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Local Lands, Local Art: Creating a Sense of Place

September 4, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_image type=”none” src=”https://www.upstatecreative.org/wp-content/uploads/2018/09/Art-in-Nature-maidenhair-fern-at-the-Normanskill-West-Preserve.-Photo-by-Mohawk-Hudson-Land-Conservancy.jpg” alt=”” link=”false” href=”#” title=”” target=”” info=”none” info_place=”top” info_trigger=”hover” info_content=””][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][cs_text]At the Mohawk Hudson Land Conservancy, we’ve been talking a lot about art.

The connections between creativity and conservation run deep. The Mohawk Hudson Land Conservancy (MHLC) was founded in 1992 to protect the natural, scenic, agricultural, and cultural landscapes of the Mohawk and Hudson river valleys. We protect natural resources, working farmlands, air and water quality, and climate-resilient landscapes. Yet there are other benefits, less tangible but equally significant, which these spaces provide: and these benefits connect us with the creative communities in our service area.

These forests, fields, mountains, and rivers are not only ecologically and economically valuable; they are beautiful, and there is value in that beauty. From the vistas of the towering Helderberg Escarpment south of Albany to the rolling farmlands of Montgomery County, these undeveloped lands inspire reflection, creativity, and a palpable connection to the natural world.

Tens of thousands of visitors enjoy 2,000 acres and over 36 miles of trails at our 18 public nature preserves every year. We continue to find that these visitors receive a creative boost from their time outside. A walk in the woods, an afternoon sitting by a stream, a morning trail run… these are experiences to be shared, cherished, and protected. Without the natural world made available to the public, the constant thrum of development in our region will continue to take away our opportunities to experience, draw inspiration from, and find solace in nature.

As MHLC provides natural experiences for our community, many of our partners provide artistic, cultural, and musical experiences. Last June, we collaborated with the brass musicians of the Albany Symphony for an al fresco Celebration of Music and Nature in Rensselaerville. Our plein air painting classes led by art educators have been a powerful opportunity for local painters to find inspiration from the sights and sounds of our preserves. Our Family Wilderness Crafts workshops with Ondatra Adventures encourage young people to use their hands, engaging with the natural world and with their own creative spirit.

Our volunteer Art on the Rail Trail (ART) committee has been an incredibly successful creative endeavor. This dedicated group of neighbors began fundraising and installing public pieces of art along the Albany County Helderberg-Hudson Rail Trail in 2017. Vibrant pieces by local artists Andrea Hersh and John DeMarco have been installed, and the committee is already seeking proposals for a third mural. This volunteer committee encourages local artists to connect their art to the landscape, encouraging a community sense of ownership and pride for the Rail Trail.

These connections between local landscapes and the local creative economy continue to develop and deepen. Earlier this year, at MHLC’s 2018 Annual Awards Dinner, guest speaker Elizabeth Sobol, President and CEO of the Saratoga Performing Arts Center, spoke of the ties between conservation and the arts, and encouraged the audience to work together to cherish, preserve, and protect beauty in all of its forms. Ms. Sobol declared, “It is at that moment of shared beauty – birdsong, sunset, Mahler, Bach – that we are most utterly – and most fully – human. This, ladies and gentlemen, is what we are here to preserve and protect.”

Our staff and Board of Directors are continuing to follow these moments of shared beauty, these connections between nature and art, as we strive to foster a deep connection between residents of the Capital Region and nature. By creating outdoor experiences, and by encouraging a creative engagement with our local landscape, we can create a sense of place. This sense of connection to the farmlands, the river valleys, the hill tops, and the forests of the Capital Region will help us love, cherish, and protect the open spaces of our home.

Join the Mohawk Hudson Land Conservancy, Upstate Alliance for the Creative Economy, Indian Ladder Farms Cidery and Brewery, and other community partners for a Creative Economy Mixer on September 5. Indian Ladder Farms was protected by the Mohawk Hudson Land Conservancy through a conservation easement in 2003.

We’ll enjoy tours and tastings of their amazing cider and beer and learn more about the creative collaborations and networks that make our rural regions work and connect us with our natural world.

