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LIVING ONLINE Series By Corey Aldrich

February 9, 2021 By Corey Aldrich

The Loss of the In Person LIVE Performance on CapNY Creatives

For the better part of 2020 and the first quarter of 2021 we have been in a public event apocalypse. Now with the distribution of a vaccine and the onset of summer it looks like we may be cautiously moving forward with LIVE music and  performance based events. This has been a difficult time, to say the least, for creatives. Many of us are dependent on LIVE events for an important part of our income, and for keeping a sharp edge on our craft.

Personally, this has been a mixed bag of emotions and vocational direction evaluation. While I do enjoy the time to focus on passion based endeavors, I missed the interaction that spurs my creative ideas and energy. I am fortunate that my years as a freelance professional have helped me develop skills. As a result, I’ve been able to pivot and keep things rolling. 

In the spirit of collaboration and best practices, I thought I’d share with you a number of perspectives from our fellow creatives to see how folks are getting along, as we all discover new ways to practice in the ever changing tapestry of the new normal.

Be on the lookout in the upcoming weeks for additional perspectives from a variety of creative disciplinary backgrounds.

One of my most recent projects: self-portraits, to hone my photography skills.

LIVING ONLINE SERIES: Performer Ryder Cooley

LIVING ONLINE SERIES: Liam Singer, Composer | Musician | Venue Owner

LIVING ONLINE SERIES: Raya Malcolm, Actor | Musician | Devising Artist

LIVING ONLINE SERIES: SIRSY, Indie Pop Rock Duo

MORE ON COREY ALDRICH

A longtime ACE Contributor, Corey works out of Troy, New York. He runs a freelance consultancy for all aspects of brand development and business process management / development. Current projects include cash flow analysis, strategic market planning, 3rd party project oversight, public relations, event planning and front end visual brand design / design-build projects. He has a focus in not-for-profit arts and mission oriented organizations. In his free time he works on honing his craft as a photographer and guitarist. (corey@2440designstudio.com)

CapNY Woman-Owned Business: Collective 131

October 28, 2020 By wordpress

“My dream of opening a gallery would be impossible in NYC. Here in the Capital Region, there’s a feeling that people want to help each other. I didn’t see that in the city or while living in Hoboken,” said Cassie Fiorenza, Founder and Director of Collective 131, a new gallery in Saratoga Springs. “Here, there’s a mindset of, ‘what’s good for me is good for everyone else.'”

Fiorenza grew up in the Albany area, worked in a major gallery in Manhattan and lived in Hoboken, NJ, and then recently found her way up to Saratoga Springs. This is where she’s decided to open up her first gallery space, in the town’s Arts District on Beekman Street. “If I can bring people to Beekman Street, it’ll be good for the other galleries on the street.”

Representing Women in Art

While working in galleries in New York City, Cassie found that female artists were underrepresented. She observed that many male artists were repeatedly being featured in shows and galleries, while the same did not hold true for women.

As a response, Cassie curated an art show in Manhattan that exclusively featuring women artists. The response was wonderful. This inspired her to start Collective 131, which originated as an online gallery.

Cassie began by featuring the works of her friends and close network, but the platform quickly grew to include the works of artists from all over the country. The goal was to develop a platform of affordable, original art created by women.

A Brick and Mortar Space in Saratoga Springs

The new space features work of two local artists, Tatiana Schynoll of Albany and Hazal Ozturk of Malta.

After an overwhelming outpouring of support for the online gallery, Cassie’s next step was to find a physical space to promote the art and mission of Collective 131. Cassie and her husband were living in Hoboken and starting to outgrow it. They were ready for a change.

When the pandemic emerged, they found it was a perfect time to make the move to CapNY. They landed in Saratoga Springs. They loved the bustling downtown area, the vibrant art scene, the restaurants, and the fact that it is surrounded by mountains and lakes.

Cassie joined Palette as a coworking member and with the support of other strong female entrepreneurs, she found a gallery space on Beekman Street, part of the Beekman Street Arts District.

Beekman Street Arts District

One Million Residents

There are one million residents across the 8-counties of CapNY. Cassie said if she was able to reach all one million of them, she would use her platform to promote the creativity of the female artists she works with…to make the art world a more inclusive place for female talent. She feels the potential of this region is endless and hopes to expand her galleries to other places across CapNY.

Collective 131 opened on 74 Beekman St., Saratoga Springs on October 27th.

