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Cap Region Creatives: Andrea “Drea” LaRose

June 1, 2020 By wordpress

Andrea “Drea” LaRose is a Cap Region native, born in Troy, NY. She’s an artist that works primarily in photography and site-specific installations that deal with visual shifts in analog and digital worlds. In January 2020, Drea and her good friend, Carolyn Hopkins, opened Second Street Studios, in Troy as a space to create artwork and grow a sense of community amongst artists. In this interview, she talks about the struggles and rewards of being a young artist.

Drea, please introduce your creative endeavors and what you’re up to these days.

I like to play and interfere with photography in a way that the information, originality, and authorship mirror our own interactions with images on the internet, a constantly fluctuating digital world around me. I have taught painting at SUNY New Paltz, where I went to undergrad and sculpture at SUNY Albany, where I went to graduate school. I received my Masters in Fine Arts a year ago from UAlbany where they awarded me an amazing summer residency at Sculpture Space in Utica, NY.

After the experience of working with artists from around the world, I knew I wanted to continue the arts in a way that wasn’t just about my studio practice, but finding ways to involve other artists. Today, I’m a server, which was my main source of income before the crisis, while applying to adjunct teaching jobs waiting for the right fit – as many artists are doing; juggling multiple jobs to support their practice.

Let’s talk about your gallery space, Second Street Studios. What led you to open the space? What is its status now with the current crisis?

An artist and good friend of mine, Carolyn Hopkins, were both in a similar position of wanting a studio space outside of the home. It’s sometimes quite difficult to create in a space you live in, or I find it that way anyway. I got lucky and found this amazing space at 68 Second Street in Troy, a small but beautiful space that we could instantly see ourselves in. We both had the idea of making it into more than just a studio, we wanted to have classes, invite other artists into the studio for critique nights and exhibit work of other artists. You’re told so many times how difficult the “real world” is after graduate school, especially in the arts, but until we actually went through it, we didn’t have a clue.

Application fees for exhibitions added up…we received so many rejection letters from job or show opportunities, it began to drag a bit. But what remained was that we both wanted to provide a space for emerging artists, like ourselves, to show their work, without all these application steps AND keep 100% of their sales. “The Hallway” (literally the adjoining hallway from the front door to our studio) became this opportunity to exhibit artwork, and our inspiration for what this space could turn into started there. Unfortunately due to the pandemic, Carolyn had to move out of the space because she wasn’t able to use it anymore, but she’s still part of the energy. So now we’re at a bit of a standstill with the physical space and I’m coming up with ideas of how I can make Second Street Studios come back stronger than before.

Why do you love being a creative in the Cap Region?

The support we’ve gotten on our exhibitions has been absolutely eye-opening. We’ve had roughly 100 people through our space for each exhibition and it’s amazing to see the community come together, even if the space is small and a bit alternative (compared to your average white-cube art space). I am so happy that through this tough time, our community has donated to help us keep our doors open; and to give back, we’ve been hosting virtual exhibitions that can be viewed on our Facebook page. Our second show airs on Friday May 29th (which would have been Troy Night Out). I don’t want to lose momentum, and most understand the struggles of a starting space/business, especially in the arts; but I want to be able to provide an open, creative, and inclusive environment for people, in-person or virtual.

Seeing the work virtually is in no way a replacement of seeing it in person, but we want to be sure that during this time, they are being supported. I understand there is a huge surge of visual information out there, with businesses, schools, etc. moving to online platforms…we just ask that people simply look.

There’s nothing required of you, other than to look and appreciate what people are making and creating. Through all of this, I think it’s been particularly eye-opening how much the general public has gripped onto the arts as a means of entertainment. I hope everyone remembers that after this is over and helps support the emerging artists today in their community.

Will you leave us with a positive word?