Guest post by Daron Blake, Communications and Outreach Coordinator for the Mohawk Hudson Land Conservancy
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Four Questions with Laura Ten Eyck, Indian Ladder Farms

August 27, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_image type=”none” src=”https://www.upstatecreative.org/wp-content/uploads/2018/08/IMG_5553.jpg” alt=”” link=”false” href=”#” title=”” target=”” info=”none” info_place=”top” info_trigger=”hover” info_content=””][cs_text]In 1916, Peter Ten Eyck opened Indian Ladder Farms in Altamont as a dairy farm. Fast forward 102 years, and this local institution has a retail store, bakery, cafe, brewery, event space, orchard and educational areas where local students learn about agriculture. On the vast 325-acre spread there are also wetlands, woodlands, seven residential buildings and seasonal fields where customers can pick their own blueberries, apples, raspberries and pumpkins.

ACE met with Laura Ten Eyck, the 4th-generation Vice President of Indian Ladder Farms, ahead of the September 5th Mixer on their property. Laura returned to the family business after a career in journalism, and used her writing experience to co-author a book titled The Hop Grower’s Handbook. Laura’s husband Dietrich Gehring runs the Indian Ladder Farmstead Cidery and Brewery LLC along with partner Stuart Morris. Dietrich has a background in photography editing for publications and calendars, but turned an interest in home-brewing into the Brewery two years ago.

Location: 342 Altamont Rd, Altamont NY
Employees: Between 10-100+, depending on season
In business since: 1916

What hurdles and successes do you see after 102 years in business?

Success is to stay sustainable during the transition from my father’s generation to me and my brother, and to pass the business on to the next generation if they are interested. This is a community resource; we can’t just walk away from it. We all live here. We placed a Conservation Easement on the farmland to restrict development; by selling our development rights we reinvested in the farm to protect the future.

We face the same struggles as all agricultural businesses. The weather has been made more intense with climate change, which has brought new pest species and severe weather that is problematic. Ultimately, keeping on top of pests like termites is tougher than it has ever been before. That being said, fortunately, there are plenty of pest control experts in our area to keep unwanted insects under control. Correspondingly, if you would like to learn more about how to tackle termites and other common pests, you can find a wide range of useful information on websites like: https://www.pestcontrolexperts.com/termite-control/. A hot March causes an early bloom, then a typical April overnight in the 20s brings a killing frost – that has increased in recent years. Also, the labor market is tight and finding seasonal workers for minimum wage level work is a real challenge: we do over 50% of our business in 8 weeks in September/October. Hiring and training people for that short a period is difficult.

Is there still room for growth?

You have to be careful not to grow too fast, and we want things to remain authentic. We don’t do anything artificial. We are in the process of renovating a building as a production brewery and it will include increased event space. Currently, we can’t host weddings in the fall because the space is used for apple cider. Once this structure is complete we can move the apple cider donut production to a larger space since they are so popular. The Brewery and Cider LLC opened in 2016 and should continue to grow. We may do a book about hemp production; we have a lot of plans moving forward to expand the business. We’ve looked at getting something like this promotional custom embroidery merchandise that is specifically for Breweries.

Is there an opportunity for creatives in Farming?

The skillset of the creative mind is a necessity for a business like this. There has to be new and innovative ways to solve problems, and the creative mind is a huge benefit in a business where you have the ability to actually act upon those ideas and not just be a cog in a corporation’s machine. Others hit a roadblock and may not be able to get around it. Innovation has always been a key aspect of farming, whether it be improving crop productions by using creative agricultural design, similar to the designs Impact Engineering, or thinking outside the box to expand the farm into the wedding industry, for example. Other ways of increasing crop production might also include using good-quality farming equipment. For instance, in the agricultural sector, a tractor is useful for digging irrigation canals, harvesting, fertilizing, and so on. Even if a part of a tractor is damaged, it can be replaced by its new parts, which could be bought at reputable web-shops like Costex Tractor Parts (or similar others) and make it work efficiently again.

We have a large number of creatives here: our cider presser and assistant farm manager are both talented musicians, our Farm Manager does carvings and has a great visual eye. The seasonality works for a lot of creatives, where they have winters free for other pursuits.

What should ACE members expect to see when visiting Indian Ladder Farms for the September 5th mixer?

