ACE FEATURED

Olivia Clemente : Synergizing Community One Event at a Time

June 29, 2023 By Corey Aldrich

I met Olivia in person earlier this year as I needed to coordinate with her for a series of events that I am producing in Franklin Alley in downtown Troy and wanted to coordinate with the BID. Personable and energized, I was excited about doing some joint promotion with her. Then came Troy’s first annual TROY PRIDE event, a new programmatic initiative that Olivia spearheaded with downtown business owners. The streets were packed, so many folks from Albany and around the region! I realized I needed to get a better understanding of what makes this capable woman tick.

Olivia Clemente : Executive Director at the TROY BID | Photo: Corey Aldrich

Please state your name, title and organization. What are you responsible for and what is a typical day for you on the job.

My name is Olivia Clemente, Executive Director of the Downtown Troy Business Improvement District. I am responsible for the overall administration, financial management, and day-to-day activities of the BID, but in a more simple terms I work for the people who live in Downtown Troy and the businesses that reside here. I work to help bring people to our downtown and explore all of the businesses and experience what we have to offer. If I’m not busy in event planning mode, I spend most of my days visiting Downtown Troy establishments, speaking to them about what makes them unique, how long they’ve been serving the community and what they would like to see in Downtown. I always like to ask, “What would make a difference? What do you want to see happen in this area.” I try my best to listen to everyone and make their suggestions and ideas a reality, whether it’s an event, block party or a new marketing campaign, I’ll always say “I can try!”

Chalk Drawings at Troy’s Riverfest | Image: Provided

Can you tell us a bit about your background and how you came to be in this position? In addition to working with a lot of creative talent as an event producer, how do you keep your creativity alive?

I’ve been in a lot of different industries since I was in college. I received a BA from Manhattan College and stayed in the city after I graduated, I spent about five years in Manhattan and worked in public relations, ad sales, events and political fundraising, I like to think I’m well versed in the changing media around us. I spent time as an intern at the Bronx Zoo with the Wildlife Conservation Society as their events intern, worked as an Ad Sales Admin at a start-up for mobile apps, went to a high-profile PR firm and my last hoorah in NYC – NBC Universal where I worked on public relations and social media for an ecommerce division of the Golf Channel.

I moved back to Upstate New York in 2019, and I decided to take a dive into the political world, I worked for the NYS Assembly where I started as a Press Coordinator for three downstate members and then I moved onto handling fundraising and events for the minority conference, I developed more fundraising initiatives for the conference turning a focus on the different regions of NYS and creating fundraisers that were more creative than your regular cocktail hour, I always try to make experiences fun for everyone involved and have them looking forward to the next one.

Contemporary Circus and Immersive Arts Center Performance at Troy Pride | Photo: Duncan Crary

I joined the Downtown Troy Business Improvement District in 2021 as the Director of Events and Partnerships. My first month on the job I was tasked with getting events that had been stalled due to COVID-19 back up and running, it wasn’t a small task to take on, but I managed to bring back Riverfest, Rockin on the River and Chowderfest. I went into 2023 taking over the Executive Director position of the BID. My main focus was to continue to hold “OG events” like the aforementioned in addition to retooling our popular Pig Out event. Additionally, I initiated additional events including the Hot Chocolate Stroll, Pride Night Out, Collar City Pop and a College Student Focused Block Party. I always have more up my sleeve, but for right now I’m working on getting people back to Downtown Troy.

When it comes to events or marketing I would definitely say I have a more creative approach to taking things on, I am always asking businesses or people in the community what they would like to see and then I begin to think like a consumer, so I try to think, “Would I want to see this at an event? Would this make me want to come back to visit? Is this appealing to me or people I know?”

Troy Glo in Downtown Troy. Installation by Adam Frelin | Images: Provided

Troy has a lot of creative economy businesses and arts / cultural organizations. How do you take advantage of the creativity of these downtown partners to raise awareness about how cool downtown Troy is?

Last year I worked with the Arts Center of the Capital Region during their exhibit ‘Troy Glo.’ We decided to bring business and art together by putting together a “bar crawl” that would get people to visit our downtown businesses. The BID created the bar crawl map to guarantee you walked past every installation of the ‘Troy Glo‘ project. Having an art pop-ups like this in our downtown is important to me as they can provide additional traffic to our businesses while creating quality of life for residents and out of town guests alike. People want to walk around and see art and as they’re walking around they can pop into a retail shop or a coffee shop and I love that.

I know another big thing for me right now is using our local artists that live in Downtown Troy to develop our marketing collateral for downtown events. I’ve currently worked with four Downtown Troy artists: to develop our Collar City Pop invites, Hot Chocolate Stroll poster, Pride Night Out and Pig Out collateral. All of the artist have been Troy natives and they are all so talented. I give them a lot of freedom in the design process. I’m going to continue using artists that live in Troy since this is an economy I care about.

