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Michael C. Clarke Leaves an Established Law Career to Promote Irish American Heritage

June 3, 2025 By Corey Aldrich

I met Michael C. Clarke, Executive Director at the Irish American Heritage Museum, recently at an event and was bowled over by not only his enthusiasm but his career story and how he came to be where he is today. Having decided to leave corporate real estate several years ago to pursue a career in arts and culture, I am always fascinated to find those kindred souls who make the plunge. But I guess for Michael, it is no surprise he ended up where he is…he has music in his soul and a strong connection to his immigrant heritage. Side note, ask him about a recent trip to Ireland where he helped deliver over 60 lambs on his brothers farm, it’s a good one but to long for this piece!

Micheal C Clarke : Performing Musician and Executive Director at the Irish American Heritage Museum
Image: Corey Aldrich

Could you please state your name, organization, position and give us a little bit about your history including educational, experiential and career background.

My name is Michael C. Clarke. I’m the Executive Director of the Irish American Heritage Museum (IAHM) at Quackenbush Square in Albany. I’ve been here for about six months. I’m a recovered lawyer. I left the law after about 30 plus years of practice and was reasonably successful. When I did, I had the intention of landing somewhere in the Irish cultural space. For a little background, I started playing Irish music when I was six years old and loved it. I was raised in a household of two Irish immigrants and had been very involved and aware of Irish culture and history growing up. I paid for college in law school, not by student loans, but by being a full-time musician playing music in New York City in the 1980s.

Micheal gets his first serious instrument at 13 years old | Image: Provided

IAHM is in the former Albany Planetarium location. In addition to a permanent exhibit including objects and artifacts of historical note, including a actual life sized cottage, there is a beautifully intimate 60 seat venue with a dome ceiling set up like a living room performance space. People come in and they sit down as if they’re at a friends home with the main difference being that there are stars shining up above while they listen to traditional and folk Irish music. We have an intensive program of music here and it’s filling up with internationally recognized artists. Additionally, we have a gallery space that currently has an amazing collection of canvases by painter Kevin McKrells, who is mainly known for his musical pursuits, first as a founding member of Celtic Folk band Donnybrook Fair and his current band, the Celtic Bluegrass band The McKrells.

Current Exhibit ‘Old Men in Hats’ at the Irish American Heritage Museum : Paintings by Kevin McKrell
Image: Corey Aldrich

What is the mission of the organization?

The mission of the organization is to educate. It’s to raise awareness in folks of the richness of Irish culture and art. My job is to curate shows, lectures, performances and exhibits that teach and expose our community to the impact of the Irish on America.

Irish American Heritage Museum Performance Space | Image: Provided

What artists have you had come through? Maybe you could elaborate a bit about that part of the program.

So we’ve had the Irish duo Ivan Goff and Katie Linane, who are internationally known for performing the Uilleann pipes, which is the Irish bagpipes in addition to the elbow pipes and fiddle. Last week we had Gerry O’Connor, who tours the EU and the United States constantly as an international recording artist. He has written books and he teaches at Celtic and traditional Irish music festivals around the globe. We had a band called Open the Door for Three. They are famous in the traditional Irish music and folk scene. They were performing in Buffalo and Maine and reached out to me and asked if they could perform in Albany on the way back through. So many people want to come because of the intimate nature of the venue which is perfect for this style of music. Albany is kind of a strategic stopover for them. I’ve been blessed in the six months that I’ve been here to be able to have this great pool of talent to choose from and only see that expanding over time. Oh one more…I am really excited to announce that later this year we have Kevin Burke who is one of the early members of the world-renowned Bothy Band and later the founder of Irish super-group Patrick Street, who will be performing on September 8th.

Irish Immigrant Objects at the Irish American Heritage Museum | Image: Corey Aldrich

Beyond the music, you said you had a connection with some genealogical research as well?