There will be music in the Beer Garden (Zan & the Winter Folk), a tour of the brewery and of course refreshments. The farm is open, so they can see the hop garden and animals. We want everything to remain real and authentic here; this is a working farm and people really enjoy seeing it in action.
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Four Questions With Kyle Patzwahl, Art Omi

July 23, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_image type=”none” src=”https://www.upstatecreative.org/wp-content/uploads/2018/07/Untitled-drawing.jpg” alt=”” link=”false” href=”#” title=”” target=”” info=”none” info_place=”top” info_trigger=”hover” info_content=””][cs_text]Nestled in the woods of Columbia County, Art Omi is a not-for-profit arts organization offering a stunning 200-acre Sculpture Field and internationally respected residency program, in addition to our innovative and expansive education programs. Over 30,000 annual guests enter through the Charles B. Benenson Visitor Center and Gallery, to attend concerts and lectures, view paintings and video exhibitions, enjoy a farm-to-table lunch on weekends, attend Camp, and much more.

ACE met with Art Omi’s Director of External Relations, Kyle Patzwahl, ahead of our August 1st Mixer Event to give members a glimpse into what has made their operation so successful and what to expect when touring the campus. He works closely with Executive Director Ruth Adams, who directs all of Art Omi’s programs..

Kyle parlayed a bachelor’s degree in Business Administration and Architecture into a career in commercial real estate before joining Art Omi. He proudly states “there’s no need to leave Columbia County because we bring the world to you”, and that’s no idle boast: since 1992, artists from 130 countries have participated in Art Omi’s residency programs. Specialized Program Directors work year-round on planning, selecting and executing their residencies in five disciplines: architecture, dance, visual art, writing, and music.

Location: 1405 Co Rt 22, Ghent NY
Employees: 9 full-time, 37 part-time and up to 20 seasonal
In business since: 1992

How do you draw world-class artists to Ghent for residencies?

Our residencies are unique – we focus on the process behind each of the art forms. We don’t require any participant to complete a project while on campus, which creates a different dynamic than many other residencies by allowing free-form thought and ‘best practice’ discussions to emerge. There are no costs to any artists beyond travel, so they are truly free to explore the campus and consider their work and process. We allow for a lot of open-ended time and work space, while bringing in guest critics to enhance the experience and push the artists in a thoughtful way to achieve something meaningful.

After 26 years are there still fresh hurdles and successes?

Funding is always a hurdle. Federal and State art budgets are being cut, like school budgets following the 2008 recession: art, music and theater are the first things to be cut. Public and private programs rely on these grants to expose children to the arts early in their life. Here, these cuts also impact our operation – we lessen staff to allow more scholarships for kids to attend summer camps or more artists to come to our campus. It is the life of a non-profit: you work hard and take less because you believe in the greater good and continuation of art and education.

As for successes, the staff pitches in to ensure we are moving forward; our success is bringing talented individuals to our team who ask questions and develop a sustainable growth model which will allow us to continue to engage with the community and our visitors from around the world. We pride ourselves on being a community organization – we have a $1.5 million economic impact on the county and Capital District. Buying local products and using local partners may be marginally more expensive but it is important to invest in our community, as they invest in our organization.

What advice would you give to someone looking to work in a creative business?

Keep at it and read. A mentor once told me that if you read on any subject for seven years you can become an expert; you have to find what you’re passionate about and always keep at it. You can’t be timid in the face of failure or adversity. Going in with an open mind and a strong sense of ambition and innovation makes you unstoppable. Be the most positive, have the most energy – people feed off that.

What should ACE members expect to see when visiting Art Omi for the August 1st mixer?

Art Omi is an experience – you will see some beautiful things and interesting things but really it is about discovery. The main public draw is the sculpture park and gallery space which brings well known and emerging artists to the attention of visitors. There is such an energy here when you enter the building – if you are looking to build relationships and connections while discovering great things about yourself and the creative economy Art Omi is on the short list to achieve those things.[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

ACE Dance Museum Photo Highlights

July 12, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][cs_text]Were you at the Dance Museum Mixer? Ska City Photography took some great photos of the event![/cs_text][rev_slider dance-museum][/cs_column][/cs_row][/cs_section][/cs_content]

Four Questions with the National Museum of Dance

June 26, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][cs_text]The National Museum of Dance and Hall of Fame in Saratoga Spa State Park hosts 14,000 visitors annually and houses several exhibition spaces, dance and yoga studios, and a 45-seat theater. The facility crackles with life and history, beginning with a grand entry foyer adorned with dynamic dance photos and lined with the names of Hall of Fame members, the greats in all dance disciplines.