Volunteer Day for Neighborhood Clean Up in Troy NY | Image: Provided

What are your current goals in the job, things you would like to do with it?

I have a lot of goals, I know an ‘Adopt-a-Block’ is on my plate of goals to accomplish, I’d love to work to do clean-ups block-by-block downtown and work with other organizations and businesses in Downtown Troy to make a difference, even if I clean one wall of graffiti tags, fix one store window, or work to get a beautiful piece of art on the side of a building, I’ll feel accomplished in my role of getting the community engaged in quality-of-life. Currently, this program is being implemented for 2024, so stay tuned for more information!

For things I am currently working on, I am hunkered down on bringing more tourism to Troy and making our downtown the place to visit. I can share we are currently working on creating better walking guides for the community that will showcase an easy to read map, a list of our businesses, a historical walking tour and a public art guide, all of this is currently in production and should be ready before the holiday season.

Olivia Doing an Event Install at Whiskey Pickle in Troy NY | Image: Provided

Anything coming up that you are especially excited about or want to share with our readers?

We have a heavy event schedule coming up. Pig Out returns on Sunday July 16. Our Rockin on the River series starts Wednesday June 28 and running every other Wednesday until August 9th, for the first time ever, we are putting together our very own College Block Party on Sunday, September 10 to welcome the students of RPI, Russell Sage and Hudson Valley Community College back to Downtown Troy. We are working to showcase to the students what the downtown has to offer while also having each school’s student organizations pop-up around downtown’s Monument Square to pass information out to friends, family and new students. It’s the downtown’s way of showing their love for the students who live and play here too!

Downtown Troy is on the rise, we have so much going on from new businesses, new public art programming and housing options, I’d say Troy is the place to be right now and it’s time everyone schedules a visit!

Albany Artisans : A Philosophical Approach to Restoration

May 31, 2023 By Corey Aldrich

It all began when I started seeing an unrecognized acorn logo and cool images of remodels and restoration work in amazing historic buildings. I think the Instagram algorithm recommended Albany Artisans to me due to my connection with Kelsea Adams (Currently a Project Manager for the firm), a previous Electric City Couture alum. So…I had my eye out with some future thought of finding out who these folks were, what their story was. Then as luck would have it, I got an introduction to firm founder Christopher Hacker by Michelle Toch Dinsmore of Overit Media with a strong recommendation that we should connect…and so we did.

Christopher Hacker – *Owner / Founder* at Albany Artisans | Photo Credit : Corey Aldrich

Can you please state your name, title and what you do. How long has Albany Artisans been in existence? What is the mission and motivation?

I am Christopher Hacker, I am a carpenter, and I am the owner of Albany Artisans. Together with Project Manager Kelsea Adams we manage a team that practices the art of historic restoration and the revival of historic homes. As a restorer and preservationist I believe “You should participate in the lineage of your home.”

It’s kinda funny to say this now, but I was a preservationist before I knew what a preservationist was, though I certainly do know now. In 1997 I took an apprenticeship with a carpenter who was restoring 604 Madison Ave. I had no experience in the trade. Honestly, I needed a job, and with that turn of events it grew into a livelihood that then flourished into passion.

Recent Preservation Merit Awards (2019 / 2021) | Christopher Hacker and Kelsea Adams
Photo : Provided

26 years ago with the encouragement of my mentor, I acquired my family’s generational home. We envisioned making the space into an artisans guild right here in Albany. At that time I was making and repairing stained glass windows, though my bread and butter came from restoration carpentry.

It was a big deal when we found the 1920 ‘s architectural drawings for this home, which are hanging on my wall today. These drawings gave us the ability to rebuild the front porch as originally intended. This was the first time I presented a proposed project to the Historic Resource Commission. They loved the intent to re-build it just the way it once was, (Actually I remember them being more interested in who the architect was). We were given the green light….and Albany Artisans was born.

Currently we’re a team of 8, I believe that our shared attitude, approach and passion attracts others to join up with the Artisans. I am proud to share that I was nominated and joined the commission in 2020.

Minton Tile Restoration Process at the New York State Capitol | Photo : Provided

Any projects that you are especially proud of?

I would say having the opportunity to work in and walk the halls of the New York State Capitol. (Restoring original Minton tiles that had been covered in carpet/glue) Also, the Marcus T Reynolds Superintendent House in Albany Rural Cemetery.

For me the largest accomplishment is being chosen as the Construction Manager of the Saratoga Sword Surrender Site where I was working directly with the National Park System at the Saratoga Battlefield.

Facade Restoration and Replacement Doors | Photo : Provided

Any interesting projects you are working on currently that you would like to share?

The restoration of the Turner Farmhouse, which has been added to the National Historic Registry of Historic Places. Outside of the norm we’ve recently been asked to revive a 1930’s train caboose which was left on an historic property south of Albany overlooking the Hudson…Wild, we’re in! Additionally, we are running a concurrent team that is in the middle of a bathroom remodel at a silo house in Chatham.

