos for this article were significantly mined from the collections of my favorite go to photographer at the time Robin Alexandria Kettner-Zebrowski who created a catalog of many who were on the streets in the deep scene and who without I would have been lost. Special mention to Ken Jacobie as well, who had an sharp eye on the art…and seemed to be everywhere all the time.

There is so much to plumb in this rich history. I may end up doing another article. So many voices to reach out to, images to search and best practice tips to secure!

A.I. : What It Is and Why You Should Care | PART I OF III

March 21, 2023 By Taliesin Thomas

Powerful Artificial Intelligence engines like Chat GPT4 and Midjourney v5 are quickly moving into the mainstream. This 3-part series on the expanding prevalence of Artificial Intelligence (A.I.) will consider the topic with respect to art and the creative economies in our region and beyond. In this opening segment, Taliesin Thomas PhD explores the basic definitions of A.I. and where the current conversation is moving.

Installation View of a Daniel Arsham Exhibition at the Long Museum in Shanghai, China | 2019
Photo Credit: Taliesin Thomas

The noticeable buzz surrounding Artificial Intelligence (A.I.) appears to be infiltrating nearly every category of contemporary culture, especially creative fields. What exactly is A.I. and how does it work? What are the implications of A.I. for art? Although art made with semi-autonomous machines has been around since the 1960s, we are in an entirely new era of technological realities. First let us consider the pairing of these two words: ‘artificial’ and ‘intelligence.’ These concepts inspire distinct questions surrounding A.I. and its rising significance in our increasingly interconnected society. The term ‘artificial’ presents a wary definition to start—synonyms include ‘bogus’, ‘counterfeit,’ ‘factitious,’ and ‘faked.’ This provokes a circumspect context from the outset of the conversation: can we trust this fabricated form of perceiving, synthesizing, and inferring information? Second, the notion of ‘intelligence’ is arguably the basis of our entire civilization. We endure and increase our collective agency as a species thanks to our combined intelligence. Intelligence can be defined in various ways, including the capacity for understanding, self-awareness, reasoning, planning, critical thinking, and creativity. The power of our singular human experience is precisely our ability to cultivate intellect throughout our life journey.

Installation View of Yayoi Kusama “Infinity Mirrors” Installation at the Hirshhorn Museum, DC | 2022
Image credit: Taliesin Thomas

Thus, we proceed with a sense of discernment regarding A.I. as a ‘phony mind’ yet we must marvel at its swift development and implementation in various realms of society, notably commercial applications. A.I. systems function through a foundation of specific hardware and software tools that consume large quantities of organized data that—through processing techniques—produce specific algorithms or patterns. Those algorithms in turn provide computing devices with step-by-step instructions for how to complete a specific task and can be manipulated to ‘create’ or output in distinct ways. A.I. is now employed for a variety of purposes including expert systems, natural language processing, speech recognition, and machine vision. The ride service Uber, for example, utilizes sophisticated A.I. machine learning algorithms to predict when people are likely to need rides in certain areas, which helps proactively get drivers on the road and to where they are needed most.

Screengrab of The Andy Warhol Diaries on Netflix

As a novel technology, A.I. is being progressively employed within the creative sector as well, often in fascinating ways. I anticipated the A.I. generated voice for Andy Warhol as encountered in the Andy Warhol Dairies would sound gimmicky and bizarre, however, I was delighted by the opposite effect. Not only does the Warhol’s voice sound incredibly accurate, but it also brings to life his articulate mind (and heart) in a beautiful and believable manner. We already know Warhol as an icon extraordinaire and enduring face of Pop Art, but this intimate series reveals Warhol the lover, and his words are pulled straight from his personal dairies and personified through A.I. technology. The result is a dreamy and eloquent Warhol voice, and it reduced me to bouts of sobbing throughout the series (the emotional quality is undeniable). The company Resemble AI crafted Warhol’s A.I. voice with just 3 minutes and 12 seconds of usable data in the form of existing audio recordings. The Andy Warhol Dairies is a marvelous example that demonstrates the success of A.I. as a tool that brings ever greater insight to the art of our times—and in the case of Warhol, a deceased artist who remains timeless.