Connect with Collective 131!
Website
Address: 74 Beekman St., Saratoga Springs 12866
Phone: 518-339-0512
FB / IG / Twitter / Pinterest

#CapNYRedAlert Profile: Jon Elbaum, Troy Savings Bank Music Hall

September 17, 2020 By Maureen Sager

Like many venues in the Capital Region, Troy Savings Bank Music Hall cancelled or postponed their Spring and Fall 2020 concerts series. Further, Executive Director Jon Elbaum is feeling “pretty questionable” about Spring 2021. The impact of that loss is shared by many. “We won’t be hiring stagehands, caterers, and doing our usual marketing and media buys,” Elbaum said. “That’s 50,000 fewer patrons coming to Troy, where they’d be shopping and dining.” Their annual budget used to be $2 million, and it’s now shrunk to a small percentage of that.

Troy Savings Bank Music Hall Executive Director Jon Elbaum

Despite these challenges, TSBMH was able to put on drive-in concerts this summer. Additionally, 20 outdoor shows brought entertainment to nearby al fresco restaurant patrons. “The artists were so thankful for the chance to perform,” Elbaum said. This winter, they’ll be streaming performances from the hall. “This won’t make up for lost income, but it will help our patrons and supporters to see these performances and stay connected with us”

Jon Elbaum’s Recommendations

ACE asked Elbaum what would help TSBMH, and he mentioned the following:

  • Federal relief legislation, including Senator Chuck Schumer’s Save Our Stages bill
  • Grants, rather than loans. (“The loans were helpful, but we need more.”)
  • Clear communications and guidelines regarding reopening. (“Rules, timeline, health criteria, and more,” Elbaum stressed.)

The biggest unknown is whether audiences will be comfortable coming back inside the nation’s venues, Elbaum said. “There is so much riding on that.”

Troy Savings Bank Music Hall is located at 30 2nd St, Troy, NY 12180-3292.

Support TSBMH and our other local creative businesses and organizations by participating in #CapNYRedAlertNov1. Click here to register today.

ACE Creative: Karina Wojnar

August 6, 2020 By upstatecreative

Some of you may recognize Karina Wojnar, as she is the Development & Membership Manager at Albany Center Gallery. In this position, she fills her time writing grants, planning programming, increasing community outreach efforts, and working with ACG members.

Karina at work, Albany Center Gallery

She wants our readers to know her as a daughter, a sister, and friend – someone who prioritizes amplifying the voices of the unheard in the CapNY community. ACE’s Gabby Fisher has been following her on Instagram for quite a while and reached out to feature her for this week’s ACE Creative feature because of her evolving style as an artist. She’s a creative millennial powerhouse.

Karina, where are you from?

Artwork by Karina

I am originally from Northern NJ, a small lake town called Ringwood. Currently I live in Albany! I went to Siena College and loved the area, so I decided to stay after graduation. Why? The people. The energy of the people. The architecture. The quirks. The random cobblestone streets and historical buildings. Running into people you know in cafes and farmer’s markets. The fact that there are people dedicated to community and positive change. How active people are in politics, human rights, and deeper conversations.

How did you get into the creative field?

Karina’s a yogi too!

I’m lucky. My parents value art as essential, so it was always my path to be in the creative field. I grew up dancing, participating in theater, writing, reading, and prioritizing art classes. I applied to colleges with the intention of getting a business degree with a focus in the arts. Throughout my time at Siena College, I fell in love with social justice and the overlap between humanity and art.

Human beings use art to emote, to share facts, to evoke, to connect with one another. I believe art to be how humans use their VOICE. Everyone has a voice and a different way of expressing it, whether through music, visual art, performance, writing, fashion, etc. We all deserve to be heard.

Painting

In a prior conversation between the two of us, you mentioned you feel like you haven’t necessarily found your creative “voice” yet. Can you talk a little bit about that? I feel that many people can relate.

I’m still experimenting. For the past couple years, I’ve been combining complementary colors and mixing embroidery into paintings. I’m still learning and figuring out technique. People say that once you can become decent at replicating a piece or style of yours over and over– you’ve found your voice.

I’ve been reading “Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic” by Lisa Congdon. It’s been encouraging and affirming to know that my voice matters and it’s all a part of the process. This journey; experimenting, actively listening to my fellow creatives, research…it will all shape my voice, my art, and my life.

ACG hosted a public art bike tour in downtown Albany

What is it like being part of an arts community in CapNY? What has it been like working with local creatives?

In one word…inspiring. Communication and dialogue with fellow creatives is so important. We inspire each other, help each other out, lift each other up. It’s been rewarding. Working with the local arts community is the reason I want to stay in the area.