Christopher Hacker Gets Philosophical | Photo Credit : Corey Aldrich

I see you have degrees in Philosophy and Anthropology. So many things are laser focused these days, I feel that can be limiting. Can you talk a little bit about the benefits of having a bigger vision in what you do?

True, I do have a Philosophy and Anthropology degree. Aristotle’s empiricism, and thoughts on potentiality and actualization grabbed hold of me, I believe we are products of our environment. We’re always processing sensory information from our shared environment. We all uniquely make our own connections to the past, be it a city park, a particular building, a corner store or curved glass window.

We feel a big sense of loss when these cherished spaces are destroyed by fire or demolition, and carted off to the landfill.

Since our inception I would say everything that we have accomplished and learned contributes to the next restoration project. The beauty of an old house is its unpredictability and we are always ready to learn more.

Albany Artisans Team Members on the Job | Photo Credit : Corey Aldrich

Bonus question…anything we should know about that you have coming up in the near future? Goals?

I would like to restore the James Hall Office. which is a National Historic Landmark in Albany’s Lincoln Park. He is considered the father of modern paleontology. He dug the mastodon from the Cohoes Falls and was also the first Director of the New York State Museum, I would like to have a part in creating a Discovery center as a historic adaptive re-use, highlighting his lineage of mentorship.

Second, be to find a personal assistant and continue to build the Albany Artisans Army! Any takers? Drop me a note… albanyartisans(@)gmail.com.

Albany Artisans | Photo Credit : Corey Aldrich

(AI) ARTIFICIAL INTELLIGENCE PART II OF III | AI NOW : Expert Perspectives

May 30, 2023 By Taliesin Thomas

This 3-part series on the expanding prevalence of Artificial Intelligence (A.I.) considers this topic with respect to art and the creative economies in our region and beyond. Our first installment (I of III) explored the basic definitions of A.I. to set the stage for discussion. In this second segment, we hear from local professionals who amplify our perspective on A.I. and its significance in the wider arts fields especially. In the final segment to come, we will profile regional artists working with AI in interesting and fantastical ways.

*Alice in Wonderland Sculpture* in Central Park, NYC
Photo Credit : Taliesin Thomas (2023)

Let’s be real: AI is becoming increasingly conspicuous—and legitimately freakish!—as diverse subsets report on this topic within their distinct areas of mainstream culture. Since publishing the first segment in this series three months ago, the focus on AI technology has leveled up across the board. The onslaught of news clips focusing on the various dimensions of AI have taken over the airwaves and the entertaining nature of the headlines are provocative enough to rouse our prying further into the amplifying world of AI. Here are a few recent examples:

– AI, WTF Do You Know About Pain?
– Can AI Treat Mental Illness?
– Instant Videos Could Represent the Next Leap in AI Technology
– AI Portraits of Republicans in Drag to Get You Through the Week
– AI Images Visualizing Trump’s Arrest Send Internet Into a Frenzy
– How Hot Are You? Art Collective MSCHF’s New Chat Site Lets A.I. Do the Evaluating

And if these assorted click-bait stories are not engrossing enough, an episode of Tonight with John Oliver offers a witty spoof of an AI-generated Eminem rhapsody, yet another example of the absurdities associated with the ‘creative’ (and snarky) uses of AI amid a wide cultural swath.

Admittedly I have been pursuing the radical dialogue surrounding AI down various rabbit holes of inquiry and investigation. Like many of us, I am keen to learn more around what exactly is happening in the burgeoning technological landscape of AI to understand the ‘real-time’ applications and expressions of this machine-driven intelligence. I have also been discussing AI with friends and colleagues alike, and nearly everyone has a story to share regarding their concerns about AI—algorithms. For some, the exploration of digital domains such as Second Life and other realms of cybernated titillation that were once newfangled digital-experiences but are now considered dated and average.

Street art in Austin, TX | Photo Credit : Taliesin Thomas (2023)

To provide a brief synopsis of what AI is doing today, let us recall the two basic categories that define it: there is the generative ‘narrow’ form of AI that can create image or write text as demonstrated by Midjourney, ChatGPT and Stability.AI. These platforms perform one narrowly defined task or smaller set of related tasks. There is also the generative ‘general’ form of AI that demonstrates intelligent behavior across a range of cognitive tasks, such as the highly versatile technology seen in movies. General programs must be taught with minimal instructions and are given massive amounts of data to filter in which to do that, and these programs essentially teach themselves.

Apparently, all the AI currently in use is a ‘narrow’ form of AI and thus limited, however, we are seeing the ‘deep learning’ capability of AI technology is indeed getting defter—or weirder in some cases. Furthermore, some AI programs confidently spout false information, effectively hallucinating and providing dubious and downright dishonest theses. The data sets for these programs are majority male and white male to boot, so bias input equates bias output. Thus, AI theory and AI practice provide different results and the colossal amount of ‘training data’ found on the internet provides an endless trash-heap with respect to questionable content.