We have an in house genealogist! Lisa Walsh Dougherty has nearly 20 years experience helping people discover the specifics about their Irish roots. She is fantastic as far as sitting down with folks and is available on a regular basis. One of the scheduled times she comes in is before an open Irish jam style music event we sponsor called the ‘Traditional Music Sessions.’ These are held on the second and fourth Wednesday of every month at the museum. They start at 7:00 PM and we typically will have anywhere from 8 to 12 musicians from the community, who are very good at what they do, sitting around a table jamming out / performing together. Admission is free and the event is open to the public. Lisa comes in an hour before so anybody who wants to come early to do some family history research are able to do so.

Irish American Heritage Museum : Traditional Music Sessions Series | Image: Provided

Anything you can tell us about your midterm or long-term plans that you’d like to share?

I’m a very visual person. The reason why I am where I am today is because three years ago I was like, “What does a photograph of me look like three years from now?” I saw myself exactly where I am. Involved in Irish Cultural and Arts promotion and being a proponent for that.

To fast forward, the photograph of the museum and me three years from now is one where we are encouraging a new generation to embrace their heritage of Irish music, culture, dance and in general creating an overall appreciation of Irish immigration’s impact on America in the community at large. I am focused on activities involving children. Two areas I am actively looking at right now involve Irish music and dance programming, integrating schools and / or education. We’ve got the perfect space for a teacher to come in and organize recitals for kids and their families…

I recently hired a new Assistant Director, Hayden-Grace Francis, and am looking to integrate her more deeply into the various aspects of running the organizational mission. In addition to having a History Degree from Siena College, Heyden is a Certified Irish Dance Instructor through An Coimisiun le Rinci Gaelacha which adds a nice dimension to some of my aforementioned forward planning. Ultimately, I want this to be family oriented. It’s really about the mission, about getting the message out regarding the impact of Irish traditions, art and culture on American life while keeping them alive in a new generation.

HIstoric Cottage at the Irish American Heritage Museum | Image: Corey Aldrich

If people want to get involved, what’s the best way to do that?

Visit our website at irish-us.org or contact me at 518 . 427 . 1916.

Also, check out some of the events we have coming up later this month!

FIRST FRIDAY ALBANY Event – feat. Live Music with CURRAGH
Jun 6, 2025 | 6:00 PM | FREE SHOW! In collaboration with Metroland NOW!

THE EAST COASTERS – Trad / Folk Series
June 10, 2025 | 7:00 PM | Ticketed Event. Three renowned Irish performers from the eastern US weave together their regional styles in a memorable evening of tunes and songs

2025 Celtic Influences Performance Series: SEA SHANTIES W/SEÁN DAGHER
Jun 19, 2025 | 7:00 PM | Ticketed Event. The Sea Shanty resurgence is real! Join world renowned sea shanty expert and performer Seán Dagher in this full-throated, big fun IAHM evening of singing and learning about the genre!

Upstate Cold Brew Works on Expanding Their Eye Opening Mission

June 3, 2025 By Corey Aldrich

Local roasters Upstate’s Cold Brew is on the rise, expanding their distribution and product offerings. A combination of community building, creativity and a drive for a well balanced, eye popping brew are the driving factors behind this dynamic duo’s move to supply your morning routine with a bump of flavorful exuberance and maybe a whole lot more.

Jamel Mosely and Khalid Miller : Co-Owners at Upstate Cold Brew | Image: Provided

Please state your name(s). What is your position in the company? Can you share a little about your educational or experiential background?

My name is Khalid Miller — most folks just call me Kha. I am a Co-Owner of Upstate Cold Brew alongside my brother-in-coffee, Jamel Mosely. Day to day I steer operations and recipe development as the Head Brewmaster in addition to and other cool stuff. Jamel drives brand and community outreach (he’s the people magnet). We both do everything of course – but we tend to lean in those respective directions. I received a Master’s in Education from the College of Saint Rose. I was a School Councilor / Behavior Intervention Team Leader at the Brighter Choice School for Boys in Albany, New York for just over 8 years when I left in spring of 2023. Since 2019 my focus and passion has been on deepening my knowledge of the coffee industry and different brewing techniques – such as cold brew!