Current exhibits include Gender Neutral, a groundbreaking display of the longstanding history of nontraditional gender roles in dance. It brings visitors from the origins of gender neutrality in dance in the 1700s through current work by troupes such as the all-male comic ballet company Les Ballets Trockadero de Monte Carlo. Dancers in Film, a multimedia permanent exhibit celebrating the magic of dance in movies, features Lifetime Achievement Award winners Ann-Margret, John Travolta, and Chita Rivera.

The Hall of Fame, dedicated to benefactors Mr. and Mrs. Cornelius Vanderbilt Whitney, welcomes two new members annually. Patrons can read about the accomplishments of dancers from Russians Anna Pavlova and Rudolf Nureyev to Americans like Gregory Hines and Martha Graham.

We visited with Museum Director Laura DiRado and Curatorial Associate Lisa Kolosek ahead of the July 11 ACE Mixer at the Museum to give Alliance members an inside look at how to balance creativity and business restrictions to maximize the visitor experience. Interestingly, neither Laura nor Lisa had a dance background prior to joining the Museum staff: Laura for many years worked as a freelance graphic designer with a focus on interpretive site design for the National Forest Service and other clients before taking on her roles at the Museum, first as Exhibition Coordinator and Designer and most recently as Director; while Lisa is an art historian and writer with a Master’s degree in the History of Design and Curatorial Studies.

Location: 99 South Broadway, Saratoga Springs, NY

Employees: 7 in the Museum, 11 Dance Instructors

In business since: 1986

What would you share with Creatives about working at the Dance Museum?

In a small Museum like ours everyone does a little bit of everything and none of us is above any task. It keeps our team strong. You learn so much when you get to do all sorts of things; in a larger work environment you could easily get pigeonholed into specific roles. There is a certain glamour to working at a large Museum, but the experience you gain in a small operation makes you open to everything and gives you a great sense of the bigger picture.

Does reporting to a Board of Directors and being on State property have an impact on the creative process?

It doesn’t with our Board; Michele Riggi is the President and she and the Board absolutely have the Museum’s best interest at heart. They want the Museum to look fabulous and they are very supportive of what we’re doing. We are very fortunate. We definitely run ideas by the Board and ask their advice, but we essentially have complete artistic freedom. As a designer and as a curator that’s a dream.

Our location in the park is sometimes a challenge. The building is quite linear, and often there isn’t a natural path for an exhibition. Also, we are just one of many buildings in a gigantic park system. They have limited staff and there is red tape to cut through for work to be approved for the building since we’re tenants. For instance, we all work off a DSL system with 4.7 mbps for the staff and there is a long State process to getting a new system in place.

Since you had no dance affiliations, how did your background and experience help make you successful at the Museum?

Lisa: I worked freelance for many years, including writing a book for another museum, which helped when researching the material in our archives for our 30th anniversary book last year. I’m also a huge fan of dance. The Museum itself has great relationships in the dance world and we continue to cultivate new affiliations through our Hall of Fame and exhibitions. In our experience, dance companies and individuals have been quite receptive to working with us.

Laura: Working for a wide-format digital printing company gave me great knowledge for my role as designer at the Museum: to figure out which products can be used, how to apply them, and costs gave me unique insight into the exhibition process. I’ve particularly come to learn that many visitors prefer to be greeted with a catalog or pamphlet, (get more info about how to make one here), so they know what exhibits they can expect to see within the building, as well as the many different events that will be coming up in the future. Every bit of knowledge helps.

What can ACE members look forward to seeing at the Mixer on July 11th?

The focus will be on two new exhibitions: Gender Neutral, which explores the history of nontraditional gender roles in dance and Dancers After Dark, which features nude photographs of dancers in locations around the world taken by New York Times best-selling author Jordan Matter. Different spaces within the Museum are often used for dance performance and we are excited that there will also be a live dance component to the event.[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

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