Attempts to filter out racist and other problematic content reveals the intensely convoluted nature of what are we are dealing with.

AI Chatbot Goes Rogue, Confesses Love for User, Asks Him to End his Marriage

As such, everyone is questioning the hullabaloo surrounding AI, and the prevailing census strikes me as apprehension mixed with a dose of curiosity. What are we most concerned about when we consider the broader implications of AI—other than already embedded AI operations such as email spam filters—and its seemingly insuppressible development? How can we manage our human insecurities regarding AI’s unconstrained influence in the creative sector? We turned to two local experts to further unfurl the conversation about AI’s potential and peril.

Professor James Hendler | Photo Credit : Corey Aldrich

Recently I met with Professor James Hendler at the Center for Industrial Innovation at RPI (Rensselaer Polytechnic Institute). Professor Hendler is a leading scholar on the topic of AI, he is also the Director of the Future of Computing Institute and the Tetherless World Professor of Computer, Web and Cognitive Sciences at RPI and the Director of the RPI-IBM Artificial Intelligence Research Collaboration. A data scientist with interests in AI and machine learning, semantic data integration, and the use of data in government, Professor Hendler has authored over 450 books, technical papers, and articles in the areas of AI and data policy and governance.

Professor Hendler’s mind simultaneously works along many fascinating channels. It was a thrill to have a private audience with a thought leader of our time. As we dug deeper into the AI discourse, we encountered many complex areas ripe for discussion, everything from unknowable depths of the human psyche and the mystical-cum-analytic tradition of the ancient Torah to the imaginative realms of Dungeons & Dragons to the provocative misuse of AI to create ‘synthetic pornography.’ We also considered some of the real-time concerns over AI, such as authorship, composition, slander, and so on.

Professor Hendler referred to AI’s ability to ‘operationalize’ in a super-human capacity, since now “We are seeing computers do something they have never done before…” he remarked. He went on to clarify, however, that: “When we say it’s super-human, we are not there yet and even when we are, it’s unclear to me what that will mean.” Speaking of AI’s output, Professor Hendler stated in no uncertain terms that: “These things have no intentionality. Their intention comes from us.” He described his own uses of AI and his experimentation with the AI program DALL-E to generate images of atypical rabbi’s, including African American women in the role.

AI-generated Image by Professor James Hendler in Collaboration with DALL-E
Photo Credit : James Hendler (2023)

“We are going to have to keep falling back on undefined terms, on things that we as humans don’t understand how we do,” he commented. Professor Hendler then went on to invoke a quote by the late theoretical physicist and cosmologist Stephen Hawking, stating that “AI will get to the point where it will self-evolve, and at that point, that becomes an existential threat.” He posed a poignant question in response: “Why? What is the ecological niche we would be competing in?”

He also suggested that concerns around AI reflect our human tendency to “project out” with respect to uncertain futures. The so-called mystical side of AI also inspired many compelling ideas. “I actually believe that a lot of this stuff, when you really get into the depth of it, takes us way away from the mysticism and right into the grounding of politics.” As we rounded the corner on our conversation, I asked a final question: “Is AI changing what it means to be an artist?” with regard to ownership and accomplishment. Professor Hendler then spoke about the first guys to make Mickey Mouse cartoons and their feeling of pride in figuring out the process of animating them. “Now the question is, what is the thing that makes that an accomplishment? It was not the physical act of getting the dots on to the paper,” he stated.

Street art in Troy, NY | Photo Credit : Taliesin Thomas (2023)

After that compelling conversation with Professor Hendler, I followed-up with another leading local voice on these topics, V. Owen Bush. As a designer, filmmaker, producer, and founder of the Scan2Plan 3D mapping company, Bush has been involved in creative immersive technologies and digital output programs since the early 1990s.

V. Owen Bush | Photo Credit : Corey Aldrich

His work has been seen in venues worldwide including digital planetariums, live concerts, events, IMAX 3D, and broadcast television. Bush approaches AI from an innovative angle: “There are a lot of creative applications for AI,” he explains. “From a visual arts standpoint, I think AI will be disruptive to certain craft artists versus artists with more conceptual heft behind their work.” Bush suggests that AI is a contemporary extension of a similar trend that started with Andy Warhol in the 1960s and was later cemented in the 1980s with production style artists such as Jeff Koons, Mark Kostabi, and Julian Schnabel—artists whose work was effectively “…factory produced and the artist just needed to put their signature on it,” he commented. Bush rented in a building in New York City that was home to Koons and Kostabi’s studios, and he visited them frequently during that era. Speaking as someone who has seen the evolution of artistic technologies since the pre-internet days, Bush asserts: “AI is merely an extension of that trend.”

In the next and final installment (III of III), we will profile regional artists working with AI in interesting and fantastical ways.