Upstate Cold Brew Product Offerings | Image: Provided

Cold Brew is a crowded space. What made you decide to start up the company? Can you tell us about your mission? When did you start?

The seed was planted more than a decade ago: we dreamt of a coffee shop that doubled as a creative studio where aspiring entrepreneurs could hatch ideas and find the tools to build them. But we ended up slamming the brakes on the brick-and-mortar plan, because life had other plans – but we eventually came back around to it, but this time with a different approach. Cold brew concentrate. We made it, gave it to friends and family, they loved it and convinced us to bottle up this magic and share it with the world. We got our big break in 2022 at the Troy’s Riverfront Farmer’s Market where it took off. We now have a thriving community that supports us and is growing everyday and the best part is that our mission hasn’t changed– coffee is still the conduit. We brew to spark connection, fuel creativity, and pour resources back into the community that raised us.

Upstate’s Cold Brew : Concentrate | Image: Provided

Can you share a bit about your process and method? What would you say is the identifying characteristic(s) about UCB?

We start with organically-grown, sustainably-traded beans roasted right here in the Capital Region. In the early days we soaked coarse grounds for 14–24 hours and triple-filtered every batch. Today we scale that same philosophy with a chilled, closed-loop system that extracts in a fraction of the time while locking in a richer, smoother, profile and extending shelf life. The result is a velvety concentrate that’s “eye-opening” strong, yet incredibly smooth and flavorful! 

Upstate’s Cold Brew : Scented Candle | Image: Provided

How are you primarily distributing the product? Do you have additional channels that you are pursuing?

Right now a large percentage of our volume moves through direct-to-customer channels we can shake hands with: the Troy Riverfront Farmers Market every Saturday, plus refill stations and grab-and-go bottles at Emack & Bolio’s in Albany, and in the coffee cocktails at DeFazio’s Pizza and The Whiskey Pickle in Troy.

Upstate’s Cold Brew : Nitro Retail Beverage | Image: Provided

For retail, Honest Weight Food Co-op just gave us shelf space, and other regional grocers are in the pipeline. Online, we ship nationwide from our website at upstatescoldbrew.com, and we’re working through the final hoops to launch an Amazon storefront later this summer. So we are doing our best to get this high quality concentrate to as many people as possible!

Jamel Mosely and Khalid Miller : Co-Owners at Upstate Cold Brew | Image: Provided

BONUS: Anything coming up we should know about? New releases or live tasting events?

Catch us in person in right off Monument Square on Second Street at our booth every Saturday at the Farmers Market in Troy. You can also keep up to date on pop up events and special product releases by following our Instagram page @upstatescoldbrew.

WEB: upstatescoldbrew.com | IG: @upstatescoldbrew

Meg Mosca : Fashion Forward Design and Alterations in Saratoga Springs, New York

March 20, 2025 By Corey Aldrich

I recently reached out to Meg Mosca about helping out with a project ACE! is participating in this month with the NYS Art Teachers Association. I had worked with her back in 2017 where she participated in a fashion event that I did at the NYS Museum for Electric City Couture called IDENTITY. I was pleasantly surprised to find that she has grown and is now a fashion related entrepreneur working out of Saratoga Springs. Indie / custom fashion is a tough go. This is such a feel good and practical creative economy story, I just had to share. Additionally, who doesn’t need a good seamstress from time to time?!

Meg and Kevin Mosca : Owners at Mosca Alterations in Saratoga Springs, New York | Photo: Alexandra Eigo

Please state your name and title. Can you tell us a little about your educational / experiential background also?

My name is Megan Mosca, and I’m a fashion designer and small business owner. I completed my studies at Hudson Valley Community College before going on to study at the Fashion Institute of Technology. My education and experiences have shaped my approach to both the creative and practical sides of the fashion industry, allowing me to blend my passion for design with the skills necessary to run a business.

Starting at an existing business, WillFitUin in 2017, I eventually bought the business in August 2021.

2017 Electric City Couture IDENTITY Promo Shoot | Designer: Meg Kluball Mosca
Photo: (L) Doug Mitchell (R) Sarah Pezdek

What drew you to fashion and clothes making?