Something I’ve been struggling with during this whole pandemic is the idea of what to do with all of this time. As an artist and creator, this time is ideal to create artwork, but it has proven to be difficult for me at times. I’ve reached out to other artists friends who are feeling the same way, and I’d just like to say to whoever needs to hear this that it’s okay if you aren’t as productive as you were pre-Covid-19. We’re all figuring things out and there’s enough pressure on us all to find solutions to our seemingly ever increasing problems. So, if you need to take a day to do nothing? Do nothing, take time for yourself, and we’ll all get through this together.

Connect with Drea

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Unemployment Talks: Freelance Editor Barbara Price

May 19, 2020 By wordpress

Meet Barbara Price, an artist and freelance textbook editor with a number of large publishing clients. Right before the pandemic and shutdown, she had a couple of new contracts pending for work, which would’ve satisfied her income for the remainder of the year. Once businesses started closing, she couldn’t get in touch with anybody about the contracts and has been out of work since. We asked Barbara to share her experience filing for Pandemic Unemployment Assistance (PUA) because she ran into quite the interesting dilemma that may impact other freelancers. Here’s what she had to say…


When did you first apply for benefits? What was the initial process like?

I applied online right off the bat on April 2nd. At that time, the first step for freelancers was to apply for traditional unemployment insurance, get rejected, and THEN apply for PUA (they’ve since streamlined this process, and freelancers now apply in one step). In early May, I got an email from the Department of Labor (DOL) asking me to fill out another questionnaire. I responded to them immediately.

But you didn’t get any benefits…what went wrong?

Whenever there was a question about my “employer,” I answered that I had “no employer,” assuming that I would eventually get to part of the questionnaire designated for freelancers and business owners. It turns out there wasn’t a section for that. I got denied benefits because I’d indicated that I did not have an employer.

According to the DOL, if you are self-employed, you ARE technically employed by somebody – yourself. You should answer questions about “your employer” as if YOU are your employer, otherwise you will get rejected!

My husband applied after me, so we were sure we didn’t make the same mistake twice. He applied in late April (he had to send his 2019 taxes in) and we are awaiting payment.

Is the DOL doing appeals for people who were denied and/or made a mistake on the application?

They are not doing appeals so there’s not even a way I can fight this issue right now, which leaves me without funds at the moment. I sent a message to my assemblywoman who called me and put me on an expedited list to talk to someone from the DOL and I still haven’t heard back. I tried sending a message to the DOL, but again, haven’t heard anything. (Note to readers: If you were denied, please click here for more information about denial/appeals.)

Did you apply for any other benefits/loans, etc. through the CARES Act?

Yes, I applied and received $1,000 from the Economic Injury Disaster Loan (EIDL) program.

Any final thoughts for our readers?

I remain hopeful. I’m using this time for self actualization; to think about what I really want, how I want my life to look, and what’s really important to me. Networking is different now but making me notice people that think like I think. I see value in connecting with them and lifting each other up. 

Cap Region Creatives in Quarantine: Konrad Odhiambo

March 24, 2020 By wordpress

Creatives in Quarantine is a segment that highlights creative professionals across the Capital Region during this period of isolation due to COVID-19. We have developed some questions that will allow our community to share experiences and learn from one another during this time.

Allow us to introduce our first feature, Konrad Odhiambo.

How are you coping with this new reality?

Now that most of us are stuck at home with possibly no income, times are tough. But we can use these times to our ‘advantage’ and do things we normally wouldn’t do or don’t have time for. I have been finding time to work on self improvement and find a balance between family and work.  Looking at relationships between friends, parents and siblings and making sure no one feels left behind.

Have you started adapting and/or innovating your business model to operate under these conditions? Please explain.

Lots of us are super busy and often don’t have time to update our website. Now we do! Basic stuff like updating my site with most recent work and in general, make my website look good for potential future clients.

How have you seen the local creative community band together to support one another?

I’ve seen the community come together and do virtual meet ups as we normally would in person. There is a lot more communication happening online and people checking up on each other. The Power Breakfast Club has been holding its meetings online and using Zoom Cloud Meetings to keep the engagement going. I’ve seen the 10 push up challenge where friends challenge each other to stay fit while indoors. 