Taliesin Thomas, Ph.D. is an artist-philosopher, writer, lecturer, and collector based in Troy, NY. Since 2007, she is the founding director of AW Asia and the collection manager of Art Issue Editions—two private art collections based in New York that are the foundation for collaborations and projects with artists and museums
worldwide. Thomas has lectured and published widely on contemporary art. She is the director of the Critical Forum program at the Arts Center for the Capital Region, NY and she is a faculty member at School of Visual Arts, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College, Columbia University, and The Institute for Doctoral Studies in the Visual Arts.

Joyce Brewer : Building New Collaborations on a Rich Foundation of Past Heritage

April 27, 2023 By Corey Aldrich

I met Joyce Brower at this months 2023 NY Museum Association Conference in Syracuse. (Thanks for the invite Erika Sanger!) I was quickly enthralled by the interesting tapestry of organizational collaborations she was weaving into the fabric of an upcoming event she introduced me to. The ‘2023 Hoosick History and Heritage Fair’ is a regional narrative. Joyce has a way of convincing you of the importance the past plays in the creation of provenance or the identity of a place. As we went deeper, she shared tried and true methods that are creating community cohesion while documenting new things for feature generations to benefit from. There are some real gems in this one folks.

**Joyce Brewer** – *Director* at **Hoosick Township Historical Society** and the **Louis Miller Museum**
Image Provided

Please tell us your name and what you do. How did you get to be in this position?

My name is Joyce Brewer. I am the Director of the Hoosick Township Historical Society and the Louis Miller Museum. I have worked for HTHS for 10 years and have been the Director for 8 years. I am a trustee of the Friends of the Bennington Battlefield and I have held the position of treasurer since its rebirth in 2018. I am a lifelong resident of the Town of Hoosick.

Can you talk a little about why you feel it’s important to tell the stories of places / small towns like Hoosick Falls?

Small communities like Hoosick Falls struggle to make their history and heritage known outside of the local community. They don’t have the funds or dedicated staff at the governmental agencies or departments that work to highlight the community and all it has to offer. Places like Hoosick Falls have amazing history, events and businesses, but getting the word out is hard. The larger media groups don’t tend to cover us, unless something bad happens. Hoosick Falls played an integral part in the founding of our country. The area was a leader at the beginning of the industrial age. We may be a small community now, but at the turn of the 19th century, Hoosick Falls was the place to be!

Hoosick Falls Main Street Trolley | Image Provided

**Walter A. Wood Mowing and Reaping Machine Manufactory** – Main Blacksmith Shop

How does the Hoosick Township Historical Society fit into the towns tapestry? What impact do you feel you have on attracting folks to visit or even live in Hoosick Falls?

The Historical Society plays a very important part in our town. We are a “hands on” museum which delights kids and adults. It is a common occurrence to get calls, emails and visitors from all over the USA and the world inquiring about family genealogy, or asking a question about a piece of Walter A. Wood farm machinery they have. We get many inquiries on military history or tracking someone who fought in the American Revolution. We do all we can do to answer their questions, usually doing the research ourselves and sharing all we can find to help them in their search. It is rewarding to find a long lost family member or have a child excited to try on their great grandfather’s military uniform. If the Town or Village clerk receives a request for genealogy information, we are their first stop.

Hoosick Falls Historical Celebrities the **Eberle Brothers** | Image: Corey Aldrich

A Sample of the **Louis Miller Museum**‘s Vintage Clothing Collection | Photo: Corey Aldrich

When folks are looking to purchase a home or start a business, coming to the museum to find out the history of their building is very common. For new homeowners they want to know the history of who lived in their house before them. They come to the museum and many spend hours and weeks doing more research. It is fun and rewarding to help them discover! As an ambassador for Hoosick Falls, I encourage guests to continue their visit by checking out a food establishment, visiting the Battlefield or a stopping at one of the many art or antique stores.

Display Quilt with Resident Name Panels | Photo: Corey Aldrich

What advice would you give to other Historical Society organizations that are operating in smaller, more rural towns?

It is imperative to have an open door attitude. To have your artifacts accessible to young and old, and to offer events that highlight not just the famous of your community but the everyday person who happens to be an amazing photographer or artist, a cherished dance teacher or even someone who just celebrated their 100th birthday. These are the people who are the fabric of the town, the hardworking everyday people, and when you celebrate them, the entire community can see how the local historical society cares for the community as a whole, not just those who are famous. It is also important to share the stories and photos of not just the famous or infamous, but of everyday life…kids playing ball, a sports team from “back in the day”, a group of folks in a factory. Not only do these photos and stories get people talking, they share them because they have family or friends in them and this promotes pride and respect in them and in your small town. We feel it is extremely important to offer programs for kids and let them experience the museum in a fun and ingenious way. This is why we started Junior Historians in 2022.