From a young age, I realized that clothing is like a second skin—it’s something I can choose for myself. It’s amazing how clothes can shift depending on your mood, how you want to present yourself to the world, or even how many times you want to change in a day. This realization sparked my interest in fashion. I quickly became fascinated by the power that clothing holds and how it can shape not just our appearance but how we feel and are perceived.

Mosca Alterations in Saratoga Springs, New York : Detail Work in Progress | Photo: Provided

Tell us more about your shop? Can you explain the types of work you do on a regular basis?

My husband and I own Mosca Alterations in Saratoga Springs, NY, where we specialize in women’s formal wear alterations, with a particular focus on wedding gowns. In addition to alterations, we also offer custom dresses, and we’re expanding into that market more and more. It’s really exciting to work on pieces that have such personal significance, and being a part of making someone’s day even more special is always incredibly rewarding.

Mosca Custom Wedding Dress Design | Photo: Michelle Lang

Are you still experimenting with producing original lines?

Yes, I’m currently working on developing a line of wedding veils called Opaline. I’m also focused on growing our custom gown offerings. One of the most rewarding parts of my work has been creating custom dresses for clients using vintage pieces, particularly wedding gowns from their families. Reworking these gowns—restoring them and giving them new life—has been such a joy, especially when you get to work with something so sentimental and meaningful.

Mosca Bespoke Garment Crafted From Heirloom Piece | Photo: Nicole Perfetuo

Running a business is a lot of work and a very different headspace from the creative. Can you tell us how you balance it? Also, anything you could share on the economics side of things? Any practical recommendations for fellow designers?

Balancing the creative and business sides is definitely a challenge. As a perfectionist, I often find it hard to let go of control, but being a business owner has forced me to rely on the strengths of my team. It’s an ongoing challenge to take my hands off certain tasks, but the growth that comes from collaboration has been invaluable.

In terms of practical advice, I try to keep a clear separation between work and life by setting boundaries. I “punch in” and track my hours to make sure I’m being as productive as possible during work hours. It’s also important to set times when I have to leave the studio. As someone whose brain never seems to turn off, I find it essential to create those boundaries to prevent burnout.

Mosca Opaline Veil | Photo: Amanda Irvine

EXTRA CREDIT: Anything you have coming up you would like to plug or that we should know about?

Yes! We’ve recently launched a collection of veils that are available via Etsy, and we’ll soon be adding them to our website as well. Be sure to check them out! It’s an exciting new venture, and I can’t wait for people to see the pieces we’ve been working on.

WEB: moscaalterations.com | IG: @moscaalterations

Denver Based Musicians Vibe on a ‘Creative Pulse’ in Upstate New York

March 20, 2025 By Corey Aldrich

Late to the party, I just recently discovered this gem of performance space that opened up in early 2024 when I had the opportunity to see the amazing Buggy Jive open for the intellectual and well read storytellers, Nathan Meltz and the House of Tomorrow there. Transplants from Denver, Alana and Niek Velvis decided to land here in Upstate, Troy specifically, due to the creative pulse they felt on the street and the ‘unique mix of history, grit, and artistry, with a growing music and arts scene.’ Approachable and community minded, these creative entrepreneurs have made a space for local and regional indie artists to call home. Oh, and they have respectable baked goods, beer and coffee offerings!

Niek and Alana Velvis : Owners at Mojo’s Cafe and Gallery in Troy, New York | Photo: Provided

Please state your name and title. Also, can you share a bit of your backstory?

We’re Alana and Niek Velvis, the owners of MoJo’s Cafe & Gallery in Troy, NY. At our core, we’re musicians who love playing—that’s what brought us together, and it’s what drives most everything we do.

Alana: I am a classically trained percussionist, with years of experience as a session drummer, nationally touring musician, and recording engineer. I’ve played in a wide range of projects, but find myself especially drawn to the second line rhythms and deep funk traditions of New Orleans. I also handle accounting and keeping everything at MoJo’s running smoothly behind the scenes.