The Author with a Painting of Andy Warhol at the Warhol Museum | 2016
Image credit: Taliesin Thomas

The pressing question in all of this seems to be: how does A.I. impact our concept of intelligence and creativity and our ‘ownership’ of that very intelligence and creativity? In other words, to restate a familiar concern about the expanding role of technology and the human mind in all its formats since the first publication of Mary Shelly’s Frankenstein (1818) and the dawn of the computing age: can machines ‘think’ for us? In the meantime, critics such as New York based arts, culture and technology writer Mike Pepi propose: “These so-called ‘creative’ machines are limited in that they can only ever remix existing media and data, they cannot truly create anything new. This is the province of human ingenuity alone.” Artists, fear not! These fictitious A.I. minds are mere derivative producing hacks! In any case, the fundamental thing to understand about A.I. is that it is as a unique form of simulated intelligence by way of computer systems that aim to assist humans achieve in increased capacities. Here one must acknowledge that notions of ‘human’ increasingly point toward the ‘posthuman’ in our hyper-stimulated digital era. A recent article at The Verge highlights the issues around copyright laws and exposes the ruffle between Getty Images and A.I. generated visions of humans that are downright freakish. Indeed, these are dense conceptual paradigms transforming our planet in real-time.

Screengrab of a Recent article concerning A.I. and Getty Images Published on The Verge | 2022

Nevertheless, A.I. is here to stay, so we must embrace it as part of the evolving global reality of today. We also recognize, however, an underlying apprehension for creatives, since corporate driven A.I image generators pose a threat to their livelihood. According to a recent article published by Artnews, the latest advancements in machine-learning programs have transformed A.I. into an impressive creative tool that seems capable of outpacing—and underpricing—human artists, sparking a real concern in diverse creative circles. Anxieties surrounding A.I. and art are highest among graphic artists and commercial illustrators, whose very livelihood is based on their ability to design artistic content specific to a clients’ vision. Another Artnews piece also warns that A.I. systems ‘learn’ by sifting through numerous man-made images that are often scraped from online sources by tech companies and often without the consent of their authors. As stated by writer Taylor Dafoe: “A.I. advocates argue that this practice is protected by fair use laws; artists have said it violates their copyrights.” How will A.I.’s artistic capabilities intimidate even more areas within the wider creative field?

Street Art in the Chelsea Neighborhood in New York City | 2022
Image Credit: Taliesin Thomas

I agree with sceptics who suggest that the vast realm of art practices and material embodiments of aesthetic culture will not be undermined by the new A.I. landscape. And I agree with critical thinkers such as Mathew Dryhurst who states: “I do not believe that artists are in too much danger of being replaced by A.I. Artistic practices are so much more complex than a style that can be mimicked. What we value of art is more social than we often acknowledge.” Other cultural commentators such as Martin Herbert get to the heart of the matter from a meta perspective. In his recent article “I’m an Art Critic. Will AI Steal My Job?” he states the obvious regarding the entire A.I. project: “At the base of this inhuman ‘creativity’, of course, is human labour.” He also makes an important point about the ‘real’ value of art as a matter of ‘real’ lives lived: “The contemporary art scene seems, almost nostalgically, tied to people: artists, as fronting personalities and aspiration models, seem as important as the art.” Undoubtedly it is the corporeal, messy, compelling narratives of artists and their art—the true blood and guts of a creative life—that give art its enduring allure. Thus, we can welcome A.I. onto the scene as fellow ‘counterfeit’ creative as we remain rooted in a pulsating world of manifestation that comes into being precisely through authentic being.


In the next installment (II of III), we will hear from regional professionals who amplify our perspective on A.I. and its significance in arts fields especially.


Taliesin Thomas, Ph.D. is an artist-philosopher, writer, lecturer, and collector based in Troy, NY. Since 2007, she is the founding director of AW Asia and the collection manager of Art Issue Editions—two private art collections based in New York that are the foundation for collaborations and projects with artists and museums
worldwide. Thomas has lectured and published widely on contemporary art. She is the director of the Critical Forum program at the Arts Center for the Capital Region, NY and she is a faculty member at School of Visual Arts, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College, Columbia University, and The Institute for Doctoral Studies in the Visual Arts.

518 Film Network : Connecting the Dots for Regional Film Producers

February 20, 2023 By Corey Aldrich

I originally met some of the members who later would form 518 Film through ACE! events and socially in downtown Troy New York. They registered strongly on my radar as an organizational force to be reckoned with last year when ACE! partnered up to amplify ‘The Monkey Short Film Fundraising Gala‘ in Albany New York. A collection of dedicated career film folks at a variety of levels in the film making ecosystem, 518 Film continues to be a part of a vibrant production feed that is increasingly making waves in the region and far beyond (in addition to throwing some great parties!). I caught up with Co-Founder and Community Engagement Director Michelle Polacinski to hear more about their vision and the big structural and programmatic expansion plans they have for the near future.

Michelle Polacinski, Community Manager and Cofounder at 518 Film Network | Photo: Richard Lovrich

Please state your name, title, company name and what you do.