Hoosick Falls Junior Historians Group Photo with History Teacher **Katie Brownell** | Photo Provided

I am fascinated by the upcoming event you have at the Hoosick Falls Armory – the ‘Hoosick History and Heritage Fair.’ Can you tell us more about your collaborative project partners and how you plan to make that a town wide event?

Besides being Director of the historical society, I am also a member of the Friends of the Bennington Battlefield. We have been working since 2018 to enhance the Battlefield and the public experience there. We added interpretive panels in 2020 and in 2022 we added an audio tour to accompany the panels. To address attendance challenges, our two groups created a joint committee to focus on fostering community engagement and education in Hoosick History and Heritage. Our goal is to propel our community to the next phases of upcoming celebrations, such as the end of the Seven Years War in 1774 (2024), the beginning of the American Revolution in 1775 (2025), the declaration of our independence 1776 (2026), and the turning point of the Revolution which began right here in Walloomsac, NY on August 16 1777 (2027).

**The Bennington Museum** | **Barnett House** with **Friend of the Bennington Battlefield**
*President* **Peter Shaafphok** | Images Provided

Besides celebrating the 250th anniversary of the Battle of Bennington – which we prefer to call the Battle of Walloomsac- it will also be the 200th anniversary for the Village of Hoosick Falls and the 100th anniversary of NYS officially recognizing the battlefield as a Historic site. With these three important events all in the same year we knew we needed to focus our efforts to bring awareness to these important dates and bring a renewed interest in our amazing history.

**Friends of the Bennington Battlefield** Reenactment with Canon Fire | Image Provided

As a small historical society we could never host an event like this on our own, but bringing all these people together in one space, gives those small, mostly volunteer run places a place to highlight what they are and have to offer. We will have representatives from a wide variety of historic sites and organizations who will share interesting history from Rensselaer County and beyond, as well as reenacting groups, our own Junior Historians and fun kids activities. Visitors can visit over a dozen exhibitors in the armory, participate in a scavenger hunt throughout our historic district, take a narrated trolley ride to the battlefield and back, and grab some food from the local Lions Club and ice cream truck. There will be re-enactors setting up camp in Wood Park. At noon, you can join the Red Knights Motorcycle Club as they co-host the annual Armed Forces Day Ceremony. This ceremony honors the 103 men from the Town of Hoosick who died in service to their country and is held at Liberty Memorial Park in Maple Grove Cemetery.

St. Mark’s Episcopal Church thrift store, which is located adjacent to Wood Park, will be open as well and many of the downtown brick and morter businesses throughout the town will have specials for the day. The best part – the event is FREE!!

The **Louis Miller Museum** Team | Image: Corey Aldrich
*Left to Right*: **Joyce Brewer**, **Paige Kwasniak**, **Katie Brownell** and **Carol Gaillard**

What do folks need to know to get involved with the May 20th event? Is there an event page with a full listing of whats happening?

You can visit Hoosick Township Historical Society

You can also find the information at the Friends of the Bennington Battlefield

On the NYS Parks site for the Bennington Battlefield

If you wish to volunteer an hour or two of your time on the 20th you can reach out to me at [email protected] or call 518-686-4682.

If you want to experience the fair and all that is happening, the fair will run from 10 am to 4 pm at the Hoosick Falls Armory, 80 Church St, Hoosick Falls. Come early to grab breakfast, a coffee or a nutritious shake, take a walk along the Hoosic River Greenway, or visit Natty Bumppo’s burial site. There is so much to do in Historic Hoosick Falls!

Albany’s 1st Friday : A Reminiscence and New Beginnings

April 27, 2023 By Corey Aldrich

I found myself on the streets of Albany, literally. After going through some intense personal life changing events, I was struggling to craft a new identity. One that was less corporate, less structured. More creative, rebellious. I was attracted to Arts and Culture and had begun volunteering my time consulting for the Albany Center Gallery and soon joined the Ellen Sinopoli Dance Company board. At around this time (circa 2010), I discovered 1st Night in Albany or ART NIGHT as I used to think of it. My life would never be the same. The scene…it was decadent, divine. So creative, smart and unexpected. The who’s who of the regional arts and culture scene where there, on the streets. Hundreds even thousands converging on Albany – for Arts Sake. You could find excellent family friendly events early at places like the Albany Institute of History and Art, Grand Street Community Arts or ACG. Then as the night got later, renegade pop up events got hotter in vacant buildings like St. Joseph’s Church, 259 Lark Street, 4 Central Ave or at the Upstate Artist Guild. Finally, the grand finale for me was always at Samson Contompasis’ Marketplace Gallery in the East Greenbush Tape and Label Factory (40B!) where you could dance till dawn with the DJ’s, street artists, fashion junkies, art freaks and hangers on that I aspired to become more like.