Niek: I am a bassist, recording engineer, and entrepreneur with a background in law and business development. Since 2012, I have focused on working with startups while staying active as a musician. My passion in building physical and virtual spaces that allow artists to create freely came to fruition in 2018, which was a start of what led to building MoJo’s here in Troy.

Music has always been at the center of our lives, and MoJo’s was built from that foundation.

Backyard Stage Vibes at Mojo’s in Troy, New York | Photo: Provided

What was behind your choice in locating in the capital region / Troy? Also, I believe I remember you saying originally you did not plan to open a venue like this…how did it all come about?

We moved to Troy because of a pull to the creative pulse we felt here. For us, the city has a unique mix of history, grit, and artistry, with a growing music and arts scene that felt like the right place to help contribute to something special while remaining authentic to our own journey.

Before moving to Troy, we owned and operated a recording studio in Denver. Recording, engineering, and producing music were a huge part of our lives, and when we made the move to New York, we brought most of the studio gear with us, thinking we’d continue focusing on recording and production. And then, we found the space!

When we walked into what is now MoJo’s, some lightbulbs turned on for us. The layout and the energy felt like the perfect place. Instead of just being a recording space, we saw the potential for a venue, an art gallery, and a gathering place for musicians and artists, so we dove in and MoJo’s became the live extension of what we had already been doing in the studio.

Interior Shot at Mojo’s Cafe and Gallery in Troy, New York | Photo: Provided

From the start, MoJo’s was envisioned as a music venue and art gallery first. The focus has always been on hosting live music and showcasing visual artists. The coffee side of things was the next logical step for us, inspired by the bones of the space and a desire to provide sober-friendly offerings for gallery and show attendees. Building out the coffee portion naturally led to opening the café during the daytime hours, and as the creative energy flowed, we started developing custom coffee offerings with Gipfel Coffee, who roasts all of MoJo’s coffee selections.

You’re right about the plan developing in real time, and we’re grateful for not keeping our feet as there’s never any telling where we’ll be swept off to next.

Buggy Jive – Live at Mojo’s Cafe and Gallery in Troy, New York | Photo: Corey Aldrich

Live music is a cornerstone of a vibrant city / community but is notoriously hard to make work economically…especially if you’re trying to compensate artist fairly. Can you share a bit about that side? How are you keeping the rent paid and making that all work?

This is a continuous challenge. Independent music spaces are fragile, especially when you’re committed to artist compensation. The reality is, ticket sales alone don’t cover costs, not in a room of our size. So for us, the key has been diversification. We treat MoJo’s as a multi-layered business with the cafe operating as a 3rd-Space during the day for food and beverage, Private Event Bookings, Art Sales, Custom Coffee Roasts, and Ticketed events.

Beyond that, it takes community commitment, which we are growing organically every day. We book shows for fans, so we work hard to curate a memorable sensory experience directed at an audience that values live music and understands that keeping a space like this alive requires active participation before, during, and after the show.

It’s also about efficiency for running a lean operation, keeping overhead low, and building relationships with artists and vendors where mutual support goes both ways.

Afternoon Music Break with groop.lab’s DJ Denada | Photo: Provided

Do you have any general comments that you would like to share regarding what we should be doing to ensure that this level of musical ecosystem is sustainable and thriving?

  1. A thriving music scene starts with a dedicated and engaged audience. Show up often, even when you don’t know the performer. Live music and art aren’t nostalgic occasions, they should be part of your daily and weekly routines. The strength of a local music scene depends on people who are curious, open, and willing to experience something new. And when you do? Talk about it. Share what moved you, what surprised you, what made you think. Word of mouth builds culture, and the way we speak about music shapes the way our community values it.
  2. Musicians and artists need to talk about one another as if we are each other’s heroes. Build up your fellow artists, speak about them as if you’re their biggest fan. The love and beauty you speak of is palpable and contagious. When people feel how much love you have for your fellow artists and musicians, they’ll become fans themselves, start going to shows, and spread that energy further. We can actively choose how we frame our community through our language.  Your mindset is yours alone, yet when out in public, you are actively shaping the culture you are a part of. Don’t talk down about each other, lift each other up like the heroes we all are.
  3. Respect process over product. Art and music are all part of a larger ecosystem where artists are manifesting their creative process in real time. Don’t judge a single performance as a finished statement. Artists are evolving, growing, and experimenting live, and the audience, you(!) are a real part of it! One experience at a show should never dictate whether you go to another, so keep showing up.
     