Are you thinking about ways that you’ll change the way you do business in the future?

For my business, I’ll be working on improving my internal processes when it comes to client acquisition, booking and follow up after the fact. In these times I’d like to start offering more tangible options such as albums, prints and gifts cards to keep a positive cashflow.

For printing, my online gallery has a direct link to my vendor. Once orders are placed, my printer will drop ship the order directly to my clients. Vendors include White House Custom Color and Nations Photo Lab.

Do you see any long term changes to the way people work coming out of this situation?

I believe it’s essential to start planning long term and make sure you have a six month safety net in case anything happens. Now more than ever creatives who solely rely on one stream of income will have to diversify and have multiple sources of income.

Now is a great time to sharpen your skills. There are plenty of tutorials online that you can use to improve your workflow in shooting and editing. With all the extra time, now is a good time for self improvement. I’d like to participate in tutorials geared toward post production and financial planning.

Get in touch with Konrad:

  • Email: Hello@konradodhiambo.com
  • Website: https://www.konradodhiambo.com/
  • IG: https://www.instagram.com/konradodhiambo/
  • FB: https://www.facebook.com/konradodhiamboo
  • Twitter: https://twitter.com/officialkonrado

Konrad’s Work

COVID-19 Freelance Artist Resources

March 16, 2020 By wordpress

This list is an online resource developed by and for freelance artists and those interested in supporting the independent artist community. This includes, but is not limited to, actors, designers, producers, technicians, stage managers, musicians, composers, choreographers, visual artists, filmmakers, craft artists, teaching artists, dancers, writers & playwrights, photographers, etc.

We at ACE found it useful and hope you might, too.

Read More Here

Recap: CFA Opportunities for the Creative Economy

June 6, 2018 By upstatecreative

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][rev_slider CFAWorkshopJune2018][x_gap size=”25px”][cs_text]Photo credit: Ken Kozak, Kendo Design

On Monday, June 4th, a packed house of Creatives took part in a workshop entitled “CFA Opportunities for the Creative Economy,” and got a chance to hear from and ask questions of members of the New York State Council of the Arts (NYSCA), Regional Economic Development Council (REDC), and Empire State Development (ESD) about the millions of dollars of state funds made available through the Consolidated Funding Application (CFA) process (yes, that’s a lot of acronyms!). The application process can be daunting for newcomers and experienced organizations and companies alike, so this unprecedented chance to hear from those who’ll be reviewing scores of applications was beneficial to all parties involved.

Philip Morris — a member of the REDC and CEO of several CFA grants for Proctors, Cap Rep, and Universal Preservation Hall — recommended that grant requests be “real — don’t make something up just to fit the guidelines. The panelists can tell if it’s a project that’s really true to your mission.”

Melissa auf der Maur, founder of Basilica Hudson, which was awarded two CFA grants last year, recommended that applications be “relevant to both your local community and to the region” and recommended that applicants “really make a strong financial case” about how much is invested and what all of the outcomes of your project will be.

Mike Yevoli of Empire State Development recommended that applicants review CFA guidelines as well as the REDC’s goals before applying.

Andrew Meader of the REDC encouraged people to not be put off if their projects aren’t funded the first time out, citing the Park Theater project in Glens Falls, which was funded on its third try.

Sunita Iqbal of NYSCA recommended that applicants contact NYSCA with questions before the July 9th “inquiry deadline.”

The Capital Region has received $521.9 million from the state to support 718 projects through the Consolidated Funding Application since 2011, but all of the panelists emphasized that the application process itself is extremely rigorous, as are the reporting demands that take place after receiving a grant, and that not every organization and project will benefit from the amount of work that the CFA grants require.

For other questions about the CFA process, visit the CFA site or contact ESD at (518) 270-1130.[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

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