If you could leave our readers with a word of advice or positivity, what would it be?

Don’t be afraid to put yourself and your art out there. Your voice matters. Black Lives Matter. Black Art Matters.

Connect with Karina!
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Cap Region Creatives: Andrea “Drea” LaRose

June 1, 2020 By wordpress

Andrea “Drea” LaRose is a Cap Region native, born in Troy, NY. She’s an artist that works primarily in photography and site-specific installations that deal with visual shifts in analog and digital worlds. In January 2020, Drea and her good friend, Carolyn Hopkins, opened Second Street Studios, in Troy as a space to create artwork and grow a sense of community amongst artists. In this interview, she talks about the struggles and rewards of being a young artist.

Drea, please introduce your creative endeavors and what you’re up to these days.

I like to play and interfere with photography in a way that the information, originality, and authorship mirror our own interactions with images on the internet, a constantly fluctuating digital world around me. I have taught painting at SUNY New Paltz, where I went to undergrad and sculpture at SUNY Albany, where I went to graduate school. I received my Masters in Fine Arts a year ago from UAlbany where they awarded me an amazing summer residency at Sculpture Space in Utica, NY.

After the experience of working with artists from around the world, I knew I wanted to continue the arts in a way that wasn’t just about my studio practice, but finding ways to involve other artists. Today, I’m a server, which was my main source of income before the crisis, while applying to adjunct teaching jobs waiting for the right fit – as many artists are doing; juggling multiple jobs to support their practice.

Let’s talk about your gallery space, Second Street Studios. What led you to open the space? What is its status now with the current crisis?

An artist and good friend of mine, Carolyn Hopkins, were both in a similar position of wanting a studio space outside of the home. It’s sometimes quite difficult to create in a space you live in, or I find it that way anyway. I got lucky and found this amazing space at 68 Second Street in Troy, a small but beautiful space that we could instantly see ourselves in. We both had the idea of making it into more than just a studio, we wanted to have classes, invite other artists into the studio for critique nights and exhibit work of other artists. You’re told so many times how difficult the “real world” is after graduate school, especially in the arts, but until we actually went through it, we didn’t have a clue.

Application fees for exhibitions added up…we received so many rejection letters from job or show opportunities, it began to drag a bit. But what remained was that we both wanted to provide a space for emerging artists, like ourselves, to show their work, without all these application steps AND keep 100% of their sales. “The Hallway” (literally the adjoining hallway from the front door to our studio) became this opportunity to exhibit artwork, and our inspiration for what this space could turn into started there. Unfortunately due to the pandemic, Carolyn had to move out of the space because she wasn’t able to use it anymore, but she’s still part of the energy. So now we’re at a bit of a standstill with the physical space and I’m coming up with ideas of how I can make Second Street Studios come back stronger than before.

Why do you love being a creative in the Cap Region?

The support we’ve gotten on our exhibitions has been absolutely eye-opening. We’ve had roughly 100 people through our space for each exhibition and it’s amazing to see the community come together, even if the space is small and a bit alternative (compared to your average white-cube art space). I am so happy that through this tough time, our community has donated to help us keep our doors open; and to give back, we’ve been hosting virtual exhibitions that can be viewed on our Facebook page. Our second show airs on Friday May 29th (which would have been Troy Night Out). I don’t want to lose momentum, and most understand the struggles of a starting space/business, especially in the arts; but I want to be able to provide an open, creative, and inclusive environment for people, in-person or virtual.

Seeing the work virtually is in no way a replacement of seeing it in person, but we want to be sure that during this time, they are being supported. I understand there is a huge surge of visual information out there, with businesses, schools, etc. moving to online platforms…we just ask that people simply look.

There’s nothing required of you, other than to look and appreciate what people are making and creating. Through all of this, I think it’s been particularly eye-opening how much the general public has gripped onto the arts as a means of entertainment. I hope everyone remembers that after this is over and helps support the emerging artists today in their community.

Will you leave us with a positive word?

Something I’ve been struggling with during this whole pandemic is the idea of what to do with all of this time. As an artist and creator, this time is ideal to create artwork, but it has proven to be difficult for me at times. I’ve reached out to other artists friends who are feeling the same way, and I’d just like to say to whoever needs to hear this that it’s okay if you aren’t as productive as you were pre-Covid-19. We’re all figuring things out and there’s enough pressure on us all to find solutions to our seemingly ever increasing problems. So, if you need to take a day to do nothing? Do nothing, take time for yourself, and we’ll all get through this together.

Connect with Drea

Website
Instagram
Facebook
Email

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