  4. City and State Governments need to recognize the value of music and art spaces as cultural institutions through direct policy support. A municipality that boasts being a music and arts hub just because artists have chosen to live there while lacking direct policy to support music and art is just all smoke and mirrors.
Preshow Vibes at Mojo’s Cafe and Gallery in Troy, New York | Photo: Provided

EXTRA CREDIT: Anything you have coming up or are excited about that you would like to share?

This weekend show is not to be missed, if you haven’t heard Joseph Biss play guitar and sing yet, make it a priority for your Saturday, the musicianship is incredible.

Saturday, March 22nd – Joseph Biss w/s/g Alicia Macier VanScoy
$10 adv / $12 at the door | Doors: 6PM | Show: 7PM

Both nights will bring something special to the room—come through and be part of it.

WEB: mojoscafegallery.com | IG: @mojoscafegallery

Elizabeth Reiss Advice for 2025 : Focus on the Basics | Embrace Change

January 10, 2025 By Corey Aldrich

Elizabeth Reiss, CEO of The Arts Center of the Capital Region is a force of nature. Many of you here no doubt know her or at least of her but many don’t fully understand the energetic impact and momentum she creates in the regional art scene and beyond. Seasoned and confident, Liz is not only a personal mentor to myself and many others but additionally serves as an Advisory Board Member of ACE! who has been connected here since it’s inception. As such, I can’t think of a better person to bring a slice of pragmatic sanity to the barrel we are looking down that we call 2025.

Elizabeth Reiss, CEO at The Arts Center of the Capital Region | Image: Corey Aldrich

Please state your name, title and past experience that got you to where you are today.

My name is Elizabeth Reiss. I am currently the CEO of the Arts Center of the Capital Region.

I’ve always worked in the arts, everything from gallery installer, docent trainer, publications manager to festival producer.  What got me here? At the Arts Center?  When I was in college I took a painting class.  A visiting artist/professor looked at my work and scoffed at it.  Told me to stop painting.  She and my primary professor laughed.  I was humiliated.  I never want that experience for someone.  Everyone should paint. Sing. Dance. Maybe they won’t end up in a gallery. Every artist belongs somewhere – the walls of MoMa or the fridge.  So, I work at a place that celebrates it all.  I love it. I’m lucky. 

That said, what else got me here?  I’m fearless when it comes to thinking I can pull off a project. I’ve opened a children’s museum in NYC, produced an artist-made skate board park in Pittsburgh, and now I’m working on my most complicated endeavor yet – finally developing the upper floors of the Arts Center.  

The 2024 FENCE Show in the Jane Altes Gallery at the Arts Center of the Capital Region
Image: Provided

Can you tell us a bit about what a day in the life looks like for you at the Arts Center?

The Arts Center has a much smaller staff than people may think.  There are 7 of us full time.  So, I spend a lot of time internally, writing & managing projects. I like writing. Our board is really involved, there’s lots of people dropping in. Or, I’m out. I’m old fashioned, I like to meet with people get a little deeper into things. Get to really know people. I spend a lot of my time representing the Center and the region at places like Creatives Rebuild New York, ArtsNYS, or with elected officials. I’m trying to start up a new group  – Capital Region Arts Allies, to help the region get more funding.  We are all surviving, but imagine if we all had enough resources to do more?

Arts Center of the Capital Region – One of the 2024 Troy Glow Exhibits in Downtown Troy NY
Image: Corey Aldrich

I know in addition to your main gig, you are involved in other supportive organizations. Can you tell us a bit about those roles?