My name is Michelle Polacinski (she/her). I am the Community Manager and Co-Founder at 518 Film Network. I’m also a freelance director, producer, and production manager. I’m currently co-producing the visual effects for an upcoming Superbowl commercial. I have worked on titles including John Wick 4, A Man Called Otto, Resurrection, The Witcher, Modern Marvels, Shark Tank, and Food Network Star. I graduated from both Binghamton University and FAMU International (Prague, Czechia) with degrees in Cinematography and Producing.

Micah Khan and Michelle Polacinski, Founders at 518 Film Network | Photo: Patrick J. Harris

How long has 518 FILM been in existence? Can you explain the structure of your business and what the organization’s aims and goals are?

518 Film Network was co-founded by local writer/film director Micah Khan and myself in 2019 after a handful of frustrating conversations about not being able to find local crew for our own productions. We wanted to meet more people in the area and we knew that they existed, so we started a database of 10 people we both knew, asking each of them to share anyone they knew and, like filmmaking itself, we grew by word of mouth and referrals. Since, we have hosted numerous creative networking events and as a collective were the catalyst for multiple local filmmakers to come together and make films. We have an active private online community with a job board and various subgroups such as ‘mastermind’ and ‘actors anonymous.’ We grew from 10 people to nearly 200 in the past 2-3 years. Our most active members, including but not limited to, Patrick Regan, Lakota Ruby-Eck, Spencer Sherry, and Victoria Diana have helped take 518 Film Network to the next level by spreading the word, co-hosting events, and bringing folks together.

Micah Khan, Co-Founder at 518 Film Network | Photo: Provided

Currently, we operate as a corporation under my film production company, Strangest Sea Films, but we plan to become a non-profit corporation within the year. We are in the process of asking for help in learning how to form a 501(c)3 that matches our goals.

As a group, we aim to connect local filmmakers to help them grow and create projects together, while bringing jobs from incoming film productions into the hands of local people. When productions hire locally, it benefits the local economy and also helps productions save money by not needing to pay for hotel rooms. We are currently in the process of expanding to provide education in the form of online courses and in-person workshops as well as partnering with local colleges to teach filmmaking courses. We plan to someday both receive and give grants to our local filmmakers so we can make more local films!

On Set for Filming The Rickety Man (Directed by Cameron Gallagher) | Photo: Ann Kielbasa
On Set for Filming The Rickety Man (Directed by Cameron Gallagher) | Photo: Ann Kielbasa

How are you different from other film organizations regionally?

We focus on building intimate connection between our members through collaboration and wildly creative networking events. It’s difficult to invite someone on something so intimate as a set, where anything can and will go wrong at any given moment, after talking with another filmmaker for 15 minutes and handed a business card. Our industry just doesn’t work that way. This is why we do things a bit differently.

We not only want local filmmakers to know each other, but also to help each other grow in a genuine way. We celebrate our local filmmakers by amplifying their projects, hosting regular screenings, and never shying away from sharing fundraising efforts. This is full-blown support with no strings attached. We benefit as a community by lifting each other up, period.

On Set for Filming The Rickety Man (Directed by Cameron Gallagher) | Photo: Ann Kielbasa
On Set of the Monkey Short Film (Directed by Spencer Sherry) | Photo: Provided

Can you talk about some specific projects that you are especially proud of being involved with?

It’s really hard to come up with an answer to this question. Every film our members make feels like a community film. My personal favorites are collaborations between members that wouldn’t have happened without them meeting through us or films that give others opportunity to grow and learn in a new role. It’s always exciting to see friendships blossom and turn into working relationships.

In regards to how I am directly involved, I’m vfx producing two corporate (non-local) commercials right now, one of which is a Superbowl commercial which is definitely a milestone for me. I am also producing Writer/Director/Comedian Victoria Diana‘s upcoming short film, ‘Second Coming.’ Second Coming is a raunchy twist on a Christmas film that is also one of the best scripts I have ever read. I cried laughing reading it and I can’t wait to bring it to life. We are hoping for a release close to the 2023 holiday season.

Michelle Directing a Scene | Photo: Provided

Anything coming up that we should know about or that your group is excited about?

There are truly too many amazing upcoming films right now. I hate not mentioning every incredible local film we have coming up, but there is no way I’d be able to fit all of them! Here are a few:

Writer/Director Joe Gietl recently worked with Producer Cameron S Mitchell to create the pilot for ‘The Fledgling Series‘, which is especially cool because not only was it shot in our region, but it stars ‘Buffy the Vampire Slayer’s‘ Juliet Landau as well as an incredible local actress, Anastasia Veronica Lee. Lee was such a joy to have on set and it’s really exciting that she is so close that we can bring her on other independent projects in the future.

Micah Khan recently directed his first big budget feature film, ‘Zombie Wedding‘, with Weekly World News and a handful of big names.

I’m also excited about Ember Autumn Skye‘s recent short, ‘You’re So Shy,’ a human rights-centered film, which stars her own sister, Sage, and was an incredible collaboration with local Director of Photography Lakota Ruby-Eck.