**Marketplace Gallery** | Left with Camera – **Frank Whitney** next to **Peter Contompasis**.
Forefront – **Corey Aldrich** next to **Robbie** | Photo: **Robin Alexandria Kettner-Zebrowski**

**Tommy Watkins** | **Corey Aldrich** | **Jo Agropovich** on Central Avenue
Photo: **Robin Alexandria Kettner-Zebrowski**

“First Friday was such a wonderful community event. Going out, connecting with friends, meeting new people. Wandering from place to place, never quite knowing what you might encounter. I hope to see it come back!” Jo Agropovich (Artist and Bass Player with Va Va Voodoos / Retrobilleze)

A few years in, the scene cooled down. It felt diluted. My friends and I slowly stopped considering it a must go on the calendar, scattering to the wind or for me…the Troy scene. Now, post COVID a group wants to bring that creative energy back to Albany, to reclaim the crown…the question is, can it be done?

Unknown Little Dude & Momma | Performance at **259 Lark Street** | **Robin Alexandria Kettner-Zebrowski**
Photos: **Ken Jacobie**

To understand the genesis of the movement, I went back and talked to some of the folks who were there at the beginning. As frequently is the case, there are slight variations on the ‘AHA!’ moment and not to mention some key voices missing. That said, I decided to reprint the words of some those who were there verbatim. This is by no means a complete history. Also, there are lots of overlaps and differences that seem to me to be the telling from different perspectives. Remember, the best scenes are not planned, they may have a little structure in the beginning but usually they are based on creative alliances that overlap and importantly in the words of Tommy Watkins “…collaborations of friends, forming new relationships, coming together from the heart with love. People who are obsessed with doing the thing.” From what I can tell, the spark of the idea was born from a show called the MANSION SHOW and its timing in conjunction with a variety of other events hitting critical mass over the following year. This group show was organized by Tommy Watkins circa 2005. It’s also clear to me that Chip Faschiana (Artist) was at all the action points mentioned by founding participants.

“The love of art was the common ground in which we all started. But as time went by we saw an even greater value that came out of creating these events. We saw how bringing every one together on the first Friday became uniquely special. It got people talking, got people sharing. It created a family, a community, a place where everyone was accepted and appreciated no matter who they were or where they came from.” Tommy Watkins (Artist / Founding Member of Upstate Artist Guild)

**Rebecca Schoonmaker** | **Upstate Artist Guild** | **Christa Dijstelbergen-Ricci**
*Photo Left / Right:* **Robin Alexandria Kettner-Zebrowski** | *Center:* **Ken Jacobie**

“Born out of the successful one-night shows of Chip Faschiana and Tommy Watkins, I, as a board member of Upstate Artist Guild and the new Director of the Romaine Brooks Gallery at the Pride Center, decided to align RBG’s shows to UAG’s. I then approached Elizabeth Dubben who had just opened Ambrose + Sable Gallery to see if she wanted to also align her schedule to the first Friday and she agreed. So on Friday September 1, 2006, with 3 galleries in Center Square, 1st Friday Albany was born. A few months later, Sarah Martinez at Albany Center Gallery got on board and we started to grow. I engaged the businesses on Lark and Downtown to show art, to get on the map. We got funding to rent the trolley to do loops between Lark and Downtown. Eventually we added the Opalka Gallery, St Rose, and the University at Albany, which facilitated getting a 2nd trolley, one for uptown and one for downtown. At its peak, 1st Friday had over 50 participating venues, every major art gallery/museum in Albany, and thousands of people a month. For anniversary months, we’d do a 2 page spread in the centerfold of Metroland.” Michael Weidrich (UAG Board Member | Director at Romaine Brooks Gallery at the Pride Center)

(EDITORS NOTE: Think of those peak metrics. This does NOT even include all the overlapping economy that happened due to the influx of traffic to participating neighborhoods that benefited restaurants, bars, coffee shops etc)

**Chip Fasciana** | **DWELL** (DJ) and **Mia Otian** | **Katie Pray**
Photo: **Robin Alexandria Kettner-Zebrowski**

**Marketplace Gallery** | **Abe Ferraro’s Art Course**
*Left*: Artist Provided | *Right*: **Kristin Diotte**

“I remember around 2006-13 there was a really vibrant, thriving Art scene that was taking over abandoned spaces and churches with Pop Up shows…independent galleries that were giving a voice to all kinds of artists…IT was exciting and was really moving the conversation forward for what was possible in this region and beyond…an Art Hub! I was happy to be contributing performance / Installation based works that were pretty outlandish…Art that could have easily been dismissed as too dangerous for insurance purposes or eccentric for public scrutiny…yet I was given the opportunity to inspire and be inspired…and live in this area!” Abe Ferraro (Artist | Sculptor and Performance Artist)

Unknown, **DJ RaNa Ransom**, **DJ OFI** & **Martin Dodge** | *Photo:* **Robin Alexandria Kettner-Zebrowski**