When I started at the Arts Center, I knew we were also an arts council and a regrant site, but I didn’t really know what any of of that meant. So, I turned to my peers and had some fabulous mentors who mentors formed ArtsNYS, a state-wide educational and advocacy group. That led to me to serve as President of ArtsNYS for the last three years which has been incredibly fruitful.  The Arts Center was able to distribute a million dollars over two years in grants to our community.  Beyond the funding, I’ve met a lot of people. Last fall I invited the Center for Urban Futures (See ACE! Interview with Eli Dvorkin of CUF) here to talk about the arts and artists in the Capital Region. The growth here is phenomenal. The artist population is growing at a faster rate than any other sector. It’s really exciting. I stepped down as President, but will still be finishing the projects that I started, including a state-wide artist survey that ACE!, CREATE Council on the Arts and Siena College collaborated on with the Arts Center. We are just getting to building the research tools for the findings.  Stay tuned on that one.  

A Young Student Works in the Stained Glass Shop at the Arts Center of the Capital Region in Troy NY
Image: Provided

With a new administration, the end of ARPA funding and the current underwriting challenges for the arts, where do you see things headed in 2025? What in your opinion needs to be the main focus for arts / cultural institutions?

You know, the future is a little uncertain in regards to policy and funding.  And so many people are feeling unsafe right now.  This is where the rings on my tree may be an asset.  I’ve seen this before.  Federal funds may retract, state funds will be under strain….but….private dollars may fare better. It’s too soon to tell.  One thing I do know…. this kind of uncertainty leads me to my own true certainty – in times of unrest people need the arts.  Artists help us understand what we are seeing, experiencing and feeling. Time and time again, when things get tough, people want to feel control.  So they start making things again. There’s a reason crafts blew up during the pandemic. It was something to do, sure, but it was something we could do with our own two hands and with our own autonomy. So the arts will forge on. At the Arts Center? Our main focus will be on strengthening our core programming and to continue to rebuild now that the rescue funds have be spent. Yet, we’ll also try to be sensitive to the changes and stay ahead of them. We will be as nimble as possible to serve the needs as they present themselves. That said, we have a few ARPA (American Rescue Plan Act) and DRI (Downtown Revitalization Initiative) dollars to spend, so look forward to more public art.

BIG INK Print Workshop at the Arts Center of the Capital Region in Troy NY | Image: Provided

What would you say are some practical suggestions that folks can put to use in their organizations to find a more predictable resource sustainability?

That’s a big question. Lets see…

When funding gets tough, its always good to stick to your core competencies and to deliver them with excellence. If you want predictability, you too need to be predictable. That doesn’t mean you have to do the same creative act every day, but it does mean you have to commit to the same level of care and thoughtfulness in what you bring to the public. 

Art Center of the Capital Region – 2023 Troy Art Block in Church Street Alley, Troy NY
Image: Steve Alverez

It’s better to have 100 donors at $10 a month than one donor at $1000 a month even though its a lot more work. Your funding can withstand donors dropping in and out and your programming can stay on track.  

I’m also still learning this one – communicate more than you think you need to.  People – whether they are consumers or donors – want the inside track.  They want to stay in touch. Let’s face it, its hard to get people’s attention, so develop a communication plan and stick with it. Even if no one tells you they are listening. They are. 

Youth Photography Workshop at the Arts Center of the Capital Region in Troy NY
Image: Provided

Anything in the pipeline that we should be aware of? Anything you would like to plug that you have coming up?

More and more creatives are moving upstate and they aren’t interested in our old rules of who does what or our outdated regional boundaries. The work week will continue to flow and change, where people go for arts and entertainment will flow and change, and I hope as a community we can work together to reach for more. 

Sorry I don’t have anything more tangible. It’s winter.  We are all hunkered down.  The kilns downstairs in the pottery studio are warm though…

For more info –
WEB: capartscenter.org
IG: @capregionartscenter
FB: @TheArtsCenteroftheCapitalRegion

Working on the Wheel in the Pottery Studio | Image: Provided
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