‘Insurance’, by Writer / Director Steve Rock, is currently in production, a collaboration between his production company Abomination Films and Lakota Ruby-Eck’s production company, Tomb Pictures.

‘The Monkey‘ a Stephen King short written / directed by Spencer Sherry and shot by local Emmy award winning Director of Photography Jim Powers, should be out soon. That is still in post-production. Spencer is also producing ‘Anomaly‘, a magic film written/directed by Ryan Jenkins.

Also Dirty Sweater Productions (owned by amazing married filmmaker couple Charity Buckbee and Kyle Kleege) is working on editing their first feature film, ‘Earworm.’

AND Casting : Lining Up Extras for Commercial and Film Based Projects

February 20, 2023 By Corey Aldrich

A hard working and industrious professional who seemingly makes extras appear out of thin air, Annie’s company AND Casting is the go to for background casting for feature films and commercials in the Upstate New York region. I first met her when I was producing regional fashion shows in Saratoga with one of my side projects Electric City Couture. Her ability to materialize the correct number of models on site was borderline magical…all while keeping a smile on her face and a laser focus on maintaining order. (120 runway slots for our last large show) Recently, Annie got me up to speed on her latest projects and the continued growth and opportunity she is seeing for a broad variety of folks in the regional television and film industry.

Annie Delano Behind the Scenes at Electric City Couture | Photo: Richard Lovrich

Please state your name, title, company name and what you do. What’s a typical day look like for you.

My name is Annie Delano, Owner of AND Casting. I am a Casting Director for background extras and smaller (single line) parts for feature films and lots of commercials! There is no typical day, but most days consist of answering hundreds of emails, talking to and connecting with people from all walks of life, and managing many moving parts, often times on multiple projects. There are some days on sets, but usually I’m at my desk answering emails.

On Set with AND Casting | Photo: Provided

How long have you been doing this and how did you get into this profession?

AND Casting has been existence since 2018, but I have been a freelancer in the production world for over 10 years, casting and producing commercials. I have always been a freelancer and did not set out to work on films. My motto, “Never say no to an opportunity (with-in reason!)”, combine with the all important need for work, lead to background casting for a film. As it turns out, I was pretty good at the tremendously tedious job of background casting. The first film lead to 20 more films and the creation of AND Casting.

Annie Delano Suited Up on a Commercial Shoot | Photo: Provided

Can you talk a little bit about the business? What types of projects are you casting? Is there a lot of work? What type of companies or productions do you work with?

There are really two worlds when you work as a Casting Director. The feature film world and commercial world, while both types of production, are entirely different animals. I learned this very quickly on my first film. I don’t know many people working in both areas and it’s challenging at times. You really have to be a super connector who stays engaged with people both on the production side and talent side. I’m constantly thinking about who I know for specific roles as they come up. This job requires extreme organization and attention to every small detail.

As a freelancer, the workload ebbs and flows. Sometimes a week or two goes by and the phone doesn’t ring, but then in one week you get 4 major jobs. I am grateful to cast talent for both the commercial and the film world, because together they create plenty of work to keep the company going. Projects come from production companies, ad agencies and film producers/film production companies. They are very diverse, which is great – I could be casting high school students for classroom scenes one day, and casino commercials the next. Anything that needs casting, I’ve got it covered. I’d get bored if I always cast the same type of jobs!

On Set for a Shoot with AND Casting | Photo: Provided

Tell us about the folks your casting. I have seen some of your ‘CALL’ posts…they can be all over the board and very specific.

This is my favorite part of the job, the people! I think a lot of people have “be in a movie” on their bucket list or vision board and with background casting, I’m able to make a lot of dreams come true. When I get an email from someone about their positive experience being on set as an extra, it makes the long hours and hard work worth it. Every single person qualifies to be a background extra. The whole point is to make things as realistic as possible and that takes all kinds of real, regular people. No special training is required, you just need to be able to follow directions and have a solid 12 hours free to be on set. You may not get a role right away, there are different looks/parameters for specific scenes, but in general, no one should be discouraged from wanting to be an extra. On the flip side, commercials are more competitive and depending on the role, require acting ability, which comes through practice, training and experience. Reading directions is key. When you see a post, read the description carefully and follow all the directions if you want to submit for a role!

Behind the Scenes : On Set with AND Casting | Photo: Provided

Anything coming up we should know about or that your especially excited about?

Life in general is exciting, there’s never a dull moment. I’m working on some very fun projects that can’t be discussed. This is hard for me because I like to talk, so I have to stop talking (or writing) while I’m ahead 🙂

Annie Delano – Owner and Founder at AND Casting | Photo: Provided
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