**Rachelle Smith-Stallman** Performance Still | Photo: **Robin Alexandria Kettner-Zebrowski**

“I have fond memories when 1st Friday was just an idea sparked by a conversation between Jeff Mirel, Founder of Albany Barn, Chip Fasciana, co-producer of Albany Underground Artists, and me. We all had shows and events opening the same night, and we wanted to come together to build a crowd rather than promote our events in silos. We wanted to bring the art scene to bring us together rather than pull us apart. Albany Center Gallery was relocating to downtown Albany from the second floor of the Albany Public Library, and had a vision to bring new life to the legacy institution so I was personally invested in making 1st Friday successful…“

“Thankfully, Michael Weidrich, a board member at Upstate Artists Guild at the time took initiative and joined our conversation. Through Weidrich’s dedication and commitment towards the initiative, and teamwork from a host of organizations such as Grand Street Community Arts, Albany Institute of History & Art, Albany Center Gallery, Upstate Artists Guild and a slew of other groups, the monthly event definitely elevated the art scene in Albany and other galleries gained notoriety like the Marketplace Gallery. One-night shows at St. Joseph’s Church and Grand Street Community Arts drew hundreds of people. I am grateful to have been part of this team effort to build up the arts community and it is remarkable to see Albany thrive and grow and reinvent this event.” Sarah Martinez (Director at Albany Center Gallery)

**Jessyka Neitzel** & **Alana Sparrow** | Photo: **Robin Alexandria Kettner-Zebrowski**

**Tall Ass Matt** – *The Early Years* | Photo: **Robin Alexandria Kettner-Zebrowski**

COVID really put a crimp in the final strands of what was First Night. But, there is now a new initiative to bring it all back. This is being spearheaded by Michelle Toch Dinsmore Partner at Overit Media and Jim Gilbert Owner and Publisher of Nippertown. Overit through participation in the event in the past had seen major traffic generated to support artists they had lined up pre-covid. Michelle indicated that for some shows they would track hundreds of attendees going through the door of their office / venue. Michelle and her team want to build “…upon the foundation of the great First Friday Albany organizers who came before us.” And of course, we all know Jim and his commitment to supporting all things music, art and culture through Nippertown’s online portal. This will be critical for success as in the past the METROLAND played a major part in creating a there there for the event with promotional information, ads and a detailed monthly event map.

Unknown | **R.M. Englehardt** | **St. Joe’s Church** Installation
Photos: **Robin Alexandria Kettner-Zebrowski**

**Corina Jae** (**oneUNIT**) & **Samson Contompasis** | Unknown at **UAG** | **St. Joe’s Church**
Photo: **Ken Jacobie**

“This is the start of something big,” said Jim Gilbert of Nippertown, “and we hope it will develop into something huge. We really hope that the city’s talented creatives will see this as an opportunity to highlight what makes artists so imperative to the overall success of a creative economy, and we encourage everyone to get involved.”

To this I would personally add, it’s NOT a Creative Economy without the artists and hope that we can remember to center them firmly in the process. After all…the Creative comes first followed by the Economy. Let’s find ways to sustain and provide resources for our value creators and enable them to help in the development of a truly sustaining and sustainable event to the benefit of the overall community.

**Samson Contompasis** (**Marketplace Gallery**), **Greg Dunn** & **Micheal Scott Ackermann** | **RADICAL**
Photo: **Ken Jacobie**

**Michael Conlin** | Unknown | **Jesse** | **Alyssa Hardy** | **Mark Gregory** (?)
Conlin’s Sign Studio at the **East Greenbush Tape and Label Factory**
Photo: **Robin Alexandria Kettner-Zebrowski**

The initial relaunch event will be held with a kickoff show at Overit Media at 435 New Scotland Avenue, Albany including 5 artists called The Power of Paper. (Mimi Castiglione-Santiago, Ruby Silvious, Abe Ferraro, Ashton Guy and Lindsay McKeough partner up with collaborative partners The Circus Family and Mohawk Paper) on May 5th from 5:00 p.m. to 8:00 p.m. This will also serve as the official kick off to the city’s Tulip Week leading up to the 75th Anniversary of the Tulip Festival. Additional events are listed on the Nippertown Event Page and include the arts locations, shows, and food / beverage promotions.

Want to get involved? To connect with participating locations as an artist you can head over to Nippertown’s First Friday Application Page.

**Abe Farraro** at **257 Lark** | Unknown Performance Art | **St. Joe’s Church** – **RADICAL** Stage Design
Photos: **Ken Jacobie**

**Marketplace Gallery** – Abe Ferraro’s Art Course | **Michael Farrell** and **Lisa Reddy**
Photo: **Ken Jacobie**

Photos for this article were significantly mined from the collections of my favorite go to photographer at the time Robin Alexandria Kettner-Zebrowski who created a catalog of many who were on the streets in the deep scene and who without I would have been lost. Special mention to Ken Jacobie as well, who had an sharp eye on the art…and seemed to be everywhere all the time.

There is so much to plumb in this rich history. I may end up doing another article. So many voices to reach out to, images to search and best practice tips to secure!